Against The Grain, Acoustic Alchemy's 7th album, was released in 1994 under the GRP label.
Despite having only ten tracks, "Against The Grain" still manages to notch up a total play time of 53 minutes, notably because of the band's experimentation with some longer, more drawn out tracks.

Arcanum (spelled a͡rcānˈum on the cover) was a 1996 album released by Acoustic Alchemy, their penultimate release on the GRP jazz label.
The production on this album differed from normal; the band recorded the disc live at Pinewood Film Studios, London, UK. They enlisted the help of the London Metropolitan Orchestra to provide backing.
The album contained twelve tracks, three of which were new ("Columbia", "Chance Meeting" and "Something She Said"), and the others re-recordings of tracks selected from the band's discography to this point.

The story of Acoustic Alchemy has always been about innovation and adaptability. In the nearly 25 years since their first recording, the UK-based group has crafted a sound that maximizes the potential of not only the acoustic guitar but also its electric counterpart - and in so doing they've explored the subtle corners where jazz, pop, world music and other genres intersect. Along the way - with the help of a massive worldwide following created by consistent touring - they've weathered personal setbacks, dramatic shifts in musical trends, and in recent years, sweeping changes in the music industry. The next step in this ongoing journey is Roseland, their new recording set for release on September 27, 2011.

Red Dust And Spanish Lace was the breakthrough debut album by Acoustic Alchemy from 1987.
Comprising nine tracks in total, the album spawned the radio-friendly single "Mr. Chow", which was described as "Chinese reggae".
Other highlights include "Sarah Victoria", a re-recording of an early demo track, and the title track, which is still a live favourite now.

Mes Courants Électriques (English: My Electric Currents) is the second studio album by the French recording artist Alizée. It was released on 18 March 2003. Though not as successful as her previous album, Gourmandises, this album still sold more than 400,000 copies in the first three months of its release. Unlike her previous album, which was entirely in French, this album has English versions of four of its songs. As with Alizée's first album, the entire production was the work of Mylène Farmer (Lyrics) and Laurent Boutonnat (Music), but this would be the pair's last work with Alizée

In the recesses of my chrome and iron 80s heart, I have endless affection for early Fates Warning albums like The Specter Within and Awaken the Guardian. They just don’t make classy, traditional metal like that anymore and I wish more retro noodle heads would turn their gaze back to that golden era of metal and give it a go.

This set, made in 2007, is the last studio recording Joe Zawinul worked on before his death. It places the great Austrian pianist/composer in front of a mixed-genre chamber orchestra led by young Estonian classical conductor Kristjan Jarvi, and concentrates on the music of Zawinul's later years with his Syndicate, rather than the more famous two-decade reign of Weather Report. The dressing of jazz, improv or fusion ideas in classical music's graceful robes often does few favours to any of the contributing genres, but this is an exception: sustaining the Syndicate's headlong energies while enhancing passing melodic ideas that the erudite Zawinul would sometimes casually toss out.