The Battle Rages On... is the fourteenth studio album by the British hard rock band Deep Purple, released in 1993. It is the last album recorded with the band's classic Mk II line-up, which reunited for a second time (the first reunion being for 1984's Perfect Strangers). Even though Mike DiMeo was initially chosen as the singer for the album after Joe Lynn Turner was fired, Ian Gillan eventually returned to the band in late 1992 and had to rework much of the material already existing for it, which had been intended for Joe Lynn Turner and DiMeo. After his firing, Turner would admit Ritchie Blackmore referred to the album as "The cattle grazes on". Blackmore became infuriated at the non-melodic elements and quit mid tour after the show of 17 November in Helsinki, Finland. American guitarist Joe Satriani joined Deep Purple as a temporary replacement for the duration of the tour. A handful of working tracks written during The Battle Rages On... sessions would turn up on subsequent solo releases by Turner, under different titles.

«Stormbringer» («Буревестник») — девятый студийный альбом британской группы Deep Purple, вышедший в ноябре 1974 года.
На этом диске сильны элементы фанка и соула, привносимые Хьюзом и Ковердэйлом, что не устраивало Блэкмора (фактически, альбом представляет собой смесь заимствований Ковердэйла из блюза, элементов фанка, которым увлекался Хьюз, типичных хард-роковых риффов Блэкмора и классических органных партий Лорда). Обстановка в группе в очередной раз накалялась. Название «Stormbringer» («несущий бурю», «буревестник») навеяно творчеством Майкла Муркока.

Ремастированное издание от EMI, (сделанное с оригинальных мастер-лент и содержащее пять бонус треков) дебютного альбомa "Shades Of Deep Purple". Самой популярной песней альбома стала «Hush», представляет собой обработку одноимённой песни, которую написал Джо Саут в 1950-е для американского певца Billy Joe Royal. Издана том же году на сингле (с композицией "One More Rainy Day"). В 1988 году её перезаписали с Яном Гилланом и выпустили на концертном альбоме "Nobody's Perfect".

Purpendicular is the fifteenth studio album by the English rock band, Deep Purple. Released in 1996, it is their first album with guitarist from Dixie Dregs Steve Morse, who replaced Ritchie Blackmore; Blackmore, meanwhile, resurrected Rainbow and released the album Stranger in Us All.

Deep Purple, also referred to as Deep Purple III, is the third studio album by English Rock band Deep Purple, released in 1969 on Harvest Records in the UK and on Tetragrammaton in the US. It was to be the last album with the original line-up.
It was released at a time when the band were starting to grow as performers, both live and in the studio, finding their direction musically. There were some conflicts over whether the band should continue on their rawer, heavier direction.

Burn is the eighth studio album by Deep Purple, released in February 1974. This was the first Deep Purple album to feature then-unknown David Coverdale on vocals and Glenn Hughes from Trapeze on bass and vocals.

Abandon is the sixteenth studio album by Deep Purple released in the Spring of 1998. It was Deep Purple's second album with Steve Morse on guitar and the last one with founding member Jon Lord.

Home is the second studio album by the American band Deep Blue Something. It was released by RainMaker Records in 1994, and rereleased on Interscope in 1995. The band supported the album by touring with Duran Duran.

Anastasis is a 2012 studio album by the British-Australian band Dead Can Dance. It is the eighth studio album by the band and the first after Brendan Perry and Lisa Gerrard disbanded in 1998. It was officially released on 13 August 2012 by PIAS Recordings, 16 years after the group's last album, Spiritchaser. It is also the band's first album since it left 4AD Records. "Anastasis" is the Greek word for "resurrection".

White Ladder is the multi-platinum selling fourth studio album by British singer-songwriter David Gray, first released in November 1998. Worldwide sales of the album stand at 7 million.

About Face is the second studio solo album by Pink Floyd vocalist and guitarist David Gilmour. Released in March 1984, it was co-produced by himself and Bob Ezrin. Two tracks, "All Lovers Are Deranged" and the more radio-friendly "Love on the Air", were co-written by Gilmour and his long-time friend Pete Townshend, the main songwriter for legendary rock band The Who (Gilmour composed the music and Townshend wrote the lyrics).

While both David Cassidy and the Partridge Family have been at least partially anthologized over the years, it remains a thing of wonder that nobody has yet sat down to compile the best of both into one all-encompassing package -- all the more so since Cassidy's personal appeal remains as high as any '70s icon could dream of climbing. Cassidy himself has toyed with his past on occasion, with releases ranging from a mid-'80s live hits album to the savage reinvention of "I Think I Love You," which so dignified his 1998 Slamajama album.

Station to Station is the 10th studio album by English musician David Bowie, released on 23 January 1976 by RCA Records. In early 1975, Bowie moved to Los Angeles, California to shoot a role for Nicolas Roeg's film The Man Who Fell to Earth. His role in the film would heavily influence him and his next onstage persona for the rest of the year. Having developed an addiction to cocaine the previous year, Bowie's mental state deteriorated rapidly during his time in the city, affecting numerous personal relationships. The commercial success of his previous album Young Americans (1975) allowed him greater freedom when he began recording his next album.

Scary Monsters (and Super Creeps), also known simply as Scary Monsters, is the 14th studio album by English musician David Bowie, released on 12 September 1980 by RCA Records. Over the previous three years, Bowie had garnered massive artistic success with the "Berlin Trilogy", which consisted of Low, "Heroes" and Lodger (1977–1979). However, the trilogy had proven less successful commercially. By 1980, numerous artists Bowie had inspired with the trilogy were out-performing him commercially, leading him to desire a more commercial sound for his next record.