Performer: Paul McCartney
Album: Снова В СССР
Label: Parlophone, MPL. Made in UK.
Catalog #: CDP 7976152
Style: Rock, Pop Rock, Classic Rock
Year: 1991
Format: FLAC (image + .cue) 
Bitrate: lossless
Covers: full (72 DPI) 
Amount of tracks: 14
Size ZIP: ~ 496 mb
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Snowa w SSSR, auch bekannt als The Russian Album, ist ein am 31. Oktober 1988 ursprünglich nur in der Sowjetunion erschienenes Musikalbum des britischen Musikers Paul McCartney, das ausschließlich aus Rock-’n’-Roll-Klassikern besteht. Gleichzeitig ist es einschließlich der Wings-Alben, der Livealben und Kompilationsalben das 22. Album von Paul McCartney nach der Trennung der Beatles. Es wurde am 30. September 1991 in Großbritannien und am 29. Oktober 1991 in den USA veröffentlicht. 

Performer: Paul McCartney
Album: Run Devil Run
Label: Parlophone, MPL. Made in UK.
Catalog #: 7243 5 22351 2 4
Style: Rock, Pop Rock, Classic Rock
Year: 1999
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI) 
Amount of tracks: 15
Size ZIP: ~ 617 mb
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Run Devil Run is the eleventh solo studio album by the English musician Paul McCartney, released in 1999. It features mostly covers of both familiar and obscure 1950s rock and roll songs, along with three original McCartney compositions written in the same style, making it his second covers album after CHOBA B CCCP. As his first project following first wife Linda's death in 1998, McCartney felt the need to get back to his roots and perform some of the music he loved as a teenager. On 14 December 1999, McCartney returned to the Cavern Club where he used to play in the early days with the Beatles, to perform the album almost in its entirety. 

Performer: Paul McCartney
Album: Off The Ground
Label: Capitol Records, MPL. Made in US.
Catalog #: CDP 0 777 7 80362 2 7
Style: Rock, Pop Rock, Classic Rock
Year: 1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (72 DPI) 
Amount of tracks: 12
Size ZIP: ~ 626 mb
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In contrast with the extensive list of personnel showcased on McCartney's previous albums, Off the Ground saw McCartney utilize a live-in-the-studio recording approach using only his touring band. Lyrically, the album sees McCartney delve deeper into social issues on songs such as "C'Mon People" and the animal rights anthem "Looking for Changes". Additionally, the record includes two tracks co-written with Elvis Costello, whom McCartney had previously worked with on Flowers in the Dirt. 

Performer: Paul McCartney
Album: Off The Ground
Label: Parlophone. Made in NL.
Catalog #: 0 777 7 80362 2 7
Style: Rock, Pop Rock, Classic Rock
Year: 1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (72 DPI) 
Amount of tracks: 12
Size ZIP: ~ 560 mb
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Off the Ground is the ninth solo studio album by Paul McCartney. It was released on 1 February 1993, through Parlophone in the United Kingdom and Capitol Records in the United States. The record was produced by McCartney with Julian Mendelsohn. As his first studio album of the 1990s, it is also the follow-up to the well-received Flowers in the Dirt (1989). 

Performer: Paul McCartney
Album: Flowers In The Dirt
Label: Capitol Records. EMI. Made in US.
Catalog #: CDP 7 91653 2
Style: Rock, Pop Rock, Classic Rock 
Year: 1995
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI) 
Amount of tracks: 13
Size ZIP: ~ 376 mb
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A nivel comercial, Flowers in the Dirt alcanzó el primer puesto en la lista de discos más vendidos del Reino Unido y llegó al top 10 en países como Suecia, Italia, España, Francia, Alemania y Japón. El álbum también produjo varios sencillos de éxito como «My Brave Face», el último top 40 en los Estados Unidos alcanzado por cualquier Beatle. 

Performer: Paul McCartney
Album: Flowers In The Dirt
Label: Capitol Records. Made in US.
Catalog #: CDP 7 91653 2
Style: Rock, Pop Rock, Classic Rock 
Year: 1989
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 13
Size ZIP: ~ 334 mb
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Flowers in the Dirt es el octavo álbum de estudio del músico británico Paul McCartney, publicado por la compañía discográfica Parlophone en junio de 1989.​ Tras su lanzamiento, fue considerado por gran parte de la prensa musical como un retorno a la formalidad musical, debido en parte a que fue acompañado de sus primeros conciertos desde la gira Wings Over the World Tour en 1975. El álbum fue también destacado por la prensa por su calidad musical, que reportó a McCartney sus mejores reseñas en años. 

