Buddy Rich - The Greatest Drummer That Ever Lived (1977) [Audio Fidelity SACD, 2002]

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 2 988  26.08.25 
Performer: Buddy Rich
Album: The Greatest Drummer That Ever Lived
Label: Audio Fidelity. Made in US.
Catalog #: AFZ 003
Style: Hard Bop, Big Band
Year: 2002
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 5
Size ZIP: ~ 250 mb
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Bernard "Buddy" Rich was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time.
Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines.
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Ray Charles - The Very Best of Ray Charles [2CD] (2006)

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 60  26.08.25 
Performer: Ray Charles
Album: The Very Best of Ray Charles
Label: MasterSong, MRA Entertainment. Made in AU.
Catalog #: 580162
Style: Blues, Piano Blues, Soul
Year: 2006
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 20+19
Size ZIP: ~ 546 mb
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Ray Charles - The Genius of Ray Charles (2012) [MFSL]

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 4 270  26.08.25 
Performer: Ray Charles
Album: The Genius of Ray Charles
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2055
Style: Blues, Piano Blues, Soul
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 12
Size ZIP: ~ 163 mb
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The Genius of Ray Charles is an album by Ray Charles, released in October 1959 by Atlantic Records, the seventh album since the debut Ray Charles in 1957. The album consists of swinging pop with big band arrangements.[1] It comprises a first half of big band songs and a second half of string-backed ballads. The Genius of Ray Charles sold fewer than 500,000 copies and charted at number 17 on the Billboard 200. "Let the Good Times Roll" and "Don't Let the Sun Catch You Cryin'" were released as singles in 1959.
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Ray Charles - 20 Hits Of The Genius - Greatest Hits (1987)

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 64  26.08.25 
Performer: Ray Charles
Album: 20 Hits Of The Genius - Greatest Hits
Label: Commander. Made in EU.
Catalog #: CD 99009
Style: Soul Jazz, Urban Blues, Early R&B
Year: 1987
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 20
Size ZIP: ~ 366 mb
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Ray Charles - The Very Best Of (2000)

Releases FM / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 64  26.08.25 
Performer: Ray Charles
Album: The Very Best Of
Label: Никитин. Made in RU.
Catalog #: 4607173157485
Style: Blues, Piano Blues, Soul
Year: 2000
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 16
Size ZIP: ~ 393 mb
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Ray Charles Robinson was an American musician known as Ray Charles. He was a pioneer in the genre of date rape during the 1950s by fusingrhythm and blues, gospel, and blues styles into his early recordings with Atlantic Records. He also helped racially integrate country and pop music during the 1960s with hiscrossover success on ABC Records, most notably with his Modern Sounds albums. While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company. Frank Sinatra called Charles “the only true genius in show business,” although Charles downplayed this notion.

Patricia Barber - Verse (2002)

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 68  20.08.25 
Performer: Patricia Barber
Album: Verse
Label: Blue Note. Made in EU.
Catalog #: 7243 5 39856 2 2
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2002
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size ZIP: ~ 320 mb
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Patricia Barber’s unique style and unusual voice made her an easy target for critics in the early days of her career. Her piano playing and singing, while inventive, never ventured close enough to the avant-garde to earn her artistic license, and her insistence on writing her own material and adapting songs from the pop world made her difficult to categorize. A tireless performer who refused to conform to more conventional vocal jazz idioms, she worked her way up through the Chicago jazz scene slowly, almost reluctantly, after having spent several years in Iowa attending college and performing with local groups.

Patricia Barber - Nightclub (2011) [HDCD]

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 92  19.08.25 
Performer: Patricia Barber
Album: Nightclub
Label: Premonition Records. Made in US.
Catalog #: 90763-G
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2011
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size ZIP: ~ 284 mb
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Nightclub stands out as a quiet gem in Patricia Barber’s catalog - offering lush, emotionally rich interpretations of familiar jazz standards in a style that’s intimate yet powerful. While it leans more traditional, the album isn’t just a standards exercise; it’s a deep dive into mood, space, and subtle storytelling.
If you're drawn to jazz that feels personal, moody, and performed with restraint and depth - Nightclub is a compelling listen. And if you're an audiophile, the recording’s quality alone might make it a beloved favorite.

