Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Columbia. Made in AT.
Catalog #: 460953 2
Style: Rock, Blues Rock, Folk Rock
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 9
Size ZIP: ~ 396 mb
Upload: nitroflare.com
Password: without a password

Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.

Performer: Various Artists
Album: Feuersturm
Label: Century Media. Made in Germany.
Catalog #: 77195-2
Style: Compilation
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14+14
Size RAR: ~ 718+719 mb
Upload: Nitroflare.com
Recovery: 3%
Password: without a password

Century Media решила заработать на Black Metal и выпустила эту компиляцию.Здесь предоставлен Black Metal во всех своих направлениях.True Black Metal,Sympho Black Metal,Avantgarde Black Metal и.т.д

Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2124
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 9
Size ZIP: ~ 567 mb
Upload: nitroflare.com
Password: without a password

Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.

Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Sony Music, Columbia. Made in US.
Catalog #: CH 90324
Style: Rock, Blues Rock, Folk Rock
Year: 2003
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 9
Size ZIP: ~ 365 mb
Upload: nitroflare.com
Password: without a password

Highway 61 Revisited è il sesto album discografico di Bob Dylan, pubblicato nell'agosto del 1965
Secondo album e cuore della cosiddetta "trilogia elettrica" (iniziata con Bringing It All Back Home e conclusa con Blonde On Blonde), è universalmente considerato uno dei migliori lavori di Dylan, nonché una fondamentale pietra miliare della musica contemporanea. È al 18º posto della classifica dei 500 migliori album di tutti i tempi della rivista Rolling Stone. La canzone di apertura dell'album, Like a Rolling Stone (che alcuni ipotizzano scritta pensando a Edie Sedgwick, musa di Andy Warhol e amica di Dylan), riscosse un enorme successo tanto da essere collocata dalla rivista Rolling Stone al 1º posto della sua classifica delle 500 migliori canzoni di tutti i tempi.

Performer: Hollenthon
Album: With Vilest Of Worms To Dwell
Label: Irond. Made in Russia.
Catalog #: 01-72
Style: Extreme Symphonic Metal
Year: 2001
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 8
Size RAR: ~ 379 mb
Upload: Nitroflare.com
Recovery: 3%
Password: without a password

Неутомимый Мартин Ширенк вновь устроил небольшую революцию в мире тяжелой музыки. Новый альбом его детища HOLLENTHON ‘With Vilest Of Worms To Dwell’ стал настоящей сенсацией, заставив критиков европейских специализированных изданий единодушно поставить ему высшие оценки.

Performer: Рогатые Трупоеды
Album: Девки, Секс И Ерупный Яд
Label: CD-MAXIMUM. Made in Russia.
Catalog #: CDM 0903-1502
Style: Grind Core
Year: 2003
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 11
Size RAR: ~ 470 mb
Upload: Nitroflare.com
Recovery: 3%
Password: without a password

«Рогатые трупоеды» (англ. Horned Necrocannibals) — российская дэт-метал-группа, порой сочетающая в своей музыке и лирике комедийные и пародийные элементы.Музыкальный коллектив Рогатые трупоеды был образован 5 июля 2001 года стараниями сайта Metalkings.ru освещающего мир тяжёлой музыки. Уже в сентябре 2001 года состав записал демо Девки, секс и трупный яд, которое было разослано по различного рода лейблам. В конце этого же года под лейблом CD-Maximum вышел одноименный альбом.

Performer: Bob Dylan
Album: Good As I Been To You
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2258
Style: Rock, Folk Rock, Melodic Rock
Year: 2024
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 13
Size ZIP: ~ 372 mb
Upload: nitroflare.com
Password: without a password

Good as I Been to You is the twenty-eighth studio album by American singer-songwriter Bob Dylan, released on November 3, 1992, by Columbia Records. The title comes from the second line of side 2 track 4.
It is composed entirely of traditional folk songs and covers, and is Dylan's first entirely solo, acoustic album since Another Side of Bob Dylan in 1964. It is also his first collection not to feature any original compositions since Dylan in 1973.
On the charts, Good as I Been to You reached No. 51 in the US and No. 18 in the UK, and helped to restore Dylan's critical standing following the disappointing Under the Red Sky. The album's highest chart position worldwide was in Norway, where it peaked at No. 11.

