Шоу было снято режиссёром Бет Маккарти-Миллер и транслировалось по кабельной сети MTV 16 декабря 1993 года. Несмотря на негласную концепцию руководства проекта, Nirvana сделала упор на менее известный материал и кавер-версии, перепев песни The Vaselines, Дэвида Боуи, Ледбелли и Meat Puppets. В отличие от предыдущих концертов серии «Unplugged», которые были полностью акустическими, во время выступления группа использовала электрическое усиление и гитарные эффекты. Музыканты до последнего сомневались, стоит ли им участвовать в корпоративной передаче, а также не были уверены в своём музыкальном мастерстве. В итоге, по мнению редакции Rolling Stone, они выдали лучший концерт в карьере и одно из лучших выступлений всех времён. Впоследствии лидер R.E.M. Майкл Стайп отмечал, что Курт Кобейн планировал двигаться именно в таком музыкальном направлении — намереваясь записать тихий, акустический диск.

MTV Unplugged in New York — концертный альбом американской рок-группы Nirvana, выпущенный 1 ноября 1994 года на лейбле DGC Records. Представляет собой запись выступления для одноимённой музыкальной телепередачи. Концерт состоялся 18 ноября 1993 года и стал одной из последних телевизионных съёмок Nirvana. Помимо основного состава коллектива, в записи приняли участие бывший гитарист The Germs Пэт Смир и виолончелистка Лори Голдстон, а также братья Кирквуды из альтернативной рок-группы Meat Puppets. Продюсерами альбома выступили Скотт Литт и Алекс Колетти.

Live at Reading is a live CD/DVD by American rock band Nirvana, released on November 2, 2009. It features the band's headlining performance at the Reading Festival in Reading, England, on August 30, 1992. Bootlegged for years, the new issues present the performance for the first time mastered and color corrected.
Live at Reading marks the first time that Chet Powers received songwriting credit on a Nirvana release for the use of his lyrics from the song "Get Together" as the intro for "Territorial Pissings".

In Utero est le troisième et dernier album studio du groupe américain de grunge Nirvana, publié par DGC Records le 13 septembre 1993 au Royaume-Uni, puis le 21 septembre 1993 aux États-Unis.
Alors que Nevermind a dépassé toutes les espérances depuis 1991 en obtenant de multiples récompenses et tandis que le couple Kurt Cobain-Courtney Love fait la pluie et le beau temps des magazines à sensation, l'attente pour ce disque devient énorme. Le groupe se met alors à l'écart de tout contact au studio Pachyderm, dans le Minnesota, avec le producteur Steve Albini à la fin du mois de février 1993. Enregistré pour un montant de 180 000 $, l'album retrouve le son qui leur était caractéristique sur Bleach, mais le label et leur entourage le trouvent « inaudible ». Le trio s'insurge dans un premier temps avant d'accepter de revoir sa copie, remixant certaines chansons avec Scott Litt en mai 1993 dans son studio de Seattle.

In Utero was the final Nirvana album before Cobain's suicide in 1994. "Pennyroyal Tea", planned as a single prior to Cobain's death, was ultimately released in 2014 and reached number one on the Billboard Hot Singles Sales Chart.

Leave the Light On — альбом Бет Гарт. Існує кілька версій цього альбому, починаючи з самого першого випуску в Новій Зеландії навесні 2003 року (на лейблі Warner Music NZ), стандартна міжнародна версія вийшла пізніше, восени 2003 року (на Koch Records), потім кілька спеціалізованих перевидань на різних європейських ринках протягом наступних кількох років. Німецький реліз (на Universal Music GmbH) містить повністю нові записи трьох раніше випущених пісень, а також три нові пісні, які потім будуть перезаписані для її наступного студійного альбому, 37 Days.

Beth Hart (born January 24, 1972) is an American singer, songwriter and musician from Los Angeles, California. She rose to fame with the release of her 1999 single "LA Song (Out of This Town)" from her second album Screamin' for My Supper. The single was a number one hit in New Zealand, as well as reaching the top 5 of the US Adult Contemporary and Top 10 on the Billboard Adult Top 40 charts.

Watermark is the second studio album from the Irish musician Enya, released in September 1988 on WEA Records. Following her first album, Enya (1987), produced for the BBC documentary The Celts, Enya signed with WEA, giving her complete artistic freedom on a follow up with no interference from the label. Watermark displays Enya's distinct sound of layered vocals, keyboard sounds, and elements of Celtic music. The album is seen by some as a seminal example of new-age music, though Enya does not consider her music to be of the genre.

Cafe Del Mar is a beachfront bar located in Ibiza, Spain. It is known for its chillout music compilations that are played throughout the bar and have become a popular genre of music. The bar opened in 1980 and quickly became a popular spot for tourists and locals alike. The owners of the bar, Ramón Guiral and José Les, began releasing compilation albums of the music played at the bar, which helped spread the popularity of the chillout genre. The Cafe Del Mar albums have since become an iconic representation of Ibiza and the chillout music scene. The bar continues to be a popular destination for those visiting the island and has even expanded to other locations around the world.

