Swedish hard rockers Horisont take that one step further, by possessing the ability to take us back in time. The band has recently signed with Century Media Records, and on the 3rd of February will drop their 5th full-length album titled "About Time". For almost a decade Horisont has proved that it is possible to go backward in order to go forward, taking the iconic sounds of 70’s classic rock, and modernising it completely. ‘About Time’ is no exception to this and amidst the high-pitched riffs and classic melodies, there is an element of freshness that seeps through each and every song.

This is the third full-length release for Canadian electronic R&B artist Peter Sagar. Fresh Air’ is Sagar at his most neurotic and world-weary. To describe it as preoccupied with technology would be an understatement — distraction, attention, and the illusion of connectivity are cast into an interlocking orbit of swirling paranoia that hovers over the entire record.

My God-Given Right is the fifteenth studio album by German power metal band Helloween. It was released on May 29th, 2015. It marks the first time the band releases five studio albums with the same line-up.
It is their seventh consecutive album produced by Charlie Bauerfeind, and their first album released under the label Nuclear Blast since 2003's Rabbit Don't Come Easy.

I've waited years for this album. Finally this compilation of all this truly legendary band's recorded material is available to remind us what all the fuss was about. It is full of powerful, gloriously composed galloping heavy rock anthems, these songs never get old!

Третий студийный альбом английского синти-поп дуэта Hurts выпущен 9 октября 2015 года. Выходу альбома предшествовали синглы "Some Kind of Heaven", "Rolling Stone" , "Lights", "Slow" и"Wish".

This is a dense album with lots going on and the band brought in a host of guest musicians and producers to help flesh(god) out their ginormous concepts. Guitarists Ricardo Dias and Vitor Carvalho do some impressive work leapfrogging across genres and styles, managing to craft quality goth, death and black metal riffs to fit the various songs as needed. They aren’t particularly flashy players but they know how to drive a song with a riff. Dias is also credited with the orchestral arrangements, which are omnipresent and generally well executed. They aren’t always as well anchored to the core of the music as with Shade Empire and Septicflesh, but they certainly work. Ernesto Guerra was required to pull off multiple vocal styles to make this all come together and he should be commended for his solid performance. His death roars are respectable and his singing is often quite emotional. Considering he’s a fairly limited vocalist, he really stretched his capabilities and helped put the material over the top.

Проект ударника "Scorpions", Herman Rarebel с участием различных вокалистов.