Performer: Frank Sinatra
Album: Sinatra's Swingin' Session
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2110
Style: Jazz
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI)
Amount of tracks: 12
Size ZIP: ~ 193 mb
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Sinatra's Swingin' Session!!! is the nineteenth studio album by Frank Sinatra, released on January 3, 1961.
Six of the tracks on the album are re-recordings of a batch of songs that Sinatra had previously recorded on the Columbia album, Sing and Dance with Frank Sinatra.
It was released on compact disc as Sinatra's Swingin' Session!!! And More.
Performer: Frank Sinatra
Album: No One Cares
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2111
Style: Jazz
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI)
Amount of tracks: 11
Size ZIP: ~ 240 mb
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No One Cares is the seventeenth studio album by Frank Sinatra, released on July 20, 1959. It is generally considered a sequel to Sinatra's 1957 album Where Are You? (also arranged by Gordon Jenkins), and shares a similar sad and lonesome, gloomy theme and concept as In the Wee Small Hours and Only the Lonely (both arranged by Nelson Riddle).
Performer: Aretha Franklin
Album: Aretha's Gold
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2142
Style: R&B, Soul
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 381 mb
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Aretha's Gold is a greatest hits album by Aretha Franklin, released in 1969 at Atlantic Recording Corporation. The album's tracks were recorded at Atlantic Studios, New York City, except "I Never Loved a Man (The Way I Love You)" and "Do Right Woman, Do Right Man", which were recorded at the Fame Recording Studios, Muscle Shoals, Alabama.
The album was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981).
Performer: Patricia Barber
Album: Cafe Blue
Label: Premonition Records. Made in US.
Catalog #: PREM-737-2, FIM CD 010
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2017
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size ZIP: ~ 328 mb
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Café Blue stands out with its daring blend of jazz standards, originals, and poetic settings—from Maya Angelou to avant-garde inspirations. Mourning Grace, for instance, sets Angelou’s haunting line “Will you have the grace to mourn for me?” against an evolving musical backdrop, culminating in Barber’s emotionally charged vocal ascent.
Performer: Patricia Barber
Album: Modern Cool
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2003
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2002
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 13
Size ZIP: ~ 378 mb
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“Constantinople”, from 1998’s Modern Cool, is the most extreme example. Over a shifting Middle Eastern groove fueled by Mark Walker’s percussion work, Barber keens wordlessly and then gives trumpeter Dave Douglas several beautiful minutes to vamp in Sketches of Spain style; when she comes back in, long vocal lines punctuated by staccato guitar work by John McLean, it’s so haunting and perfect that you forget that she doesn’t actually play piano at all on the track.
Performer: Patricia Barber
Album: Mythologies
Label: Blue Note, EMI. Made in US.
Catalog #: 0946 3 59564 2 9
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2006
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 11
Size ZIP: ~ 325 mb
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A bold and affecting song cycle. Patricia Barber, after receiving a Guggenheim Fellowship in 2003, embarked on one of her most ambitious projects—Mythologies, a compelling 11-track song cycle inspired by the characters of Ovid's Metamorphoses. Each composition musically fleshes out figures from ancient myth, blending narrative depth with sophisticated compositional structure.
Performer: Patricia Barber
Album: Modern Cool
Label: Premonition Records, Blue Note. Made in EU.
Catalog #: 7243 5 21811 2 4
Style: Post Bop, Contemporary Jazz, Vocal
Year: 1998
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size ZIP: ~ 380 mb
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Modern Cool pulses with vivid character sketches of modern life—starting with "Touch of Trash," a sharp portrait of a woman “just a culture short of class.” The album unfolds in a low-lit, nocturnal jazz world, where Barber’s smoky voice and John McLean’s ethereal guitar evoke flickering streetlights and inner monologues.
Performer: Patricia Barber
Album: Split
Label: Premonition Records. Made in US.
Catalog #: 6691 7 90742 2 1
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2004
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size ZIP: ~ 238 mb
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Split is a newly remastered edition of Patricia Barber‘s first album originally released on Floyd Records in 1989. Koch reissued the album on Stereo CD in 2004. It has been off the market for over 20 years.
This is the first album in which we hear her first versions of standards she revisits in later albums (“Early Autumn” on “Higher”, “Easy.
Performer: Patricia Barber
Album: Cafe Blue
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2002
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2002
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size ZIP: ~ 358 mb
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When Café Blue was released by Premonition Records in 1994, two things happened. A “maverick” jazz artist began a sustained, inventive career and a significant audiophile release put the label on the map. Barber’s father, a musician with Glenn Miller, had instilled a respect for jazz arrangement. After paying her dues on the Chicago music scene, her relentless performance schedule garnered an enthusiastic cult following. It didn’t take long for critics to recognize the quirky stylistic approach to jazz. Relying on original material and a mix of pop standards, Barber created albums of musical vision and poetic flair.
Performer: Patricia Barber
Album: A Distortion Of Love
Label: Antilles. Made in US.
Catalog #: 314-512 235-2
Style: Post Bop, Contemporary Jazz, Vocal
Year: 1992
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size ZIP: ~ 301 mb
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A Distortion of Love from 1992 showcases Patricia Barber the consummate jazz pianist as well as the chanteuse with the husky voice which has become her trademark of late. There are some very interesting purely instrumental tracks on this album, especially the hard driving McCoy Tyner-ish "Subway Station No. 5," the impressionistic "Parts Parallels," and "Yet Another in a Long Series of Yellow Car" which has a Joe Zawinul/Weather Report feel to it.
Performer: Patricia Barber
Album: The Premonition Years 1994-2002
Label: Premonition Records, Koch Records. Made in US.
Catalog #: KOC-CD-5003
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2007
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 36
Size ZIP: ~ 1.1 gb
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Over 190 minutes of music featuring “Best of” tracks culled from Barber’s five records for Premonition during the 1994-2002 period
5 Bonus tracks never before released on CD including “My Funny Valentine,” “Fool on a Hill,” “You Are My Sunshine,” “So What,” and “Santa Claus Is Coming to Town” With Barber, featured artists include Charlie Hunter, Marc Johnson, Dave Douglas, Joey Baron, Adam Nussbaum, among others
3 CDs broken up into distinct listening experiences. Programs include: Patricia Barber Pop Songs, Patricia Barber Standards, Patricia Barber Originals
Classic Audiophile recordings High-Resolution Re-mastering from original analog sources Extensive liner notes by noted jazz critic Neil Tesser
Beautiful Slip case packaging by Steve Byram including original watercolor cover Patricia Barber, The Premonition Years: 1994-2002 chronicles Barber’s 8 year association with the Chicago based indy-label Premonition Records.