Было бы странно, если бы славный швейцарский дуэт электронщиков на 41-м году существования вдруг занялся новациями - не этого от них ждали многочисленные поклонники во всем мире (а их немало). И бодрые старички, Дитер Майер и Борис Бланк, не разочаровали. Четырнадцатый номерной альбом «Point», вышедший 28 августа, в полной мере демонстрирует все характерные для группы черты, делающие их такими узнаваемыми: чувство стиля, невозмутимая юмористическая эксцентричность и главное - нестандартное музыкальное мышление, фирменные саунд-коллажи, пазл, мастерски склеенный из крошечных кусочков-звуков. В этом смысле название альбома «Point» («Точка») можно отнести ко всему творчеству группы. Хоть термин «пуантилизм» появился в искусстве достаточно давно и имеет чёткое словарное определение, к «Yello» его можно применить с полным основанием.

Yello is a Swiss electronic duo consisting of Dieter Meier and Boris Blank. Their sound is usually characterised by unusual music samples and a heavy reliance on rhythm, with Meier as vocalist and lyricist and Blank providing the music. Among their best known singles are "Oh Yeah" (1985), which has appeared in many films and television shows including Ferris Bueller's Day Off, The Secret of My Success, Uncle Buck and The Simpsons, and "The Race" (1988), which peaked at number 7 on the UK Singles Chart. The band has released 14 studio albums since 1980.

I freely admit that Worriers was one of those bands I should have known much more about prior to attending the Fest last year. Missing out on their appearance in Gainesville is quickly becoming my biggest regret. Luckily, it looks like I’ll be able to rectify that in short order as they are embarking on a tour with Brian Fallon in support of this, their latest album, You or Someone You Know.

In 1988, at the pinnacle of the “Hollywood Hair Metal” craze, WILDSIDE, then called YOUNG GUNNS, was formed by guitarist Benny Rhynedance and singer Drew Hannah. Both were 1986 hair metal transplants from the pre-grunge Seattle music scene, which in 1986, did not exist yet.
By 1988 in Los Angeles, after slugging it out for two years in the LA club scene as glam rockers Rogue and enduring the Hollywood “Pay to Play” club promoter rip-off, Benny and Drew disbanded their original Seattle band. They then formed THE BOYZ, which became YOUNG GUNNS, and recruited second guitarist Brent Woods from the Sunset Strip band ALRISHA, and bassist Marc Simon from local heroes ST. VALENTINE. The lineup was soon completed with the addition of drummer Johnny Dean, but he soon left the band.
The guys searched for a permanent drummer and dominated the Sunset Strip and the Whisky-A-Go-Go on the weekly Monday night “No Bozo Jam” shows. After a year and a half of “false starts and flakes,” they found ex-NRG and KANE ROBERTS drummer Jimmy D. from San Bernardino, CA to finally complete the classic lineup.
This is when the hard work truly began. With a solid lineup, the band began an all-out assault on Hollywood. Sold out shows followed at the Roxy, Whisky, Troubadour, Gazzarri’s, and X-Poseur 54. Front page covers on all of the LA rock press magazines arose, and record labels began to take notice.
Diligently writing and rehearsing in their shared Hollywood gigs, the boys played endlessly throughout 1988-1989. When they weren’t ripping through impassioned sets, they were putting up flyers on every telephone pole in town. Their self-determination turned self-promotion into an art form and soon the band’s name was on everyone’s lips.
However, the band needed to eventually change their name. Originally known as YOUNG GUNNS between ’88 to ‘90, the producers of a western film using a similar title (released incidentally after the band was already well on its way) from Lionsgate Studios and Artisan Entertainment issued a series of cease and desist warnings and wanted $350,000 for the rights to the name.
After another late night Sunset Strip gig, while the guys were afterwards at the Rainbow bar, the name WILDSIDE was thrown around and seemed to fit their lifestyle perfectly, while being inspired by the Lou Reed song of the same name.
With their new name, a new phase of the band history was about to begin. But, that’s another story…

Guitarist U-Nam is commonly known for his skillful reinterpretation of the style of George Benson and Nile Rodgers, which runs through many of his albums. His recourse to the funky music of the 70s and 80s is also popular. But with his new album U-Nam Goes Big Band (2020) he now falls back on the traditional big band music as known from Duke Ellington or Glen Miller. The album is based on a collaboration between U-Nam and the Lutz Krajenski Big Band. The band leader Lutz Krajenski has already performed with Tom Jones, Ulrich Tukur, Roachford, Inga Rumpf, Udo Jürgens, Randy Crawford, Jasmin Tabatabai, Mousse T and more. One can therefore speak of a pronounced tendency towards popular music, which has been translated into the language of jazz. The album opens with the swinging positive-minded Something Right. A jazzy improvisation develops from the well structured guitar playing, as we are familiar by U-Nam. In the Blink of an Eye is an Estonian evergreen by Arne Oit (music) and Harold Payne (lyrics), that reminds us of the transience of life. So it's a thoroughly contemporary piece. Various soloists rise from the Big Band to support U-Nam and the melody. The One is a further evergreen by Arne Oit (music) and Philip Cody (lyrics), an ode to the Chosen One who brings sunshine to the day.