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Lossless Music in FLAC, APE & WAV. » Catalog » b » Page 61
Performer: B.B. King
Album: Blues On Top Of The Blues
Label: BGO Records. Made in UK.
Catalog #: BGOCD69
Style: Blues
Year: 1968
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size RAR: ~ 217 mb
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Blues on Top of Blues is the fourteenth studio album by B.B. King released in 1968 on BluesWay BLS-6011. The album reached a peak position of number 46 on Billboard's R&B Albums chart.
Performer: Black Sabbath
Album: Sabotage & Seventh Star
Label: СД-Максимум. Made in RU.
Catalog #: CDM 398-88
Style: Hard Rock, Heavy Metal
Year: 1999
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 17
Size ZIP: ~ 521 mb
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Российская версия издания 6 и 12 альбомов группы Black Sabbath Sabotage и Seventh Star.
Performer: Biagio Antonacci
Album: Convivendo - Parte 1
Label: Iris S.R.L. Made in IT.
Catalog #: 9818211
Style: Soft Rock
Year: 2004
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 9
Size ZIP: ~ 276 mb
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Convivendo is the eighth album by Biagio Antonacci, published in two parts as a sign of protest against the record companies and the excessive prices of the discs, but also to try to counter the growing problem of piracy. To limit costs, prove that you can make good music and to achieve success without spending big bucks, the album was recorded in a recording studio in Bologna, the home of the singer.
Performer: Bee Gees
Album: Alone
Label: Polydor. Made in UK.
Catalog #: 573529-2
Style: Pop
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 4
Size ZIP: ~ 108 mb
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"Alone" is a song by the Bee Gees. It is the opening track on the multi-platinum Still Waters album released by the Bee Gees in 1997, and the first single from the album. The song is a pop ballad written by Barry, Robin and Maurice Gibb recorded in 1996. The track was a big hit worldwide, peaking at #5 in the UK and dominating the charts in Hong Kong, Thailand and Malaysia at #1. In the U.S. the single peaked at #28, making it their final top 40 hit in that country, after being a Billboard "Hot Shot" debut at #34.
Performer: Bruce Dickinson
Album: Balls to Picasso
Label: EMI. Made in Holland.
Catalog #: 7243 8 29682 2 1
Style: Hard 'n' Heavy
Year: 1994
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size RAR: ~ 435 mb
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На втором альбоме Брюс, похоже, набрался опыта (тем более что прошло четыре года, как же тут не наберешься?), да и пригласить Роя З было правильным шагом, поскольку его влияния чётко слышится почти в каждой вещи, не говоря уже о том что, музыка стала хотя и не хэви металлом, но достаточно тяжёлым и жестким хард роком. По-моему этот альбом намного сильнее дебютного, особенно радует тот факт, что у Дикинсона стали уже здесь появляться чисто свои оригинальные и неповторимые вещи, к которым я отношу бесподобную балладу «Tears Of The Dragon», которая живёт и до сих пор благодаря концертам и поклонникам
Performer: Burzum
Album: From The Depths Of Darkness
Label: Byelobog Productions. Made in Norway.
Catalog #: BYE009CD
Style: Atmospheric Black Metal
Year: 2011
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 11
Size RAR: ~ 498 mb
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Здесь мы можем услышать фирменные витиеватые и монотонные коллажи, местами - угрюмые и злобные, местами – возвышенные и сказочные. Здесь, как никогда ранее, Варг совмещает подвальную сырость девяностых с мистической, неземной, потусторонней одухотворенностью. Я думаю, не последнюю роль в этом играет новый звук, объединивший треки разных лет общей атмосферой.
Performer: B.B. King
Album: Got My Mojo Working
Label: MCA Special Products. Made in EU.
Catalog #: MCAD 20541
Style: Blues
Year: 1989
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size RAR: ~ 282 mb
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Recovery: 3%
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"Got My Mojo Working" is a blues song written by Preston "Red" Foster and first recorded by Ann Cole in 1956. Muddy Waters popularized it in 1957 and the song was a feature of his performances throughout his career. A mojo is an amulet or talisman associated with hoodoo, an early African-American folk-magic belief system. Rolling Stone magazine included Waters' rendition of the song on its list of 500 Greatest Songs of All Time at number 359.
Performer: Bonfire
Album: Legends
Label: AFM Records. Made in Germany.
Catalog #: AFM 716-2
Style: Hard Rock
Year: 2018
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 15+17
Size RAR: ~ 650+658 mb
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На самый главный вопрос «зачем» группа даёт вполне обоснованный ответ: основатель группы Hans Ziller хотел сделать большой концерт с легендарными вокалистами, которые бы исполняли свои песни. Но из-за плотного графика это было сложно воплотить в жизнь, поэтому Bonfire просто решили записать кавер-альбом, куда уместили ни много ни мало, 32 песни.
Performer: Bad Town Blues
Album: Oblivion Road
Label: Bad Moon Records. Made in UK.
Catalog #: BMCD5036
Style: Blues Rock
Year: 2005
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 15
Size ZIP: ~ 554 mb
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Bad Town Blues was the brain child of Adam Norton. With a set of Chicago Blues standards they cut a 4 track demo, and played their debut performance at the Colne 2000 Great British Blues Festival. The band subsequently worked all over the country on the club and festival circuit playing original blues and covers, sharing stages with acts as diverse as The Blockheads, Dr Feelgood and Otis Grand.
Performer: Baby Mammoth
Album: Bridging Two Worlds
Label: Pork Recordings. Made in UK.
Catalog #: pork 042
Style: Downtempo
Year: 1996
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 366 mb
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Amidst heavy competition, Baby Mammoth is the Pork label's most prolific act, packing in five full LPs of blunted instrumental hip-hop between their debut in late 1996 and the end of the decade. Like other Pork acts Fila Brazillia and Solid Doctor, the duo of Mark Blissenden and Andrew Burdall specialize in earthy breaks and ambient atmospheres, more slanted to the instrumental edge of acid jazz than other producer-based trip-hop acts.