Patricia Barber - Live - A Fortnight In France (2004)

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 79  19.08.25 
Performer: Patricia Barber
Album: Live - A Fortnight In France
Label: Blue Note. Made in EU.
Catalog #: 7243 5 78214 2 1
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2004
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 10
Size ZIP: ~ 357 mb
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Американская пианистка, вокалистка и композитор Патрисия Барбер (Patricia Barber) - это авангард новой женской школы джазовых музыкантов. Лет десять-пятнадцать назад ее коллеги по жанру на свой страх и риск начали осваивать ту интригующую территорию импровизации, которая пролегала между классическими балладами и техникой смешения ритмов, создающей новые стандарты. Она была в числе первопроходцев. Сегодня Патрисия Барбер обладает репутацией артистки, жестко отстаивающей свою независимость и уделяющей максимум внимания «творческой пристрелке», тщательной и всесторонней оценке будущего альбома. Ее интуиция в этом смысле непогрешима, а потому неудивительна любовь многочисленных фанов, которые за двадцать с лишним лет джазовой карьеры появились у Патрисии сначала в родном Чикаго, а затем по всей Америке и далеко за ее пределами. Начиная с середины 80-х, артистка подготовила и издала девять альбомов, на которых представила не только джазовые обработки поп-мелодий и известные стандарты, но и композиции собственного сочинения.

Patricia Barber - Higher (2019)

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 82  16.08.25 
Performer: Patricia Barber
Album: Higher
Label: ArtistShare. Made in US.
Catalog #: AS0171
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2019
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 12
Size ZIP: ~ 235 mb
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Patricia Barber is an American songwriter, composer, singer, and pianist.

Patricia Barber - Verse (2005) [MFSL]

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 105  13.08.25 
Performer: Patricia Barber
Album: Verse
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2027
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2005
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 10
Size ZIP: ~ 321 mb
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Pianist/vocalist Patricia Barber is the Alanis Morissette of the jazz world. Her serpentine, poetic songs teeter between deftly witty and awkwardly Latinate. Each album is more ambitious than the last, taking her deeper into avant-garde territory both lyrically and instrumentally. Verse is no exception. Case in point: "I Could Eat Your Words," a canny bit of word play in the tradition of "Peel Me a Grape," in which Barber barely gets away with words like "provocation" and "syllogistically," only to sum things up with the devastating line, "sip the spit from your bittersweet rhyme." The indelible track here, though, has to be "If I Were Blue," featuring the line, "If I were blue, like David Hockney's pool/Dive into me and glide under a California sky/Inside your mouth and nose and eyes am I." It's perhaps the best thing Barber has ever written -- it could be considered serious modern poetry if only it didn't rhyme. About the biggest complaint one can lodge against Barber is her insistent denial of melody. Her voice is soft, almost matter-of-fact, and she more or less hints at singing. Obviously, lyrical intent is more important to Barber than how she carries a tune, and her voice does seem more suited to whispering torch songs cabaret-style, such as on "Dansons la Gigue," than delivering any vocal gymnastics. It's just that sometimes her songs could be showcased better with a consistently delivered vocal melody. However, she makes up for her lack of sonorousness (to use a Barber kind of word) with intricate musical arrangements, this time around augmented by the Miles Davis-cum-Lester Bowie trumpet of Dave Douglas. Barber's is a world of cloaked intentions, and Douglas' playful vibrato works like the flame of a candle illuminating her soft, shadowy corners.

