Performer: Paul McCartney
Album: Memory Almost Full
Label: Hear Music, MPL, Universal Music. Made in JP. 
Catalog #: UCCO-3001
Style: Rock, Pop Rock, Classic Rock  
Year: 2007
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 14
Size ZIP: ~ 335 mb
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Memory Almost Full (englisch für „Speicher fast voll“) ist das 15. Soloalbum von Paul McCartney. Gleichzeitig ist es einschließlich der Wings-Alben, der Fireman-Alben, der klassischen Alben, der Livealben und Kompilationsalben das 40. Album von Paul McCartney nach der Auflösung der Band The Beatles. Es wurde am 4. Juni 2007 in Großbritannien und am 5. Juni 2007 in den USA veröffentlicht. 

Performer: Paul McCartney
Album: McCartney II
Label: Odeon, MPL. Made in JP.
Catalog #: TOCP-3134
Style: Rock, Pop Rock, Classic Rock
Year: 1995
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 14
Size ZIP: ~ 368 mb
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McCartney II es el cuarto álbum en solitario del músico de rock británico Paul McCartney, publicado por la compañía discográfica Parlophone en mayo de 1980.[6]​ El disco, caracterizado por el uso de sintetizadores, sampling y por la experimentación con nuevos sonidos en el estudio de grabación, fue el primer trabajo solista de McCartney —con la excepción de Thrillington, una versión instrumental del álbum Ram— desde la formación del grupo Wings en 1971. El futuro del grupo, que un año antes había publicado Back to the Egg, aún no estaba decidido y fue oficialmente disuelto por McCartney un año después. 

Performer: Paul McCartney
Album: McCartney
Label: Odeon, MPL. Made in JP.
Catalog #: TOCP-3124
Style: Rock, Pop Rock, Classic Rock
Year: 1995
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 13
Size ZIP: ~ 187 mb
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McCartney es el primer álbum de estudio en solitario del músico británico Paul McCartney, publicado el 17 de abril de 1970 por Apple Records. Su lanzamiento coincidió en el tiempo con el de Let It Be, el último álbum de The Beatles, a pesar del intento de sus compañeros de grupo por retrasar su publicación en favor de otros proyectos de Apple. Dicho conflicto provocó un nuevo enfrentamiento entre McCartney y sus compañeros de The Beatles, sumado al intento del primero por mantener unido el grupo y por controlar la gestión de Apple a través de su cuñado Lee Eastman. Es considerado como el álbum pionero del indie rock. 

Performer: Paul & Linda McCartney
Album: Ram
Label: MPL, 24K+Gold DCC. Made in US.
Catalog #: GZS-1037 (0 1096-31037-2 4)
Style: Rock, Pop Rock, Classic Rock
Year: 1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size ZIP: ~ 308 mb
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Ram ist das zweite Soloalbum von Paul McCartney. Es erschien am 17. Mai 1971 in den USA und am 28. Mai 1971 in Großbritannien. Das Album nannte Linda McCartney als gleichberechtigte Co-Interpretin. Sie wurde ebenfalls als Co-Produzentin und Co-Komponistin bei sechs der zwölf Stücke des Albums genannt. 

Performer: Paul & Linda McCartney
Album: Ram
Label: Capitol Records, MPL. Made in UK.
Catalog #: CDP 7 46612 2
Style: Rock, Pop Rock, Classic Rock
Year: 1987
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI) 
Amount of tracks: 12
Size ZIP: ~ 327 mb
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The album's release coincided with a period of acrimony between McCartney and the other former Beatles, and followed his legal action in the United Kingdom's High Court to dissolve the Beatles partnership. John Lennon perceived slights in the lyrics to songs such as "Too Many People", to which he responded with his song "How Do You Sleep?". McCartney felt he had addressed the criticism he received for his 1970 solo debut, McCartney, but Ram elicited a similarly unfavourable reaction from music journalists. It nonetheless topped the national album charts in the UK, the Netherlands and Canada. Today, Ram is held in high regard by many music critics and is often ranked as one of McCartney's best albums. 

