Greatest Hits — сборник песен исландской певицы Бьорк, вышедший в 2002 году. Все композиции сборника ранее выпускались в виде синглов. Песни для Greatest Hits выбирались голосованием среди фэнов. Порядок треков выстроен в соответствии с количеством голосов, полученной каждой песней. Последний трек является бонусом. Несмотря на название, в сборнике отсутствует самый популярный хит Бьорк «It’s Oh So Quiet», а также некоторые другие синглы.

Like the Prodigal Son, Bill Blue has returned from the wilderness. It’s been 30 years since he stepped into the studio, but he’s returned with a vengeance.
Blue – that’s his real name – was a young man when he met ‘50s superstar Arthur “Big Boy” Crudup. That encounter changed Blue’s life forever. Instead of struggling as a guitarist in his native North Carolina, he was soon touring the world with the man who some folks considered the father of rock ‘n’ roll and who wrote a string of classics, including “Mean Ol’ Frisco,” “My Mama Don’t Allow Me” and the Elvis Presley hit, “That’s All Right.”

Big Joe Shelton was honored in 2007 by being included on the “Columbus / Cat Fish Alley” Mississippi Blues Trail Marker. He was deeply influenced by Joe Williams, who was a friend as well as an instructor. Ben Ferrell (on guitar) fires out of the gate with a repetitive, uptempo guitar hook to kick off the opener, while Big Joe’s harp provides constant reminders of his talent. His CDs have been listed in the top ten on numerous national and international blues radio charts; "Ridin" A Chicken" is a definite part of that success.

The musical roots of Big Joe Shelton, a Blues Music Award Nominee, run deep in the rich, dark, soil of the Black Prairies of Northeast Mississippi; the same region that spawned the likes of blues icons Howlin’ Wolf, Big Joe Williams and Bukka White. "“Willie King was really an influential guy..." - Big Joe Shelton. Joe garnered a nomination in 2012 at The Blues Music Awards in Memphis, Tennessee for “Song of the Year” with high expectations on the 2013 release "I’d Never Let Her Down". This is a confidant recording with lyrics that are stuff that the average working guy can relate to when times can be a little tough. Good for sure!

The aspiring musician moved back to Mississippi in late 1979 and opened a stained glass studio, which he continues to operate today. Shelton also began to perform locally, primarily as a solo performer. By the mid 1990s he decided to push himself more as a musician and began putting together electric blues bands and writing his own material. Shelton currently performs with his four piece band as well as in solo and duo format. In addition to regular club gigs, he performs at festivals throughout the region, including the Howlin’ Wolf Memorial Blues Festival, Willie King’s Freedom Creek Blues Festival, and the Beale Street Mess Around.

BIFF BYFORD’S SCHOOL OF HARD KNOCKS DUE FEBRUARY 21ST 2020. Legendary Saxon frontman releases first solo album Free, tough, uncompromising and supremely obdurate, the English North is everything you saw in Game of Thrones and more. It is the true heart of England, the region where its soul resides, and Biff Byford has earned the right to be considered its true heavy metal bard. The legendary Saxon frontman takes on not just tales and stories from his heart and soil, but also investigates the Middle Ages and Medieval history overall in his first ever solo album. Recorded by Jacky Lehmann at Brighton Electric Studios and mixed by Matts Valentin at Queens Street Studio in Stockholm, the album was produced by Biff Byford, vocals, with Fredrik Akesson on guitars, Christian Lundqvist on drums and Gus Macricostas on bass guitar. The album also features guest appearances from Phil Campbell, Nick Baker, Alex Holzwart and Dave Kemp. In all senses a classic, masterfully-constructed old school British hard rock album School of Hard Knocks is every aural inch a Byford storybook highlighting his passionate interests. From the spoken word of “Inquisitor” leading into the metaltation on the Spanish Inquisition of “The Pit and Pendulum” to the autobiographical, old-school ‘wheels of steal’ era thrust of the title track, you’ll get to know Byford supremely well over the 11 tracks which comprise School of Hard Knocks. School of Hard Knocks is destined to be one of the biggest, most entertaining metal-plated surprises of 2020.