Performer: Paul McCartney
Album: Flowers In The Dirt
Label: Parlophone, MPL. Made in AT.
Catalog #: CD PCSD 106
Style: Rock, Pop Rock, Classic Rock
Year: 1989
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI) 
Amount of tracks: 13
Size ZIP: ~ 468 mb
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Flowers in the Dirt (englisch für „Blumen im Schmutz“) ist das neunte Soloalbum von Paul McCartney. Gleichzeitig ist es einschließlich der Wings-Alben und Kompilationsalben das 19. Album von Paul McCartney nach der Auflösung der Band The Beatles. Es wurde am 5. Juni 1989 in Großbritannien und am 6. Juni 1989 in den USA veröffentlicht. 

Performer: Paul McCartney
Album: Flowers In The Dirt
Label: Parlophone. Made in NL.
Catalog #: 0 7 777 89138 2 5
Style: Rock, Pop Rock, Classic Rock
Year: 1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (72 DPI) 
Amount of tracks: 16
Size ZIP: ~ 608 mb
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Flowers in the Dirt is the eighth solo studio album by Paul McCartney. The album was released on 5 June 1989 on Parlophone, as he was embarking on his first world tour since the Wings Over the World tour in 1975–76. It earned McCartney some of his best reviews for an album of original songs since Tug of War (1982). The album made number one in the United Kingdom and Norway and produced several hit singles (the first being "My Brave Face"). The album artwork was a collaboration between artist Brian Clarke, who painted the canvas and arranged the flowers, and Linda McCartney, who produced the cover photography. 

Performer: Paul McCartney
Album: Press To Play
Label: Parlophone, MPL. Made in UK.
Catalog #: CDP 7 46269 2
Style: Rock, Pop Rock, Classic Rock
Year: 1986
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI) 
Amount of tracks: 13
Size ZIP: ~ 381 mb
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Press to Play (englisch Drücke um zu spielen) ist das siebte Soloalbum von Paul McCartney. Gleichzeitig ist es einschließlich der Wings-Alben das 17. Album von Paul McCartney nach der Trennung der Beatles. Es wurde am 25. August 1986 in den USA und am 1. September 1986 in Großbritannien veröffentlicht. 

Performer: Paul McCartney
Album: Press To Play
Label: Parlophone. Made in NL.
Catalog #: 0 7 777 89269 2 4
Style: Rock, Pop Rock, Classic Rock
Year: 1993
Format: FLAC (image + .cue) 
Bitrate: lossless
Covers: full (72 DPI) 
Amount of tracks: 15
Size ZIP: ~ 565 mb
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On release, Press to Play received a mixed critical reception and was McCartney's poorest-selling studio album up to that point. Although it failed to make the top 20 in the US, the album peaked at number 8 on the UK Albums Chart and achieved gold status from the BPI in September 1986.[1] Four singles were issued from Press to Play: "Press", "Pretty Little Head", "Stranglehold" and "Only Love Remains". "Press" was a minor success, peaking at number 21 in the US. The music video for the song featured McCartney walking around Bond Street and Charing Cross tube stations in London, catching a tube train and speaking with members of the general public. 

Performer: Paul McCartney
Album: Press To Play
Label: Odeon, MPL. Made in JP.
Catalog #: CP32-5156
Style: Rock, Pop Rock, Classic Rock
Year: 1986
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI) 
Amount of tracks: 13
Size ZIP: ~ 388 mb 
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Press to Play is the sixth solo studio album by the British musician Paul McCartney, released on 25 August 1986. It was McCartney's first album of entirely new music since Pipes of Peace in 1983, and his first solo album to be issued internationally by EMI following a six-year period with Columbia Records in the United States and Canada. Keen to re-establish himself after his poorly received 1984 musical film Give My Regards to Broad Street, McCartney enlisted producer Hugh Padgham to give the album a contemporary sound.