Performer: Paul & Linda McCartney
Album: Ram - Deluxe Edition 
Label: MPL Communications, Hear Music, Concord Music Group. Made in US.
Catalog #: HRM-33450-00
Style: Rock, Pop Rock, Classic Rock    
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (72 DPI) 
Amount of tracks: 12+8+12+11
Size ZIP: ~ 1.41 gb
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In 1971, McCartney produced Thrillington, an instrumental interpretation of Ram released in 1977 under the pseudonym Percy 'Thrills' Thrillington. In 2012, an expanded edition of Ram was reissued (Thrillington included) with over two dozen bonus tracks as part of the Paul McCartney Archive Collection. In 2023, Ram was ranked number 450 on Rolling Stone's list of the greatest albums of all time.

Performer: Paul & Linda McCartney
Album: Ram
Label: Parlophone. Made in NL.
Catalog #: 0777 7 89139 2 4
Style: Rock, Pop Rock, Classic Rock 
Year: 1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (72 DPI) 
Amount of tracks: 14
Size ZIP: ~ 406 mb
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Ram (also stylised in all caps) is the only studio album credited to the spousal music duo Paul and Linda McCartney, and the former's second album after leaving the Beatles. Released on 17 May 1971 by Apple Records, it was recorded in New York with guitarists David Spinozza and Hugh McCracken, and future Wings drummer Denny Seiwell. Three singles were issued from the album: "Uncle Albert/Admiral Halsey" (McCartney's first number 1 hit in America without the Beatles), "The Back Seat of My Car" and "Eat at Home". The recording sessions also yielded the non-album single "Another Day". 

Performer: Paul McCartney
Album: McCartney
Label: MPL, 24K+Gold DCC. Made in US.
Catalog #: GZS-1029 (0 109-631029-2 5)
Style: Rock, Pop Rock, Classic Rock 
Year: 1992
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 13
Size ZIP: ~ 205 mb
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McCartney ist das erste Soloalbum von Paul McCartney. Es erschien am 17. April 1970. McCartney nahm das Album im Alleingang auf und spielte jedes Instrument selbst. Den ersten 100 Exemplaren des Albums war eine von McCartney verfasste Presseerklärung beigelegt, in der er zum einen detaillierte Angaben zur Entstehung der LP machte, zum anderen seinen Austritt aus der Band The Beatles erklärte. Damit wurde der Erscheinungstermin von McCartney quasi zum offiziellen Trennungsdatum der Beatles. 

Performer: Paul McCartney
Album: McCartney
Label: Capitol Records, Parlophone. Made in US.
Catalog #: CDP 7 46611 2
Style: Rock, Pop Rock, Classic Rock  
Year: 1988
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI) 
Amount of tracks: 13
Size ZIP: ~ 306 mb
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McCartney recorded the album during a period of depression and confusion, following John Lennon's private departure from the Beatles in September 1969. Conflicts over the release of McCartney's album further estranged him from his bandmates, as he refused to delay the album's release to allow for Apple's previously scheduled titles, notably the Beatles' album Let It Be. A press release in the form of a self-interview supplied with UK promotional copies of McCartney led to the Beatles' break-up. 

Performer: Paul McCartney
Album: McCartney
Label: MPL Communications, Hear Music, Concord Music Group. Made in US.
Catalog #: HRM-32799-00
Style: Rock, Pop Rock, Classic Rock   
Year: 2011
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (72 DPI) 
Amount of tracks: 13+7
Size ZIP: ~ 800 mb
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McCartney received mostly unfavorable reviews, while McCartney himself was vilified for seemingly ending the Beatles. The record was widely criticised for being under-produced and for its unfinished songs, although the ballad "Maybe I'm Amazed" was consistently singled out for praise. Commercially, McCartney benefited from the publicity surrounding the break-up; it held the number 1 position for three weeks on the US Billboard Top LPs before yielding that position to Let It Be. It peaked at number 2 in Britain. 