Performer: Bob Dylan
Album: Desire
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2119
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 9
Size ZIP: ~ 648 mb
Upload: nitroflare.com
Password: without a password

Desire is the seventeenth studio album by American singer-songwriter Bob Dylan, released on January 5, 1976, through Columbia Records. It is one of Dylan's most collaborative efforts, featuring the same caravan of musicians as the acclaimed Rolling Thunder Revue tours the previous year (later documented on The Bootleg Series Vol. 5). Many of the songs also featured backing vocals by Emmylou Harris and Ronee Blakley. Most of the album was co-written by Jacques Levy, and is composed of lengthy story-songs, two of which quickly generated controversy: the 11-minute-long "Joey", which is seen as glorifying the violent gangster "Crazy Joey" Gallo, and "Hurricane", the opening track that tells a passionate account of the murder case against boxer Rubin "Hurricane" Carter, who the song asserts was framed. Carter was released in 1985, after a judge overturned his conviction on appeal.

Performer: Obituary
Album: Obituary
Label: Relapse. Made in USA.
Catalog #: RR7370
Style: Death Metal
Year: 2017
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 11
Size RAR: ~ 296 mb
Upload: Nitroflare.com
Recovery: 3%
Password: without a password

The idea of “maturity” in music is a vague one at the best of times. The notion that you are supposed to sound a certain way because you’ve been making records for over 30 years – like you are in some way to be “grown up” and write something that you don’t believe in – has always seemed rather nonsensical. That way madness – or at the very least bland, anodyne shite – lies. Thank Christ – or Satan, whatever, we’re easy – that no one told Slayer this type of thing (and as an aside, wouldn’t you love to be a fly on the wall at the meeting where someone told Kerry King their next album was going to be introspective?!) and thank whatever you choose that Obituary have chosen to go down the same path. You almost knew they would, as soon as you saw the album title. If Obituary were going to give this one their band name then this was never going to be anything other than nasty, vicious and breakneck stuff. It is all that and a lot more. And it might as well be said right now that it is quite brilliant. If no one was really expecting the EP that emerged last year, then equally it was something of a shock that this ten tracker followed so soon after. It does, and it finds the five piece in rare form. Pick a song from opener “Brave” to the closer “Ten Thousand Ways To Die” and you will essentially find the same thing. Riffs at a million miles an hour, solos that are faster, and when it does do a breakdown then you’d best believe these are earth shakers. To call this mighty does the word an injustice. “Sentence Day” passes by in such a blur you barely have time to register just how good it is. Death metal yes, but no one does it quite as thrashy as this, and no one sounds like James Tandy on vocals, no one plays drums like his brother Donald and there isn’t a guitar paring with the sensibilities of Trevor Peres and Kenny Andrews in extreme metal. The four – together with the pummelling bass of Terry Butler – are right at the top of their game throughout. Almost hardcore in its intent “End This Now” is a broken bottle in the teeth, “Kneel Before Me” channels some kind of malevolence and whatever “it” is, in “It Lives” you had best steer well clear. It is rare that something is as genuinely hate-filled yet so accessible. “Betrayed” settles itself into a groove, and “Turned To Stone” – which for this record is positively epic at over four minutes – is perhaps the heaviest work here, which for the sake of argument makes it very, very heavy indeed. The opening line of “Straight To Hell” seems to capture the whole vibe here: “We’re going straight to hell, on a one night train” growls Tardy. And believe us when we say, it is the devil himself that needs to be scared. This is the sound of Obituary coming back to claim their title as the Kings of Death Metal. And they’ve done it in style.

