Chronicle, Vol. 2 is a compilation album by Creedence Clearwater Revival, released by Fantasy Records in November 1986 and then re-released on CD in 1991.

Chasing Rainbows komt in oktober met het album ‘With Henk Jonkers. Dat verdient wat uitleg. Chasing Rainbows is de band rond Lawrence Rengert uit Santa Barbara, California. Toen Lawrence jaren geleden voor een studie aan de Rijksacademie van Beeldende Kunsten drummer Henk Jonkers (Fatal Flowers, Hallo Venray) trof, werden de oude demo’s met gitaarliedjes van Lawrence door Henk onder handen genomen in een Amsterdamse studio.

Chronicle, Vol. 1 contains every one of Creedence Clearwater Revival's original 19 hit singles -- including "Proud Mary," "Bad Moon Rising," "Green River," "Down on the Corner," "Travelin' Band," "Up Around the Band," and "Have You Ever Seen the Rain" -- plus "I Heard It Through the Grapevine," which became a hit at the same time this double-record compilation was released. It's a lean, concise collection that tells you everything you need to know about Creedence.

Czerwone Gitary (The Red Guitars) is one of the most popular rock bands in the history of Polish popular music. The band formed in 1965 and achieved its greatest success from 1965 to 1970. Often considered the Polish equivalent of the Beatles, many of their hits are now classics in Poland. The group toured extensively outside Poland (in Czechoslovakia, Hungary, USA, Germany and Soviet Union) but had mostly disappeared from the Polish scene by the 1980s. The band reformed in the 1990s.

Welcome to the Heartbreak Hotel is the second album by C. C. Catch. Like the debut album, it was a success and nearly all tracks from the album are well known.

The wicked new slab of Metal from Richmond's weed-obsessed death-dealers! Feat. members of MUNICIPAL WASTE, IRON REAGAN and GWAR, and guest appearances from Chris Barnes (SIX FEET UNDER), Trevor Strnad (THE BLACK DAHLIA MURDER), Digestor (GHOUL) and more!

Молодая польская команда "Corral" исполняет мелодичный рок с прогрессивными инструментальными элементами и мягким вокалом Agnieszka Kot.

В работе Don’t Talk, Dance! Крис Стэндринг мастерски соединил мягкие и романтические мелодии с ритмами европейского soul-jazz-dance в традиционных для своего творчества эстетских аранжировках.
В студийной работе над материалом альбома вместе с Крисом участвовали широко известный клавишник и продюсер Rodney Lee, басисты Andre Berry и Neil Stubenhaus, а также целая команда знаменитых джазовых барабанщиков: Dave Salinas, Guy Richman, Dave Karasony, Sergio Gonzales, Eric Valentine, Joey Heredia, Chris Blondal.

"If You Leave Me Now" was also Chicago's biggest hit worldwide, topping the charts in other countries such as Australia. It won Grammy Awards for Best Arrangement Accompanying Vocalist(s) and Best Pop Vocal Performance by a Duo, Group or Chorus. In addition, by August 1978 it had sold 1.4 million copies in the United States alone.
The song had been featured in some several television series and movies such as Three Kings, Shaun of the Dead, A Lot Like Love, Sex and the City and the video game Grand Theft Auto V.

Chicago XXXVI: Now, sometimes stylized as "NOW" Chicago XXXVI, is the twenty-third studio album, and thirty-sixth overall by Chicago. It was written and recorded in 2013-2014, and was released on July 4, 2014. Aside from the sprinkling of new tracks found in the band's many compilation and cover albums, Now is the band's next full album of new compositions in the eight years since 2006's Chicago XXX, and it is the next release of original material following 2008's fifteen-year-delayed Chicago XXXII: Stone of Sisyphus. This album marks the first original Chicago credits for veteran musicians Walfredo Reyes, Jr. and Lou Pardini, since joining the band.

Chicago VI is the fifth studio album by American rock band Chicago and was released in 1973. Following the streamlined character of Chicago V, this successor would see the group follow more of a pop music approach, relying less on their trademark horns and exploring varied music forms.

“Jail” is extremely solid from beginning to end where every song has killer chords and hooks which make them standout. There is absolutely no filler material on this disc. While some songs are obviously better than others, there is not what I would consider a weak track to be found. Some are based on a very hard-rockin’, infectious guitar hook. Others revolve around a big sing-along chorus. The rest fall somewhere in between with a combination of the two. I think it is a safe bet that you’ll find yourself singing “Scream” or “Bloodstained Highway” long after the disc has stopped.