The Getaway is singer Chris de Burgh's sixth original album, released on A&M Records in 1982. It was the first studio album of de Burgh's to chart in the UK, following the compilation Best Moves a year earlier. The album peaked at number 30 in the UK and spent 16 weeks on the chart. In the week beginning 7 February 1983, the album went to the top of the album charts in the then West Germany.

It produced de Burgh's second UK hit single, "High on Emotion", which entered the chart on 12 May 1984 and peaked at number 44. The album itself reached 11 on the UK album chart and remained on the chart for 24 weeks. In Germany and Switzerland, the album hit number one in the weekly charts and was the second-best-selling album of 1984 in both countries.

Into the Light is the eighth studio album by British-Irish singer Chris de Burgh, released in 1986 by A&M Records. The album is notable for containing what is easily de Burgh's biggest hit, "The Lady in Red".
The album peaked at number two on the UK Albums Chart, becoming de Burgh's first studio album to enter the top ten.

Flying colours is het negende studioalbum van Chris de Burgh. De opnamen voor dit album vonden plaats in de Powerplay geluidsstudio in Zürich, Zwitserland. De Burgh en zijn toenmalige muziekproducent Paul Hardiman deden het productiewerk samen, behalve bij track The simple truth, dat De Burgh alleen produceerde.

Tigermoth Records are excited to announce the release of the second album by Chimpan A, The Empathy Machine an amazing 14 years in the making. The core of the band are vocalist Steve Balsamo (Balsamo Deighton, Jesus Christ Superstar, Eric Woolfson) and multi-instrumentalist Robert Reed (Magenta, Sanctuary, Kompendium). The album follows their self-titled debut album, released in 2006, and will be released on April 10th 2020.

"Thulêan Mysteries was made passively, in the sense that I never intended to make a new album; I just made music every now and then and at one point realized that I actually had enough to release it all on an album. When asked to do so I figured: why not? It was a good idea. The music is a little bit of this and a little bit of that, transcending any genre, and perhaps belonging to many different genres. The intention with it was always to create a certain atmosphere, often related to an idea or a situation. Since my true passion has never been music, but actually tabletop role-playing games, I figured I should make this an album intended for that use; as background music for my own MYFAROG (Mythic Fantasy Role-playing Game). Hopefully you will get a sense of Thulê when you listen to this, like always with Burzum, ideally when on your own. I hope you will enjoy this soundtrack to Thulê, to Mother Nature and life itself" – Varg Vikernes

Burning Witches ist eine Schweizer Heavy-Metal-/Power-Metal-Band aus Brugg.

The Bridget Kelly Band is back in action with its eagerly-awaited sixth record Dark Spaces, thanks to Alpha Sun Records. The BKB has made the semifinals in the ultra-competitive International Blues Challenge twice and gone all the way to the top of the Roots Music Report’s Electric Blues chart. Bridget Kelly is the vocal focus and shows herself to be a multifaceted singer with her own ideas about how to perform roots music. She delves into both vintage and contemporary blues styles in depth on Dark Spaces and also delivers lyrics of substance with relevant messages. Her partner in crime is guitarist/producer/songwriter Tim Fik, who brings the instrumental firepower to these tracks that he also co-wrote and produced. Together, they’re a formidable creative force well able to make you groove and think at the same time.

This three CD compilation is all the Bonnie Tyler a casual fan is likely to want or need, but if you haven't heard a great deal of her work and wanted something to explore her music more, this is an ideal choice. The Ultimate Collection covers the cream of her 70s and 80s output, including her biggest hits (It's A Heartache, Lost In France, Holding Out For A Hero, Total Eclipse Of The Heart) plus a huge amount of massively enjoyable songs. Personal favourites include Faster Than The Speed Of Night, More Than A Lover, Loving You's A Dirty Job (But Somebody's Gotta Do It) (a duet with Todd Rundgren), If You Were A Woman (And I Was A Man) and Here She Comes. Her cover versions of Have You Ever Seen The Rain, Straight From The Heart and Sometimes When We Touch are rather good too.

Bob Marley is best known for his classic Island Records catalog, and while that material is undeniably great, there are many Marley fans and historians who feel that his finest recordings actually came earlier, when he and the Wailers were still largely a Jamaican phenomenon. Wherever one stands on that issue, the fact remains that Marley's early work, particularly the sessions with producer Lee "Scratch" Perry in 1970 and 1971, are of an uncommonly high quality. This collection combines several of the Perry tracks ("The Sun Is Shining," "Duppy Conqueror," "African Herbsman," "Mr. Brown") with those produced by Leslie Kong ("Soul Shakedown Party") and by the Wailers themselves ("Trench Town Rock," "Lively Up Yourself," both of which were originally released on the group's own Tuff Gong label), and the selections are enough to provide a brief but decent introduction to this Jamaican phase of Marley's career. There are literally hundreds of editions of this material on the market -- some legally licensed, some not -- but Roots of a Legend is at least honestly rendered, with decent packaging and sound. A bonus DVD featuring footage from Marley's 1980 tour (undertaken just 17 months before his death) in support of the Survival album is also included.

The album’s title ‘Preaching to the Choir’ has different meanings, on different levels. When applied to the band Kalle Wallner says, “It’s about blind understanding. When you get the right people on board, there is no need for lengthy explanations. You just hit the recording button. And when you then give the right musicians the right music … that’s when they help you take it to the next level.” He goes on to say, “No need to convince anybody, no discussions. And no compromises are necessary. You just pump it out.”

The concept of the super-group, while not new, has evolved a bit since it was dabbled with in the 60s and 70s. From Cream to ELP to Asia to The Traveling Wilburys, the super-group has always been a productive outlet for both record labels and rock stars either looking for a momentary change of scenery, or a new direction following a breakup. While they seem to have fallen out of fashion from about 1990 on, in recent years, some labels, such as Frontiers Music, have been reinvigorating the idea, albeit with mixed results. Whereas in 1980 a recording producer could play Nikola Tesla with a lab full of exciting new elements and concepts, today that is less so the case. It may be less Tesla, and more of opening up the pantry to see if there is anything to throw together which may resemble dinner. In fact, sometimes today when semi-retired veterans are put into a studio to do an album, many songs feel a bit like reheated leftovers, perhaps unused ideas from yesteryear which may have been better left on the cutting room floor.

Greatest Hits — сборник песен исландской певицы Бьорк, вышедший в 2002 году. Все композиции сборника ранее выпускались в виде синглов. Песни для Greatest Hits выбирались голосованием среди фэнов. Порядок треков выстроен в соответствии с количеством голосов, полученной каждой песней. Последний трек является бонусом. Несмотря на название, в сборнике отсутствует самый популярный хит Бьорк «It’s Oh So Quiet», а также некоторые другие синглы.

Like the Prodigal Son, Bill Blue has returned from the wilderness. It’s been 30 years since he stepped into the studio, but he’s returned with a vengeance.
Blue – that’s his real name – was a young man when he met ‘50s superstar Arthur “Big Boy” Crudup. That encounter changed Blue’s life forever. Instead of struggling as a guitarist in his native North Carolina, he was soon touring the world with the man who some folks considered the father of rock ‘n’ roll and who wrote a string of classics, including “Mean Ol’ Frisco,” “My Mama Don’t Allow Me” and the Elvis Presley hit, “That’s All Right.”