When Cerrone started recording his fourth album, The Golden Touch, fans were anxious to see what he would come up with. Would the project be as conceptual and ambitious as Supernature, or would Cerrone return to the happy, completely escapist party vibe of Love in C Minor and Cerrone's Paradise? Without question, Supernature was a tough act to follow, and Cerrone knew better than to try to turn his fourth album into Supernature: Part II. This excellent 1978 release is as strong as Supernature, although quite different. A departure from Supernature's moody horror/sci-fi ambiance, The Golden Touch is the lush Euro-disco album that fans of Love in C Minor and Cerrone's Paradise were hoping for -- but with a twist. The lyrics aren't entirely escapist; "Je Suis Music" addresses sociopolitical concerns while winning the listener over with its irresistible groove.

Supernature is Cerrone's third album, released in September 1977. It was released in France on Malligator Records. It is known also as Cerrone III, since it is the third album by Cerrone, who labeled his albums with a number.

Love In C Minor is Cerrone's first album, released in 1976. It was released in France by Malligator Label. It is known also as Cerrone I, since it is the firstalbum by Cerrone, who labeled his albums with a number.. Based in Paris, Cerrone recorded, composed, and performed his solo debut Love in C Minor, again with Costandinos. Released on his own Malligator imprint, and distributed by Warner Filipacchi in France, it immediately shocked audiences with its controversial cover. It was later released with a new, tamer cover that took flashes of nude women into the background and replaced them with four arms clenched instead for the American release.

My Love: Essential Collection topped the albums charts in the Netherlands, Belgium and Ireland, as well as the compilation album chart in France. My Love: Essential Collection peaked at number two in Canada, number five in the United Kingdom and number eight in the United States. It was certified four-times Platinum in the UK, double-Platinum in Canada and Ireland, Platinum in Belgium and Gold in Mexico, Finland, New Zealand and Hungary. In most territories, the album's first single was a live recording of "My Love", a semi-autobiographical song written for Dion by Linda Perry, originally released on Taking Chances (2007). In France, a new remix of "I'm Alive" was released as a promotional single instead.

Praised for its understated production, vintage aesthetic, and Adele's vocal performance, 21 was shortlisted for the 2011 Mercury Prize, and won the 2012 Grammy Award for Album of the Year and the Brit Award for British Album of the Year. It has since been ranked amongst Rolling Stone's 500 Greatest Albums of All Time and is included in the book 1001 Albums You Must Hear Before You Die.

21 defied the modest commercial expectations of her independent record label, XL. A sleeper hit, it topped record charts in more than 30 countries and became the world's best-selling album of the year for both 2011 and 2012, helping to revitalise the lagging sales of the global music industry. It is the best-selling album of the 21st century and the third best-selling album in the UK, while its 23-week tenure atop the UK Albums Chart is the longest by a female solo artist. In the United States, it is the best-performing Billboard 200 album of all time, holding the top position for 24 weeks, longer than any other album since 1985 and the longest by a female solo artist in Billboard 200 history.

The early German thrash has a special kind of appeal, largely due to its rawness and unrelenting approach, and of the Teutonic thrashers, Kreator were ahead of the rest in rawness and extremity by some way. This album in particular has gained a reputation for being one of the most ferocious assaults in thrash metal, while also drawing criticism because of its single-minded nature. I am not especially partial to all-out musical destruction, but I must say that Pleasure to Kill is one of the best examples of its kind, almost certainly better than that other 1986 all-out thrash album.

Пока не совсем зрелый, что ли, но уже демонстрирующий потенциал Slayer релиз. Потенциал создавать потрясающие, цельные, богатые и при этом, как это ни парадоксально, аскетичные песни. Отнюдь не идеал, но черновик, заготовка для многих, многих шедевров...
Такая музыка не стареет. Ее просто слегка припорошило пеплом душ, сгоревших в топке персонального Slayer'овского крематория. Но этот пепел легко сдувается звуковой волной первых аккордов "Angel of Death", которую гонят динамики, и прах этот уносится в неизвестном направлении на встречу с забвением и долгожданным покоем.

I'm sure "Terrible Certainty" may have some fans divided. This is Kreator's equivalent to "South of heaven", not because of musical similarities, but they had the awkward task of following up "Pleasure to kill" hailed by just as many as "Reign in blood." They were never going to top the sheer intensity of this album's predecessor, but this album sounds more stable, with plenty of catchy thrash riffs that will stay in the memory for years to come. If the mission was to release an album that was slightly more disciplined without sounding far too refrained, then the mission was surely accomplished. I'm not going to denounce anybody who prefers other Kreator albums over this one, because Kreator have released many a classic, I am just going to tell you why this album has a permanent place in my collection, and why I like it so much. Although I love this album, I can come to terms with why some might carefully tread around it, because it isn't a masterpiece either. The riffs are good which is a given considering it is a Kreator album from the 1980's, but I genuinely find the lyrics more interesting this time around. "Blind faith" is about Romans feeding Christian heretics to the lions in an arena, "Behind the mirror" is about a man who is having trouble facing the reality of the world, hiding behind his thoughts and the imaginary barriers he has set for himself. I find the good lyrics accompanied by catchy riffs, will have most bobbing their head to the lyric sheet.

Обязательно к ознакомлению считающими себя блэк-металлистами и не слышавшими эту запись.Уж на что я считаю Sodom прекрасной группой, но всё равно чаще всего возвращаюсь именно к этой безумной пластинке. Примитивность на грани гениальности - вот что такое In the Sign of Evil!

The Revenge of Alice Cooper is the eighth studio album by American rock band Alice Cooper. It was released on July 25, 2025 by earMusic and is the group's first collaboration since 1973's Muscle of Love.

Alright peoples, Extreme Aggression, my favorite Kreator album. Yes, I said it, this is my favorite Kreator album. The so-called weak point in Kreator's early career that is sandwiched between the technical yet vicious monster Terrible Certainty and the completely fuckin' godly Coma of Souls that outshines almost every thrash album ever. I just, you know, like this one more. Extreme Aggression was where Kreator started polishing their blade a little bit; they started out hacking people to death with a jagged, blood-stained battle axe but around Terrible Certainty and this one, they began introducing more streamlined songwriting elements, better crafted and catchier riffs, and an overall smarter approach to the thrash.