Apparently, someone thought the U.S. and some other North American territories weren't ready for Jason Derulo's more "sensitive side" as his 2013 effort, Tattoos, went unreleased. American fans were only offered the EP version of the album, which whittled it down to five tracks, but now four of those numbers return on the U.S.-only album Talk Dirty, a slight repacking and total repurposing of Tattoos that trades the previous release's concept (soul-searching after breaking his neck and enduring a long recovery) for some U.S.-aimed additions and some "hubba hubba" artwork.

Released by Special Arrangement with Turner Classic Movies Music
Prepare to swing with two '60s comedy scores by a pair of famous composers who are more connected than one might think: besides being friends, John Williams was at one time the piano player for Henry Mancini on soundtracks as famous as Peter Gunn. In the '60s, Williams cut his composing teeth on a parade of often silly comedies and farces-exactly the type of film that, in its most classy form, was Mancini's Pink Panther stock-in-trade.
Limited to 3,000 copies worldwide!

Recorded at Royal Albert Hall on April 4, 2014, the various editions combine to include the full evening’s program of nearly three hours of music featuring Deep Purple, Bruce Dickinson, Glenn Hughes, Miller Anderson, Rick Wakeman, Micky Moody, Bernie Marsden, Neil Murray, Steve Balsamo, Phil Campbell, Jeremy Irons and more.

At 62, John Mellencamp has spent his nearly 40-year career figuring out exactly where he fits in the American grain, and he’s never inhabited traditional folk and blues-imbued settings as personally as on his 22nd album. Singing with gruff directness, the recent divorcé deals with relationship struggles (the somber “Tears in Vain”), as well as broader societal and moral worry (the hard-driving “Lawless Times”). He recorded the album in Indiana with executive production by T Bone Burnett, who has brought his stripped-down approach to Mellencamp’s recent albums. “I don’t trust myself, I don’t trust you,” he intones darkly. It’s a lonely old night, as he used to sing, and a raw one.

Hoodoo is an unreleased studio album by John Fogerty. It was recorded in the late spring of 1976 and intended to be his third solo album.

This album contained singles such as "Thug Lovin'" (featuring Bobby Brown), "Mesmerize" (featuring Ashanti) and "The Pledge (Remix)" (by Ashanti featuring Nas, Ja Rule and 2Pac). "Murder Reigns" was also released as a single titled "Reign" in select territories outside of North America, such as Europe and Australasia.

Outstanding 2nd studio disc by this awesome axeripper from California featuring 12 tracks of excellent, high-adrenaline, classic guitar rock mojo of brain-damaging proportions. Johnny Hunkins is a first rate, world-class guitarist who has produced his finest musical hour to date on the incredible "Down In Flames" disc. An essential, highly entertaining, dynamic, melodic, blues-based, hard-rocker that includes Special Guests: Derek St. Holmes (Ted Nugent/Whitford St. Holmes) & Jarrod England (Rufus Huff/Black Mountain Prophet) on vocals, Chris Duarte on guitar, Dirty Dave Osti on guitar & vocals, Tony Franklin (Blue Murder/The Firm/Whitesnake) on bass and Ryan Hoyle (Collective Soul) on drums. A superb, killer, six string-fueled musical ride that will rock your world "Down In Flames".

Jason Gray has emerged as a songwriter of extraordinary depth, with a noteworthy ability to convey deep theological truths in engaging three-and-a-half minute songs. The Minnesota native is steadily drawing legions of fans who recognize his ability to connect with listeners on an emotional level, offering not escape or distraction, but healing and hope. His 2012 release, A WAY TO SEE IN THE DARK, was named Album of the Year by critics and garnered three top-five radio singles, including 'Nothing is Wasted', which hit #1 for nine weeks.

30 years on and Jimmy Barnes is still rocking!
This special 30th Anniversary release "30:30 Hindsight" (Liberation Music) revisits some of Barnes’ biggest hits, featuring collaborations with his favourite artists, including Shihad, Jon Stevens, Keith Urban, Bernard Fanning, and Tina Arena.

"Give Peace a Chance" is a song written by John Lennon (originally credited Lennon–McCartney), and performed with Yoko Ono in Montreal, Canada. Released as a single in 1969 by the Plastic Ono Band on Apple Records (catalogue Apple 13 in the United Kingdom, Apple 1809 in the United States), it is the first solo single issued by Lennon, released when he was still a member of the Beatles, and became an anthem of the American anti-war movement during the 1970s. It peaked at number 14 on the Billboard Hot 100 and number 2 on the British singles chart.

Bristol based JEBO began life just a few short years ago, founded by songwriter/guitar wizard Rob Allen and drummer ‘international’ Jeff France, the duet formed a band around themselves whilst Rob began working on their debut album ‘Sinking Without You’, released in 2006. Later that year and following a European tour, JEBO played support at the Loreley Festival in Germany to the likes of Jethro Tull and Asia, the band had also previously supported artists such as It Bites. Following a lineup change earlier this year, JEBO have now fine-tuned their sound and are ready to head out on the road again.

John Illsley - английский музыкант, прославившийся как бас-гитарист добившейся всемирного успеха группы Dire Straits. Иллсли был одним из основателей Dire Straits и оказал значительное влияние на формирование их музыкального стиля. К моменту распада группы в 1995 году он остался единственным участником оригинального состава помимо бессменного лидера группы Марка Нопфлера. Также записал пять сольных альбомов.

Интересный релиз Джеффа Бека, который выпущен в связи с японским туром 2014 года. В альбом вошла инструментальная композиция "Loaded" с нового, ещё не вышедшего альбома. Вторая песня "Why Give it Away" с не вышедшего в 2012 году альбома с участием французской певицы Sophie Delila. Третья - концертная версия известной песни "Danny Boy" с участием Имельды Мэй, которая была исполнена 5 апреля 2011 года в Moody Theater (США) во время их совместного рок-н-ролльного тура.