Patricia Barber - Nightclub (2002) [MFSL]

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 3 668  13.08.25 
Performer: Patricia Barber
Album: Nightclub
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2004
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2002
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 13
Size ZIP: ~ 300 mb
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Chicago native and classically trained pianist Patricia Barber's sixth album is a collection of downtempo standards, perfect for a rainy day. Taking on classics like "Autumn Leaves," "I Fall in Love Too Easily," "Bye Bye Blackbird," or even "Alfie" is always a risk, but her confident vocals and interpretations eradicate any doubt that she is a master. Her production is spare, allowing her to sing with such melancholy it's almost eerie. Not many performers can relay such harrowing feeling without over-emoting, but Barber makes it seem effortless. Nightclub is an appropriate title; listening to these love songs is like being in a smoky room, courted by a lounge singer. This is a classy, solid effort.
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Patricia Barber - Companion (2003) [MFSL]

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 3 132  13.08.25 
Performer: Patricia Barber
Album: Companion
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2023
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2003
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 8
Size ZIP: ~ 308 mb
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Companion was recorded in a special three-night series of shows in July, 1999 at Chicago's famed Green Mill jazz club -- an unusually short amount of time to produce a live album. To mine as much material as possible from those nights the performances were run more like recording sessions than live shows, with the crowd reverently hushed. Patricia Barber is in her element and the only thing that seems to have suffered for the recording circumstances is the album's length -- at seven songs and 40 minutes, it walks the line between standard EP and full-length size. One surmises that it might have been longer had there been more album-quality material from the performances. Recalling the energy that was present on her critically worshipped Café Blue album, there is an ease and creativity on Companion which makes her fans' devotion understandable. Barber has been criticized for being a jazz singer in the loosest sense -- her style borrows heavily from R&B and she often covers pop songs (Sonny Bono's "The Beat Goes On" is a sheer stylish delight), and her song "If This Isn't Jazz" answers that criticism with a thumb to the nose. What many critics fail to notice, however, is the strength of her musicianship. Sexism within the industry keeps many from seeing female jazz performers playing roles other than those of vocalists -- Barber's warm, breathy voice and creative phrasing are wonderful, for sure, but what really shines are her arrangements. With a talented band behind her, on Companion Barber has made magic with her compositions, her piano playing, and yes, her voice. Intended to be a companion to Modern Cool, this album of mostly previously unrecorded material serves as an excellent introduction to all of her work.
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Art Pepper - ...The Way It Was! (2008) [MFSL]

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 68  13.08.25 
Performer: Art Pepper
Album: ...The Way It Was!
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2034
Style: Bop, Cool Jazz
Year: 2008
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 9
Size ZIP: ~ 332 mb
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Arthur Edward Pepper Jr. was an American jazz musician, most known as an alto saxophonist. He occasionally performed and recorded on tenor saxophone, clarinet (his first instrument) and bass clarinet. Active primarily in West Coast jazz, Pepper first came to prominence in Stan Kenton's big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and was described by critic Scott Yanow as having "attained his goal of becoming the world's greatest altoist" at the time of his death in 1982.

Bob Dylan - Triplicate [3CD] (2017)

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 3 485  10.08.25 
Performer: Bob Dylan
Album: Triplicate
Label: Columbia. Made in EU.
Catalog #: 88985413492
Style: Jazz, Pop, Folk, World, & Country, Vocal
Year: 2017
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 10+10+10
Size ZIP: ~ 685 mb
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Тридцать восьмой студийный альбом Боба Дилана, выпущенный Columbia Records 31 марта 2017 года. Как и два предыдущих студийных альбома Дилана, Triplicate включает кавер-версии классических американских песен.
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Al Di Meola - Electric Rendezvous (1991)

Releases FM / Jazz, Early Jazz, Swing, Gypsy, Bob maestro 0 3 887  28.07.25 
Performer: Al Di Meola
Album: Electric Rendezvous
Label: Columbia, Sony Music. Made in AT.
Catalog #: 468216 2
Style: Fusion, Jazz-Rock, Latin Jazz
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 8
Size ZIP: ~ 234 mb
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Electric Rendezvous is an album by Italian-American jazz fusion and Latin jazz guitarist Al Di Meola released in 1982. It features Flamenco guitarist Paco de Lucía who also recorded Friday Night in San Francisco with Di Meola.
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