Back to Black - второй и последний студийный альбом британской певицы Эми Уайнхаус, выпущенный 4 октября 2006 года на Island Records. В поддержку альбома было выпущено несколько синглов: «Rehab», «You Know I’m No Good», «Back to Black», «Tears Dry on Their Own» и «Love Is a Losing Game».
Большинство музыкальных критиков положительно отозвались об альбоме, оценив талант автора в песнях, написанных Уайнхаус под влиянием классического соула и спродюсированных Саламом Реми и Марком Ронсоном. На 50-й церемонии «Грэмми» Уайнхаус была награждена пятью статуэтками в категориях «Лучший поп-альбом», «Лучший новый исполнитель» и «Песня года», «Запись года» и «Лучшее женское исполнение поп-песни» за «Rehab». Back to Black был также номинирован в категории «Альбом года».

De-Phazz's third album is another off-color mixture of Heidelberg-based lounge jazz, and its lazy breakbeats, trip-hop strings, and idly soulful singers are the least willfully ironic out there. The Latin touches are sprawling yet snug, like Beatless or Fila Brazillia by way of Air. Even better are the reggae-jazz experiments that pop out from time to time, as if to remind you that chillout collectives, even German ones, still know how to be sobered and eclectic. But it also can't seem to get around the idea that comedic late-night music is a tough, rubber-nosed beast to tame. Like Bent on a bad day, "Heartfixer" is an unfortunately upbeat clod-rock take on downtempo cheek, and "Trash Box" is even worse. Nothing groundbreaking, all said, just braver than Zero 7.

The 20-track EMI collection Let's Fall in Love appropriately spends its running time on the love songs of Nat King Cole. Since Cole recorded hundreds of ballads, a bit of focus is required; presented here are mostly performances from the late '50s and early '60s, including a parade of common Cole titles ("When I Fall in Love," "Stardust," "Too Young," "For All We Know," "Ramblin' Rose") alongside rarer performances ("I'm Gonna Sit Right Down [And Write Myself a Letter]," "A Cottage for Sale," "Once in a While"). Its blend of material, common and obscure, makes it a difficult pick for any type of fan, though Cole rarely recorded bad material and only a few songs qualify as subpar.

Northern Soul is the first album by the British dance band M People. It was originally released in 4 November 1991. After the release of the single "Excited", a new song not originally included on the album, it was re-released with an updated track listing in late 1992, reaching number 53 on the UK albums chart. Following the success of the band's later albums, Elegant Slumming and Bizarre Fruit, this second version was re-issued in October 1995 and charted at number 26.

Bizarre Fruit is the third album by the British house music band M People. It was released on 14 November 1994 and charted and peaked at number 4, spending one year on the chart before an expanded version of the album, Bizarre Fruit II, was released a year later. This album sold 2.8 million copies in the UK and was certified 3x Platinum.

Girl Talk – wydany jesienią 2011 r. debiutancki album Moniki Borzym, podejmujący jej interpretację znanych lub zapowiadających się evergreenów jazzowych, soulowych i popowych.
Jego produkcją zajął się Matt Pierson, który przygotowywał także płyty takich artystów jak Joshua Redman czy Brad Mehldau. Aranżacje wykonali amerykańscy jazzmeni – Gil Goldstein (laureat nagród Grammy) i Aaron Parks. Wśród muzyków pojawiają się na płycie też m.in.: basista Larry Grenadier, perkusista Eric Harland, trębacz Greg Gisbert, saksofonista Seamus Blake i puzonista Mike Davis.

Crazy Love is the sixth studio album (and fourth major label studio album) by Canadian vocalist Michael Bublé. It was released through 143 Records and Reprise Records on October 9, 2009. After only three days of sales, it opened atop the Billboard 200 chart with 132,000 copies, making it Bublé's second No. 1 album. Spending the first full week at the top, the album increased in sales to 203,000 copies, staying again at the No. 1 spot on its second week. In Australia, the album debuted at No. 1 on the ARIA Albums Chart and spent six non-consecutive weeks as No. 1. It has since been certified five times Platinum. In the United Kingdom, Crazy Love topped the album charts.

His workout on Louis Jordan's "Just like a Woman" is a tour de force that's been reissued often, but much of the compilation is rare stuff that gives Lucille her full due.

The Inner Mounting Flame is the debut studio album by multinational jazz-rock fusion band Mahavishnu Orchestra, released in August 1971 by Columbia Records. After their formation, the group performed several debut gigs before they entered the studio to record their first album featuring all original material written by guitarist John McLaughlin.

Kenneth Earl Burrell (born July 31, 1931) is an American jazz guitarist known for his work on the Blue Note label. His collaborations with Jimmy Smith produced the 1965 Billboard Top Twenty hit album Organ Grinder Swing. He has cited jazz guitarists Charlie Christian and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.
Burrell is a professor and Director of Jazz Studies at the UCLA Herb Alpert School of Music.

Второй альбом певицы с необыкновенным нежным голосом - Katie Melua. Ее сингл "Nine Million Bicycles" лидировал в пятерке хитов в UK и вызвал бурную дискуссию со стороны научного автора Simon Singh, который осуждал певицу в непонимании научного процесса. Заглавная песня альбома написана после личных событий, когда Katie порвала отношения со своим другом Luke Pritchard.

Би Би Кинг был самым приятным человеком, которого я когда-либо встречал в музыкальном бизнесе. Он — сам блюз, а блюз — это и есть Би Би Кинг», — рассказывает Джо Бонамасса. «Он помог мне в начале моей карьеры и его советами я пользуюсь до сих пор.

My Kind of Blues is a studio album by American bluesman B. B. King. According to biographer David McGee, the songs were recorded in 1958 at the Chess Records studios in Chicago. However, researcher Colin Escott identifies the recordings as being from a March 3, 1960 session, when King was under contract to the Bihari brothers and recorded in the Los Angeles area.