Performer: VA
Album: Dream Dance Vol.36
Label: Sony Music Media. Made in DE.
Catalog #: 82876 70076 2
Style: Trance, Progressive Trance
Year: 2005
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 42
Size ZIP: ~ 1.33 gb
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Performer: Paul McCartney
Album: Working Classical
Label: EMI Classics. Made in UK.
Catalog #: 7243 5 56897 2 6
Style: Classical, Contemporary
Year: 1999
Format: FLAC (image + .cue
Bitrate: lossless
Covers: in archive
Amount of tracks: 14
Size ZIP: ~ 270 mb
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Following up on 1997's Standing Stone, the concept behind Working Classical was to place pre-existing (and in some cases, very well known) McCartney songs into an orchestral context. Specially for this project, McCartney also unveiled some new pieces, namely "Haymakers", "Midwife", "Spiral" and "Tuesday". A different performance of "A Leaf" was originally released on 21 April 1995 on a CD single, and is presented here in a new recording.
Performing the new arrangements are the London Symphony Orchestra and the Loma Mar Quartet, with special orchestrations arranged by noted musicians Richard Rodney Bennett, Jonathan Tunick and Andy Stein.
Performer: Paul McCartney
Album: Standing Stone
Label: EMI Classics. Made in US.
Catalog #: 7 2435 56484 2 6
Style: Classical
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 19
Size ZIP: ~ 326 mb
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Standing Stone is Paul McCartney's second full-length release of original classical music (coming after 1991's Liverpool Oratorio), although he defined it as orchestral music. It was issued shortly after the release of Flaming Pie. The world premiere performance was held at The Royal Albert Hall on 14 October 1997.
Performer: Paul McCartney
Album: Ecce Cor Meum
Label: EMI Classics. Made in UK.
Catalog #: 0946 3 70424 2 7
Style: Classical, Contemporary, Oratorio, Choral
Year: 2006
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 5
Size ZIP: ~ 255 mb
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Ecce Cor Meum (Latin for Behold My Heart) is the fourth classical album by Paul McCartney. The album was released on 25 September 2006 by EMI Classics. An oratorio in four movements, it is produced by John Fraser, written in Latin and English, and scored for orchestra and boys and adult choir. The oratorio was partly inspired by McCartney's wife Linda. It is also the only classical album by McCartney that was not released on vinyl.
Performer: Paul McCartney And Carl Davis
Album: Liverpool Oratorio
Label: EMI Classics. Made in US.
Catalog #: CDS 7 54371 2
Style: Pop, Classical, Contemporary, Oratorio
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 24+26
Size ZIP: ~ 421 mb
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Paul McCartney's Liverpool Oratorio is a live album by Paul McCartney and Carl Davis, released in 1991. It is McCartney's first major foray into classical music. Composed in collaboration with Carl Davis to commemorate the Royal Liverpool Philharmonic Orchestra's 150th anniversary, the project received media attention upon its unveiling in June 1991.
Performer: Linkin Park
Album: Songs From The Underground
Label: Warner Bros. Records, Machine Shop Recordings. Made in JP.
Catalog #: WPCR-13468
Style: Alternative, Nu Metal
Year: 2009
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 8
Size ZIP: ~ 535 mb
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Songs from the Underground (englisch für „Lieder aus dem Untergrund“) ist die zweite offizielle EP der US-amerikanischen Nu-Metal- und Alternative-Rock-Band Linkin Park. Der Tonträger wurde in den USA am 28. November 2008, in Deutschland erst am 17. Juli 2009, bei Warner Brothers Records veröffentlicht. Die EP enthält sechs Demos und zwei Live-Aufnahmen.
Performer: Linkin Park
Album: Recharged
Label: Warner Bros. Records, Machine Shop Recordings. Made in BR.
Catalog #: 0093624941606
Style: Alternative, Nu Metal
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 971 mb
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Recharged (stylized in all caps) is the second remix album of recordings by American rock band Linkin Park. The album was released on October 29, 2013, through Warner Bros. Records and Machine Shop Recordings. It is entirely produced by Rick Rubin and Mike Shinoda. The album includes remixes of ten of the songs from the band's fifth studio album Living Things, as well as a new song, "A Light That Never Comes" (and a remix of it) with Steve Aoki, which is the album's first single, released on September 16. Recharged received mixed reviews from critics.
Performer: Linkin Park
Album: Reanimation
Label: Warner Bros. Records, Machine Shop Recordings. Made in US.
Catalog #: 9 48326-2
Style: Alternative, Nu Metal
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 20
Size ZIP: ~ 822 mb
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Reanimation (typeset as [REAИIMATIOИ]) is the debut remix album by American rock band Linkin Park, released on July 30, 2002, through Warner Bros. Records, as a follow-up to their 2000 debut studio album, Hybrid Theory. Recorded during the Hybrid Theory tour, it features remixes of songs from Hybrid Theory, including the album's bonus tracks. It was produced by Mike Shinoda and mixed by Mark "Spike" Stent. It is the fourth best selling remix album of all time.
Performer: Linkin Park
Album: One More Light Live
Label: Warner Bros. Records, Machine Shop Recordings. Made in BR.
Catalog #: 0093624907923
Style: Alternative, Nu Metal
Year: 2017
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 16
Size ZIP: ~ 747 mb
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One More Light Live is the third live album by American rock band Linkin Park, released on December 15, 2017. Recorded during the band's European leg of their One More Light World Tour in 2017, this is the first release since the death of lead singer Chester Bennington as well as the final live album to feature drummer / band co-founder Rob Bourdon and lead guitarist Brad Delson. Bourdon departed the band in 2020 and opted not to rejoin for the group's reformation in 2024; Delson later announced his decision to withdraw from touring with the band during its reunion, but still remains as an official member of the band.