Performer: Bob Dylan
Album: Bringing It All Back Home
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2096
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 11
Size ZIP: ~ 465 mb
Upload: nitroflare.com
Password: without a password

Bringing It All Back Home is the fifth studio album by the American singer-songwriter Bob Dylan, released in April 1965 by Columbia Records. In a major transition from his earlier sound, it was Dylan's first album to incorporate electric instrumentation, which caused controversy and divided many in the contemporary folk scene.

Performer: Novembers Doom
Album: Major Arcana
Label: Prophecy. Made in EU.
Catalog #: PRO 413
Style: Doom Metal
Year: 2025
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size RAR: ~ 455 mb
Upload: Nitroflare.com
Recovery: 3%
Password: without a password

Зато музыкально всё по-прежнему впечатляет. Песни "Major Arcana" и "Ravenous" звучат тяжело, с гулкими риффами и грандиозной драмой, а "Mercy" - пожалуй, эмоциональный центр пластинки: медленный, протяжный, с голосом Пола Кувелиса, которой одновременно звучит как угроза и как признание в бессилии. В финале "XXII" Novembers Doom выдают то, что умеют лучше всего - апокалиптический финал, густой, отчаянный и катарсический.

Performer: Necrophobic
Album: Womb of Lilithu
Label: Season Of Mist. Made in EU.
Catalog #: SOM 313
Style: Black Death Metal
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 14
Size RAR: ~ 554 mb
Upload: Nitroflare.com
Recovery: 3%
Password: without a password

Если мы возьмёмся формировать список тех столпов, на которых стояла и стоит «тёмная» метал-сцена Швеции, то Necrophobic окажется в первых рядах. За тридцать пять лет своего существования эта стокгольмская блэк-дэт-метал-формация вполне заслуженно обзавелась статусом настоящих классиков жанра. И, как подобает настоящим классикам, группа, несмотря на периодические перемены в составе (барабанщик Йоаким Стернер — единственный постоянный участник команды), демонстрирует стойкую приверженность однажды избранному стилю, но при этом умудряется не скатиться в самоплагиат.

Performer: Umbra Et Imago
Album: Dunkle Energie
Label: Oblivion. Made in Russia.
Catalog #: SPV 085-62702 CD
Style: Gothic Metal
Year: 2001
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size RAR: ~ 536 mb
Upload: Nitroflare.com
Recovery: 3%
Password: without a password

После ещё нескольких перемен в составе, группа в музыкальном плане переросла из спонтанного, эмоционального, душераздирающего действа в опытную, созревшую команду, всё больше и больше совершенствующуюся в своём деле. Были даны концерты во многих городах Европы, а также на Американском континенте, причем с неожиданным успехом.

Performer: Nuclear Assault
Album: Assault & Battery
Label: Receiver Records. Made in UK.
Catalog #: RRCD 244
Style: Thrash Metal
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 18
Size RAR: ~ 397 mb
Upload: nitroflare.com
Recovery: 3%
Password: without a password

Assault & Battery is a compilation album released by Receiver Records in 1997. Most tracks were previously unreleased or were b-sides from singles.

Performer: Holy Moses
Album: Terminal Terror
Label: West Virginia. Made in UK.
Catalog #: 08457102
Style: Thrash Metal
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 09
Size RAR: ~ 369 mb
Upload: Nitroflare.com
Recovery: 3%
Password: without a password

Всё-таки нет у этой группы похожих альбомов! Это в очередной раз доказывает данный диск. Немного поиграв доступный для широких металлических масс высококлассный трэш в 1990-м году, группа незамедлительно пошла дальше и уже через год снова удивила своих поклонников. Метаморфозы оказались значительны, альбом можно назвать ЗВЕРСКИМ без преувеличения. Жесточайшие риффы, беспощадная ритм-секция, вокал Сабины, доходящий почти до гроулинга - всё это сделало данный релиз одним из ключевых в тогдашнем брутальном трэше и одним из самых жестоких в трэше вообще.