Performer: Paul McCartney
Album: McCartney
Label: Parlophone. Made in NL.
Catalog #: 0777 7 89239 2 3
Style: Rock, Pop Rock, Classic Rock  
Year: 1993
Format: FLAC (image + .cue
Bitrate: lossless
Covers: full (72 DPI) 
Amount of tracks: 13
Size ZIP: ~ 310 mb
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McCartney is the debut solo studio album by the English rock musician Paul McCartney, released on 17 April 1970 by Apple Records. McCartney recorded it in secrecy, mostly using basic home-recording equipment at his house in St John's Wood. Mixing and some recording took place at professional London studios. In its loosely arranged performances, McCartney eschewed the polish of the Beatles' records in favour of a lo-fi style. Apart from occasional vocal contributions by his wife, Linda, McCartney performed the entire album alone by overdubbing on four-track tape. 

Performer: Paul McCartney
Album: Live in Los Angeles
Label: MPL Communications, Upfront. Made in UK.
Catalog #: UPPMCMOS01
Style: Rock, Pop Rock, Classic Rock  
Year: 2010
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 320 mb
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Paul McCartney Live in Los Angeles is a promotional live album by Paul McCartney recorded during a secret performance at Amoeba Music in Hollywood, California, on 27 June 2007. The album was released only in the United Kingdom and Ireland through a special promotion run by The Mail on Sunday and the Irish Sunday Mail.

Performer: Paul McCartney
Album: McCartney III
Label: Capitol Records. Made in US.
Catalog #: B003285202
Style: Rock, Pop Rock, Classic Rock 
Year: 2020
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI) 
Amount of tracks: 11
Size ZIP: ~ 461 mb
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McCartney III is the eighteenth solo album by English musician Paul McCartney, released on 18 December 2020 by Capitol Records. It serves as a continuation to his solo albums McCartney (1970) and McCartney II (1980). Similar to those albums, McCartney III features McCartney on most instruments.

Performer: Paul McCartney
Album: New
Label: Hear Music, MPL, Concord Music Group. Made in US.
Catalog #: HRM 34845-02 
Style: Rock, Pop Rock, Classic Rock 
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 15
Size ZIP: ~ 585 mb
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New is the sixteenth solo studio album by English musician Paul McCartney, released on 11 October 2013 through MPL Communications, Hear Music, and Universal International. The album was his first since 2007's Memory Almost Full to consist entirely of new compositions.

The album was executive produced by Giles Martin, with production by Martin, Mark Ronson, Ethan Johns and Paul Epworth and it was mastered by Ted Jensen at Sterling Sound, New York. McCartney has stated that New was inspired by recent events in his life as well as memories of his pre-Beatles history. He added that some of the arrangements are unlike his usual rock recordings, and that he specifically sought out younger producers to work with.

Performer: Paul McCartney
Album: Egypt Station
Label: Capitol Records. Made in US.
Catalog #: B002873602
Style: Rock, Pop Rock, Classic Rock 
Year: 2018
Format: FLAC (image + .cue) 
Bitrate: lossless
Covers: full (600 DPI) 
Amount of tracks: 16
Size ZIP: ~ 606 mb
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Egypt Station is the seventeenth solo studio album by English singer-songwriter Paul McCartney, released on 7 September 2018 through Capitol Records.

Egypt Station was produced by Greg Kurstin and co-produced by McCartney, with the exception of one track produced by Ryan Tedder.[1] The album is McCartney's first studio release since 2013's New. The album's lead single, a double A-side consisting of the songs "I Don't Know" and "Come On to Me", was released on 20 June 2018.

The name "Egypt Station" is shared by one of McCartney's paintings from 1988, from which the cover art is derived. It became his first number one album in the United States since 1982's Tug of War and his first to debut atop the Billboard 200.