Nevermind е вторият и най-успешен албум на американската гръндж група Nirvana в търговската мрежа. Издаден е на 24 септември 1991 г. от DGC Records и продуциран от Бъч Виг. При създаването на албума, Кърт Кобейн се стреми да изведе музиката на групата отвъд средите на гръндж сцената в Сиатъл, като се фокусира върху работата на алтернативни рок групи като Pixies и използва техника им на промяна на динамиката (тихо и силно). Записът включва нов барабанист Дейв Грол, който замества предишния барабанист на групата – Чад Чанинг (в албума той участва само в една песен – „Polly“).
След излизането на Nevermind алтернативният рок става част от мейнстрийма, а албумът е приветстван от критиците (в това число Rolling Stone, NME и Time) като един от най-добрите албуми на Nirvana за всички времена.

In Utero is the third and final studio album by American rock band Nirvana, released on September 13, 1993, by DGC Records. After breaking into the mainstream with their second album, Nevermind (1991), Nirvana hired Steve Albini to record In Utero, seeking a more complex, abrasive sound.
Recording took place over two weeks in February 1993 at Pachyderm Studio in Cannon Falls, Minnesota. Soon after recording was completed, rumors circulated that DGC might not release In Utero due to Albini's abrasive sound. Producer Scott Litt was hired to remix the singles "All Apologies", "Heart-Shaped Box" and "Pennyroyal Tea", upsetting Albini.

Vanilla Fudge is an American rock band known predominantly for their slow extended heavy rock arrangements of contemporary hit songs, most notably "You Keep Me Hangin' On".
The band's original line–up — vocalist and organist Mark Stein, bassist and vocalist Tim Bogert, lead guitarist/vocalist Vince Martell, and drummer and vocalist Carmine Appice — recorded five albums during the years 1967–69, before disbanding in 1970. The band is currently touring with three of the four original members: Stein, Martell, and Appice with Pete Bremy on bass as Bogert retired in 2009.

Electric Warrior is a 1971 album by Marc Bolan's band T. Rex, their sixth since their debut as Tyrannosaurus Rex in 1968, and their second under the name T. Rex. The album marked a turning point in the band's sound, moving away from the folk-oriented music of the group's previous albums and pioneering a flamboyant, pop-friendly take on electric rock & roll known as glam rock.
The album reached number 1 on the UK charts and became the best selling album of 1971. The single "Get it On" reached the top ten in the US Billboard Hot 100 singles chart. Retitled "Bang A Gong (Get It On)" by the US record company, it also became the band's only hit in North America.
Electric Warrior has since received acclaim as a pivotal release of the glam rock movement.

Crime of the Century ist das dritte Studio-Album der britischen Pop-/Rockband Supertramp und zugleich der Titel eines Liedes dieser Platte. Im Vergleich zum Vorgängeralbum Indelibly Stamped (1971) agierte die neu formierte Band bei dessen Aufnahme erstmals in ihrer klassischen Besetzung. Es erschien im September 1974 und verschaffte der Band den Durchbruch.

Hot August Night is a 1972 live double album by Neil Diamond. ("Hot August night" is also the opening lyric to Diamond's 1969 single, "Brother Love's Travelling Salvation Show".) The album is a recording of a Diamond concert on August 24, 1972, one of ten sold out concerts that Diamond performed that month at The Greek Theatre in Los Angeles.

This is my favorite Kazu Matsui recording. I have others but this one with Robben Ford is very good. If you are a fan of Robben Ford, you get to hear a different side of him. Great vocalsl from Robben. I have been looking for this album in CD format for years. A must have for Kazu Matsui Project fans and Robben Ford fans.

"In-A-Gadda-Da-Vida" (derived from "In the Garden of Eden") is a song recorded by Iron Butterfly and written by bandmember Doug Ingle, released on their 1968 album In-A-Gadda-Da-Vida.
At slightly over 17 minutes, it occupies the entire second side of the In-A-Gadda-Da-Vida album. The lyrics are simple, and heard only at the beginning and the end. The track was recorded at Ultrasonic Studios in Hempstead, Long Island, New York.
In 2009, it was named the 24th-greatest hard rock song of all time by VH1. It is also often regarded as an influence on heavy metal music and one of the firsts of the genre.

From the Mars Hotel is the seventh studio album by rock band the Grateful Dead. It was mainly recorded in April 1974, and originally released June 27, 1974. It was the second album by the band on their own Grateful Dead Records label. From the Mars Hotel came less than one year after their previous album, Wake of the Flood, and was the last before the band's then-indefinite hiatus from live touring, begun in October 1974.

Blues for Allah is the eighth studio album by the Grateful Dead. It was recorded February 27 – May 7, 1975, and released September 1, 1975. It was the band's third album on their own Grateful Dead Records label and their third studio album in a row. Though it has not received RIAA certification as of 2020, Blues for Allah was the group's highest-charting album until 1987's In the Dark, reaching No. 12 during a thirteen-week stay on the Billboard Album Chart.

Critical reaction to the album has been largely positive. At the time of release Robert Christgau said the album contained "AM and FM faves" which were "served hot, raw, or both". "Ultimate Classic Rock" ranked the album in the "Top 100 Live Albums", and suggested that it was superior to the studio albums recorded by Clapton at the time.

Backless is the sixth full-length studio album by Eric Clapton. Produced by Glyn Johns, and released by RSO Records, Backless reached No. 8 on the pop charts. While the single "Promises" only reached No. 37 in the UK, it was a much bigger success in the US, reaching No. 9 on the Billboard charts. The follow-up single, "Watch Out for Lucy", was the B-side of "Promises", but reached #40 on the Billboard charts on its own merit. This was Clapton's last studio album to feature his longtime bassist Carl Radle who died in 1980.

Baby I'm-a Want You is the fourth album by Bread, released in 1972. Its singles included the title cut (which reached No. 3 on the Billboard Top 100), "Everything I Own" (No. 5), "Mother Freedom" (No. 37), and "Diary" (No. 15). This was the first Bread album to feature keyboards player Larry Knechtel.

Это профессиональный аудио технический диск.
Предназначен для проверки аудиосистем на точность воспроизведения основных частот и чистоту звучания в целом.
Достаточно часто применяется на студиях и в концертных залах звукорежиссерами,
где требуется высокоточная регулировка аудио аппаратуры, но может быть легко использован для настройки и домашней техники класса Hi-Fi и Hi-End.
Кроме звуковых тестовых сигналов для проверки аудиосистем и снятия АЧХ (амплитудно-частотной характеристики),
на диске также имеются звуки различных инструментов, фрагменты музыкальных тем.

Wish You Were Here затрагивает темы отчуждения, проблемы музыкальной индустрии и личность бывшего участника группы Сида Барретта, покинувшего коллектив из-за нестабильного психического состояния, вызванного употреблением наркотиков. Первые сессионные записи давались тяжело и проходили в напряжённом режиме, концепцию альбома предложил Роджер Уотерс, решив разделить главную композицию «Shine On You Crazy Diamond» на две части и добавить к ней ещё три новые песни. Заглавная песня явилась данью уважения к Барретту, который по иронии судьбы экспромтом посетил студию прямо во время записи. Визит оказался настолько неожиданным, а внешность музыканта так сильно изменилась, что участники группы не сразу признали в нём своего старого товарища.