Lossless Music in FLAC, APE & WAV. » Music genres » Classic Rock, Hard Rock

Performer: Syd Barrett
Album: The Madcap Laughs
Label: Parlophone Records, Warner Music. Made in JP.
Catalog #: WPCR-16394
Style: Rock, Progressive Rock, Psychedelic Rock
Year: 2015
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 20
Size ZIP: ~ 693 mb
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The Madcap Laughs - первый сольный альбом Сида Барретта после ухода из Pink Floyd. Записан в студии Эбби Роуд и выпущен 3 января 1970 года. Альбом первоначально был издан Harvest Records в Великобритании и Capitol Records в США. Занял 40-е место в хит-параде в Великобритании.

Performer: Syd Barrett
Album: Barrett
Label: Parlophone Records, Warner Music. Made in JP.
Catalog #: WPCR-16395
Style: Rock, Progressive Rock, Psychedelic Rock
Year: 2015
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 21
Size ZIP: ~ 498 mb
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Barrett был записан в лондонской студии Эбби Роуд в 1970 году. В этот раз состав музыкантов оставался постоянным на протяжении всей записи альбома. Участие в записи принимали: Дэвид Гилмор, Ричард Райт, Джеральд Ширли, Уил Уилсон, Вик Сэйвелл. Роджер Уотерс же, отказался принимать участие в записи альбома, так как не захотел снова переносить тяготы работы с Барретом. Роль продюсеров альбома взяли на себя Дэвид Гилмор и Ричард Райт.

Performer: Creedence Clearwater Revival
Album: 40th Anniversary Editions Box Set 
Label: Fantasy Records, Concord Records. Made in EU.
Catalog #: 0888072315716
Style: Rock, Country Rock, Blues Rock, Southern Rock 
Year: 2009
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: many
Size ZIP: ~ 3.35 gb
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Performer: Creedence Clearwater Revival
Album: Chronicle: The 20 Greatest Hits
Label: Fantasy. Made in DE.
Catalog #: FCD CCR-2-2
Style: Rock, Country Rock, Blues Rock, Southern Rock
Year: 1989
Format: FLAC (image + .cue) 
Bitrate: lossless
Covers: only front
Amount of tracks: 20
Size ZIP: ~ 382 mb
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Performer: Creedence Clearwater Revival
Album: Chronicle: The 20 Greatest Hits
Label: Fantasy Records, Universal Russia. Made in RU.
Catalog #: 4605026012363
Style: Rock, Country Rock, Blues Rock, Southern Rock
Year: 2017
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI) 
Amount of tracks: 20
Size ZIP: ~ 444 mb
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Performer: Genesis
Album: Wind & Wuthering
Label: Charisma, Virgin, EMI Ltd. Made in JP.
Catalog #: TOGP-15012
Style: Rock, Symphonic Progressive
Year: 2007
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 9
Size ZIP: ~ 370 mb
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Wind & Wuthering is the eighth studio album by English progressive rock band Genesis. It was released on 17 December 1976 on Charisma Records and is their last studio album to feature guitarist Steve Hackett. Following the success of their 1976 tour to support their previous album A Trick of the Tail, the group relocated to Hilvarenbeek in the Netherlands to record a follow-up album, their first recorded outside the UK. Writing and recording caused internal friction, for Hackett felt some of his contributions were dropped in favour of material by keyboardist Tony Banks.

Performer: Genesis
Album: We Can’t Dance
Label: Atlantic. Made in US.
Catalog #: 7 82344-2
Style: Rock, Symphonic Progressive
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 550 mb
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We Can’t Dance (englisch für „Wir können nicht tanzen“) ist das 14. Studioalbum der britischen Rockband Genesis. Das im November 1991 veröffentlichte Werk ist das letzte Studioalbum der Gruppe, welches mit dem Sänger Phil Collins aufgenommen wurde, der fünf Jahre später die Band verließ und für das Album … Calling All Stations … (1997) durch Ray Wilson ersetzt wurde. Collins kehrte zwar 2006 zu Genesis zurück, jedoch ohne neues Material aufzunehmen.

Performer: Genesis
Album: Trespass
Label: MCA Records. Made in US.
Catalog #: MCAD-1653
Style: Rock, Symphonic Progressive
Year: 1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 6
Size ZIP: ~ 276 mb
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Trespass is the second studio album by the English rock band Genesis. It was released in October 1970 on Charisma Records, and is their last album with guitarist Anthony Phillips and their only one with drummer John Mayhew.
Genesis turned professional in autumn 1969, and began to rehearse intensely and play live shows. After several months of touring they secured a recording contract with Charisma Records, and entered Trident Studios in London in July 1970 to record Trespass. The music marked a departure from more pop-oriented songs, as displayed on their first album From Genesis to Revelation, towards folk-flavoured progressive rock. This ranged from light acoustic pieces with multiple twelve-string guitars, to the heavier live favourite "The Knife". The sleeve, featuring a knife slash across the front, was the first of several to be designed by Paul Whitehead.