Performer: Linkin Park
Album: One More Light
Label: Warner Bros. Records, Machine Shop Recordings. Made in BR.
Catalog #: 0093624913238
Style: Alternative, Nu Metal
Year: 2017
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 10
Size ZIP: ~ 597 mb
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One More Light (englisch für „Ein weiteres Licht“) ist das siebte Studioalbum der kalifornischen Rockband Linkin Park. Es wurde am 19. Mai 2017 veröffentlicht und ist das letzte Studioalbum der Band, an dem ihr Leadsänger Chester Bennington mitwirkte, der im Juli 2017 Suizid beging.
Performer: Linkin Park
Album: Minutes To Midnight
Label: Warner Bros. Records, Machine Shop Recordings. Made in BR.
Catalog #: 9362499613
Style: Alternative, Nu Metal
Year: 2009
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 689 mb
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Minutes to Midnight (englisch für „Minuten bis Mitternacht“) ist das dritte Studioalbum der US-amerikanischen Metal-Band Linkin Park. Das Album erschien im Mai 2007 bei Warner Music und avancierte zum weltweiten Millionenseller.
Performer: Jay-Z & Linkin Park
Album: Collision Course
Label: Warner Bros. Records, Machine Shop Recordings. Made in BR.
Catalog #: Collision Course
Style: Alternative, Nu Metal, Hip Hop, Mashup
Year: 2004
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 6
Size ZIP: ~ 498 mb
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Collision Course is a mash-up EP from American rapper Jay-Z and American rock band Linkin Park, released on November 30, 2004, by Roc-A-Fella, Machine Shop, Warner Bros. and Def Jam. From Linkin Park's catalog, Collision Course features three songs from Meteora and four from Hybrid Theory. From Jay-Z's catalog, it features three songs from The Black Album, one from Vol. 3... Life and Times of S. Carter, one from Vol. 2... Hard Knock Life and one from The Blueprint. Before the album, Jay-Z had released collaborations with The Roots and R. Kelly, and Linkin Park had collaborated with various artists on their remix album Reanimation.
Performer: Joe Satriani
Album: Strange Beautiful Music
Label: Epic. Made in EU.
Catalog #: EPC 508076 2
Style: Instrumental Rock, Hard Rock, Blues Rock, Heavy Metal
Year: 2002
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 529 mb
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Козни Дьявола, не иначе! По моему скромному мнению, тут Джо вновь переплюнул сам себя и в третий раз после "Экстремиста" и чудного "Flying in a Blue Dream" покорил некие заоблачные вершины инструментальной гитарной музыки. Причем, каждый раз Мастер не повторял уже пройденный путь, а стремился взобраться на эту вершину с новой стороны. И самое главное - он никогда не боится экспериментов. Конечно, среднестатистическому любителю рока наверняка безразличен, скажем, тот факт, что инструментал "Mind Storm" стал первым, что Сатриани записал при помощи семиструнной гитары, но на самом деле по техническому решению этот трек просто кардинальнейше отличается от былого подхода героя рецензии к созданию музыки.
Performer: Joe Satriani
Album: Professor Satchafunkilus And The Musterion Of Rock
Label: Epic, Sony Music. Made in EU.
Catalog #: 88697212622
Style: Instrumental Rock, Hard Rock, Blues Rock, Heavy Metal
Year: 2008
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 10
Size ZIP: ~ 476 mb
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После нескольких прослушиваний стал ловить себя на мысли, что к этой работе Сатриани надо относиться, принимая во внимание возраст музыканта. Нет, Джо не стал со временем хуже или лучше. Он просто отражает своей музыкой возрастные изменения, происходящие с ним. В композициях появилась некоторая успокоенность и размеренность, присущая людям зрелым. Сатриани давно не надо никому ничего доказывать. Его творчество есть постоянная величина, и даже если он не будет записывать новых работ, то альбомы «Strange Beautiful Music» (2002) и «The Extremist» (1992) позволят Сатриани находиться на самом верху гитарного Олимпа. Но сказать, что Джо штампует никому не нужные инструменталы ради денег или спортивного интереса, нельзя. Вот и на рецензируемом альбоме присутствуют превосходные композиции, достойные лучших творений мастера. Атмосфера альбома мне кажется какой-то уютной и домашней. Здесь нет безумного драйва, встречающегося на альбомах раннего и среднего периодов творчества, но все композиции имеют яркие мелодии, которые мне лично впечатались в мозги с первых прослушиваний. Ощущение мастера сквозит буквально в каждой ноте.
Performer: Joe Satriani
Album: Joe Satriani
Label: Relativity Records. Made in AT.
Catalog #: 481102 2
Style: Instrumental Rock, Hard Rock, Blues Rock, Heavy Metal
Year: 1995
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 549 mb
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Если на предыдущих альбомах Сатриани нет-нет, да включал одну, две блюзовых вещей, то этот альбом он решил целиком посвятить данному стилю музыки. Больше всего удивило (и восхитило одновременно), что Сатриани сумел внести свой собственный, ни с кем не схожий почерк игры. Слушая вещи с альбома с первого раза, можно сказать: «Оооо..., это играет Джо».
Замечу, что Сатриани не посвятил альбом одному конкретному направлению блюза, а постарался включить все наиболее популярные направления в стиле, продемонстрировав весь спектр своего таланта.
Замечу, что Сатриани не посвятил альбом одному конкретному направлению блюза, а постарался включить все наиболее популярные направления в стиле, продемонстрировав весь спектр своего таланта.
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