Performer: Don Byas
Album: Jazz Ballads 5
Label: Membran Music. Made in DE.
Catalog #: 222531 311
Style: Contemporary Jazz, Cool Jazz
Year: 2004
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 19+20
Size ZIP: ~ 517 mb
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Carlos Wesley "Don" Byas - was an American jazz tenor saxophonist, associated with Swing and bebop. He played with Count Basie, Duke Ellington, Art Blakey, and Dizzy Gillespie, among others, and also led his own band. He lived in Europe for the last 26 years of his life.

Performer: Clifford Brown & Sonny Rollins
Album: Jazz Ballads 4
Label: Membran Music. Made in DE.
Catalog #: 222531 311
Style: Contemporary Jazz, Cool Jazz
Year: 2004
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 9+9
Size ZIP: ~ 478 mb
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Performer: Lester Young
Album: Jazz Ballads 3
Label: Membran Music. Made in DE.
Catalog #: 222531 311
Style: Contemporary Jazz, Cool Jazz
Year: 2004
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 14+17
Size ZIP: ~ 375 mb
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Lester Willis Young - nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist.
Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike".
Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.

Performer: Ben Webster
Album: Jazz Ballads 2
Label: Membran Music. Made in DE.
Catalog #: 222531 311
Style: Contemporary Jazz, Cool Jazz
Year: 2004
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 17+17
Size ZIP: ~ 446 mb
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Benjamin Francis „Ben“ Webster - war ein US-amerikanischer Tenorsaxophonist des Jazz, der gelegentlich auch Piano und Klarinette spielte. Er wird ähnlich wie Coleman Hawkins und Lester Young als einer der großen Tenorsaxophonisten der Swing-Epoche angesehen. Seine Spielweise variierte vom manchmal gehauchten Ton in Balladen bis zum „kehlig-krächzenden Vibrato“ bei schnelleren Tempi. Bekannt wurde er vor allem durch seine Soli im Duke Ellington Orchestra von 1940 bis 1943 und später als ein meisterhafter Interpret von Balladen. Seine Spitznamen waren Frog und Brute.

Performer: Chet Baker & Gerry Mulligan
Album: Jazz Ballads 1
Label: Membran Music. Made in DE.
Catalog #: 222531 311
Style: Contemporary Jazz, Cool Jazz
Year: 2004
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 16+15
Size ZIP: ~ 395 mb
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Performer: B.B. King
Album: Easy Listening Blues
Label: P-Vine Records. Made in Japan.
Catalog #: PCD-4374
Style: Blues
Year: 1962
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size RAR: ~ 238 mb
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Recovery: 3%
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"Easy Listening Blues" is a bit of an oxymoron, especially in the hands of B.B. King, who might be smooth and urbane in some respects, but who's rarely recorded music that could be categorized as easy listening. That's the title that Crown used, however, for this all-instrumental 1962 collection.

Performer: Naked City
Album: Radio
Label: Avant. Made in Japan.
Catalog #: AVAN 003
Style: Jazz Noise Core
Year: 1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 19
Size RAR: ~ 368 mb
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Recovery: 3%
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Предположительно, Радио было задумано как набор для радиопрограммы колледжа, что сделало его своего рода "Путеводителем молодых людей по голому городу", начиная с с доступными мелодиями, постепенно формируя у слушателя толерантность к диссонансу и, наконец, забивая слушателя злобными взрывами диссонирующего металлического шума и убедительными криками преступника и жертвы ».

Performer: Ella Fitzgerald
Album: Masters Of Jazz
Label: Duet Music. Made in AT.
Catalog #: DUETCD 094
Style: Jazz
Year: 1989
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 16
Size ZIP: ~ 246 mb
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Элла Фицджеральд не получила музыкального образования, она ни разу в жизни не посетила урок пения и ей не нужно было распеваться перед выступлениями[48]. Она обладала меццо-сопрано, но могла петь как выше, так и ниже. Диапазон её голоса составлял три октавы: от ре-бемоль малой октавы до ре-бемоль третьей октавы.
Американский писатель, журналист и музыкальный критик Уилл Фридуолд писал, что в отличие от многих других певцов Элла Фицджеральд обладала поистине уникальным и ценным голосом, звучание которого можно было бы назвать самым красивым и идеальным среди тех, которые когда-либо слышал человек.

Performer: Charlie Parker
Album: Charlie Parker For Lovers
Label: The Verve Music Group. Made in UA.
Catalog #: 0602498892985
Style: Jazz, Bop, Big Band
Year: 2006
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 11
Size ZIP: ~ 146 mb
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As part of Verve's For Lovers series, the genius alto saxophonist Charlie Parker is spotlighted on 11 tracks recorded between 1949 and 1954. This romantic set of standards aptly highlights Bird's melancholic flight, especially on the seven tracks from Charlie Parker with Strings: "Easy to Love," "I Didn't Know What Time It Was," "Laura," "Everything Happens to Me," "Summertime," "Autumn in New York," and "Out of Nowhere."

Performer: Billy Cobham
Album: The Best Of Billy Cobham
Label: Atlantic. Made in DE.
Catalog #: 7567-81558-2
Style: Jazz Rock, Fusion
Year: 1987
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 8
Size ZIP: ~ 289 mb
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This is a compilation of some 1970s LPs. If you like Weather Report, Chick Corea, Santana or Miles Davis of this period, you'll enjoy this one. At 8 tracks and just over 40 minutes, one wishes they'd be a little more generous. What's here is a pretty good mix of Cobham compositions though; includes two Cobham's fusion classics: Spectrum and Crosswinds.

Performer: Billy Cobham
Album: Magic
Label: Columbia, Sony Music. Made in EU.
Catalog #: 5128952
Style: Jazz Rock, Fusion
Year: 2004
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 8
Size ZIP: ~ 377 mb
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In the 1970s, Billy Cobham was one of the most dynamic names in jazz-rock fusion. He recorded with Miles Davis and John McLaughlin’s Mahavishnu Orchestra before striking out on his own. He became highly influential in jazz and rock drum sounds, with his high pitched, tuned drums and his interesting mixtures of traditional beats with experimental melodic drumming. This album is a re-release of the second of five albums that he cut for CBS records, released now by Sony with two additional tracks and a new attempt at mixing and mastering with all that digital equipment can bring to the original analog recordings.

Performer: Tal Fallow & Lenny Breau
Album: Chance Meeting
Label: Guitarchives Music. Made in CA.
Catalog #: GTR-0003
Style: Jazz
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 9
Size ZIP: ~ 272 mb
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Chance Meeting is an album by jazz guitarists Tal Farlow and Lenny Breau that was released in 1997.

Performer: B.B. King
Album: Everyday I Have The Blues
Label: Quadromania. Made in Germany.
Catalog #: 222452-444
Style: Blues
Year: 2005
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 15+15+13+7
Size RAR: ~ 229+261+247+292 mb
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Recovery: 3%
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Also in 1955, B.B. King recorded "Every Day I Have the Blues". King attributed the song's appeal to arranger Maxwell Davis: "He [Davis] wrote a chart of 'Every Day I Have the Blues' with a crisp and relaxed sound I'd never heard before. I liked it so well, I made it my theme ... ... The induction statement includes: "Everyday I Have the Blues" is one of the most ubiquitous of all blues songs, a required number in the repertoires of the countless bar and lounge bands of many genres. Its late entry into the Blues Hall of Fame reflects the fact that no strong consensus emerged as to which of the hundreds of recorded versions was most deserving. But it often is associated with B.B. King, and so the first of his own many versions gets the honors.