Performer: Genesis
Album: The Lamb Lies Down On Broadway
Label: EMI. Made in JP.
Catalog #: TOCP-53067/8
Style: Rock, Symphonic Progressive
Year: 1999
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 11+12
Size ZIP: ~ 625 mb
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The Lamb Lies Down on Broadway is the sixth studio album by the English progressive rock band Genesis. It was released as a double album on 18 November 1974 by Charisma Records and is their last to feature original frontman Peter Gabriel. It peaked at No. 10 on the UK Albums Chart and No. 41 on the Billboard 200 in the US.
While the band worked on new material at Hedley Grange for three months, they decided to produce a concept album with a story devised by Gabriel about Rael, a Puerto Rican youth from New York City who is suddenly taken on a journey of self-discovery and encounters bizarre incidents and characters along the way. The album was marked by increased tensions within the band as Gabriel, who insisted on writing all of the lyrics, temporarily left to work with filmmaker William Friedkin and needed time to be with his family. Most of the songs were developed by the rest of the band through jam sessions and were put down at Glaspant Manor in Wales using a mobile studio.

Performer: Fleetwood Mac
Album: Mystery To Me
Label: Reprise Records, Warner Music. Made in JP.
Catalog #: WPCR-14584
Style: Blues Rock, Pop Rock, Soft Rock, Rock, Blues
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 12
Size ZIP: ~ 428 mb
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Mystery to Me — восьмий студійний альбом британсько-американського гурту «Fleetwood Mac», представлений 15 жовтня 1973 року під лейблом «Reprise Records»

Performer: Fleetwood Mac
Album: Mystery To Me
Label: Warner-Pioneer. Made in JP.
Catalog #: WPCP-3405
Style: Blues Rock, Pop Rock, Soft Rock, Rock, Blues
Year: 1990
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 344 mb
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Mystery to Me é o oitavo álbum de estúdio da banda anglo-americana de rock Fleetwood Mac, lançado em outubro de 1973. É o último disco com a participação do guitarrista Bob Weston. A maioria das composições são do vocalista e guitarrista Bob Welch e da vocalista e tecladista Christine McVie, esta última responsável por introduzir canções de inclinação pop no repertório da banda.

Performer: Fleetwood Mac
Album: Mystery To Me
Label: Reprise. Made in DE.
Catalog #: 7599-25982-2
Style: Blues Rock, Pop Rock, Soft Rock, Rock, Blues
Year: 1990
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 324 mb
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Mystery to Me is the eighth studio album by British-American rock band Fleetwood Mac, released on 15 October 1973. This was their last album to feature Bob Weston. Most of the songs were penned by guitarist/singer Bob Welch and keyboardist/singer Christine McVie, who were instrumental in steering the band toward the radio-friendly pop rock that would make them successful a few years later.
Mystery to Me sold moderately well, peaking at number 67 on the US Billboard 200 chart dated 22 December 1973. Despite not being a hit single, the song "Hypnotized" became an American FM radio staple for many years. In the wake of the Buckingham/Nicks-led line-up's success a few years later, the album was certified gold by the Recording Industry Association of America (RIAA) in 1976.

Performer: Fleetwood Mac
Album: Mr. Wonderful
Label: Epic-Sony Records. Made in JP.
Catalog #: ESCA 7562
Style: Blues Rock, Pop Rock, Soft Rock, Rock, Blues
Year: 1994
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 250 mb
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Mr. Wonderful est le deuxième album studio du groupe de blues rock britannique Fleetwood Mac, sorti le 23 août 1968. À noter la présence au piano de Christine McVie, à titre d'invitée, qui ne jouait que sur les chansons composées par Peter Green. Cet album entièrement blues était globalement similaire à leur premier album, mais avec quelques changements de personnel, le bassiste Bob Brunning ayant cédé sa place à John McVie, et de méthode d'enregistrement. L'album a été enregistré en direct en studio avec des amplificateurs et un système de sonorisation, plutôt que branché directement sur la console. Une section de saxophones a été introduite, et Christine Anne Perfect de Chicken Shack apparaît aux claviers mais seulement à titre d'invitée. Aux États-Unis, l'album n'a pas été publié sous le titre de Mr. Wonderful, bien qu'environ la moitié des titres soient apparus sur la compilation English Rose.

Performer: Fleetwood Mac
Album: Mr. Wonderful
Label: Columbia. Made in AT.
Catalog #: 5164442
Style: Blues Rock, Pop Rock, Soft Rock, Rock, Blues
Year: 2004
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 16
Size ZIP: ~ 356 mb
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Mr. Wonderful is the second studio album by British blues rock band Fleetwood Mac, released on 23 August 1968. This all-blues album was broadly similar to their debut album, albeit with some changes to personnel and recording method. The album was recorded live in the studio with miked amplifiers and PA system, rather than plugged into the board. A horn section was introduced; and Christine Perfect of Chicken Shack was featured on keyboards. In the US, the album was not issued under the name Mr. Wonderful, though around half of the tracks appeared on English Rose.