Inimitable singer Russell Allen (Symphony X, Adrenaline Mob) and acclaimed Swedish guitarist, songwriter, and producer Magnus Karlsson (Primal Fear, Magnus Karlssons Free Fall) have collaborated successfully on three critically acclaimed albums where Russell dueted with Norwegian singer, Jorn Lande. After a break in their collaboration on said albums, where Timo Tolkki stepped in and oversaw an album, Magnus has returned to the fold, but with an exciting new twist to the formula. This time, Russell and Magnus welcome none other than the amazingly talented Anette Olzon (ex-Nightwish, The Dark Element) to the fold as Allens vocal partner and offer up an unbelievable new duets album.

Welcome to My Nightmare is an album by Alice Cooper, released in March 1975. It is Alice Cooper's first solo album (all previous Alice Cooper releases were band efforts), and his only album for the Atlantic Records label. Welcome to My Nightmare is a concept album. Played in sequence, the songs form a journey through the nightmares of a child named Steven. The album inspired the Alice Cooper: The Nightmare TV special, a worldwide concert tour in 1975, and the Welcome to My Nightmare concert film in 1976. The ensuing tour was one of the most over-the-top excursions of that era. Most of Lou Reed’s band joined Cooper for this record.

Alcàntara is a psychedelic-prog rock band from Italy. Their first release is a concept album named "Solitaire".
Capturing the timeless Pink Floyd legacy, the album goes far beyond: dreamlike melodies, great grooves and majestic arrangements build solid textures that keep the tension high over more than 45 minutes of space ballads and gloomy blues.

Albert Cummings - is an American blues musician who has recorded under Blind Pig Records. He has played alongside B.B. King, Johnny Winter, and Buddy Guy.

The album follows the history of airborne exploration, from the mythological flight of Daedalus and Icarus to escape the labyrinth of the Minotaur in "Too Close to the Sun", through Leonardo da Vinci's search to design a flying machine, or ornithopter, in long-time Project drummer Stuart Elliott's "One Day To Fly", until finally mankind's aspirations for space exploration placed on the shoulders of a single astronaut in "So Far Away" and the subsequent superpower race to put a man on the moon in "Apollo", a track backed by John F. Kennedy's famous speech of 25 May 1961.
The song "Brother Up In Heaven" remembers Ian Bairnson's cousin Erik Mounsey who was killed in a friendly fire incident above Iraq in 1994.

The album peaked at number 148 on the US Billboard 200. It was another big hit by A-ha internationally, selling over 4 million copies worldwide. Stay on These Roads achieved Platinum status in Brazil and Gold in the UK, Switzerland, the Netherlands and Germany and Double Platinum status in France. It reached number two in the European top-100 albums sales chart.
William Ruhlmann of AllMusic said "in the U.K., the album became the group's third straight to peak at number two, though it charted for a shorter period than the first two albums, and there were four Top 25 hits—the title track, 'The Blood That Moves the Body,' 'Touchy!,' and 'You Are the One'." Also included was a re-recording of A-ha's 1987 theme from the James Bond movie The Living Daylights, which, in its single version, was a U.K. number five that missed the U.S. charts.
Lead single "Stay on These Roads", number one in Norway, was a hit across Europe, including top-five showings in the UK, France, Austria and Ireland and top-ten chartings in Germany, the Netherlands, Sweden and Switzerland. Stay on These Roads includes three more hit singles, "The Blood That Moves The Body", "Touchy!" and "You Are the One", though a final single, "There's Never a Forever Thing", was released only in Brazil.

Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters.
Suoni Immaginari, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines his planetary odysseys as a complex of harmonic devices, nebula storms, glassy explosions and gravity-free falls. His operational horizon reflects further cultural ideas and suggestions; not only the artifice between natural sounds and the programmed machine but also the intrusion of arabesque dreams and jungles contaminated by invading insects and mad pipers. These are spectral symphonies which can have analogies with the fourth world of Hassell and Eno.