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Performer: The London Classical Players Orchestra
Album: Rossini - Overtures
Label: EMI Records Ltd. Made in UK.
Catalog #: CDC-554091
Style: Classical, Overture
Year: 1991
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 07
Size RAR: 249 mb
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This is a very entertaining CD of Rossini operatic overtures. A number of these overtures are performed fairly often on concert stage and one of them, the famous William Tell overture, has actually become part of popular culture. The distinguishing feature of this CD is the effort to produce nonanachronistic versions of the music. These performances use scores either derived from Rossini's original autograph manuscripts or reconstructed by scholars from early performance versions of these works. Scores used commonly in the recent past are thought to have a lot of 19th century accretions different from Rossini's original orchestration. The London Classical Players use period instruments and aim for a performance style typical of the early 19th century.
Performer: The Rolling Stones
Album: From The Vault - The Marquee Club Live In 1971
Label: Eagle Vision. Made in JP.
Catalog #: GQBS-90009
Style: Rock, Blues Rock, Classic Rock
Year: 2015
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 12+8+7
Size ZIP: ~ 919 mb
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Performer: T. Rex
Album: The Electric Boogie - Nineteen Seventy One
Label: Easy Action. Made in EU.
Catalog #: ARS014-D1~D6
Style: Glam, Classic Rock
Year: 2007
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: many
Size ZIP: ~ 1.78 gb
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When Marc Bolan delivered the seminal album Electric Warrior to his record company he knew he was now free to set up his own Record label and run things his way. Over the next six months free of contracts Marc recorded the basis of what would become his next (and biggest selling) album `The Slider' for his own label `The T.Rex Hot Wax Co.' Alongside these tracks this box set features tracks that never ever made it onto record and have been included here for the very first time. This material has been gathered together over many years from collectors, fans and auction rooms and is controlled by the family. 6 Disc set containing totally unheard material from Marc's home recorded tapes including huge hits like Jeepster, Telegram Sam & Get it on being worked on from the bare bones.
Performer: Ten Years After
Album: Watt
Label: Toshiba-EMI. Made in JP.
Catalog #: TOCP-67505
Style: Rock, Blues Rock, British Blues, Rock&Roll
Year: 2004
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 8
Size ZIP: ~ 321 mb
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Watt is the fifth album by the English blues rock band Ten Years After, released in 1970. It was recorded in September 1970 except for the last track, a cover of Chuck Berry's "Sweet Little Sixteen", which is a recording from the 1970 Isle of Wight Festival.
Performer: Ten Years After
Album: Undead
Label: Universal Music. Made in JP.
Catalog #: UICY-9221
Style: Rock, Blues Rock, British Blues, Rock&Roll
Year: 2003
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 9
Size ZIP: ~ 527 mb
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Undead is a live album by Ten Years After, recorded live at the small jazz club, Klooks Kleek, in London, May 1968, and released in August of that year. The show combined blues, boogie and jazz playing that merged more traditional rock and roll with 1950's-style jump blues. The album "amply illustrates" Alvin Lee's "eclectic" use of the pentatonic scale mixed with other modalities.
Performer: Ten Years After
Album: Ten Years After
Label: Universal Music. Made in JP.
Catalog #: UICY-9220
Style: Rock, Blues Rock, British Blues, Rock&Roll
Year: 2003
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 15
Size ZIP: ~ 441 mb
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Ten Years After is the debut album by the English rock/blues band Ten Years After. It features "Spoonful", a cover that the British blues rock group Cream also covered. The album is also low on original material in comparison to the band's later works which were, in most cases, entirely composed of Alvin Lee's songs.
Performer: The Darkness
Album: Last Of Our Kind
Label: Союз Мьюзик. Made in RU.
Catalog #: SZCD6003-15
Style: Hard Rock, Glam
Year: 2015
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI)
Amount of tracks: 10
Size ZIP: ~ 332 mb
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Last of Our Kind is the fourth studio album by British hard rock band The Darkness. Produced by the band's guitarist Dan Hawkins at his studio The Hawks Nest in Norfolk, it was first released on 27 May 2015 in Japan, and later in other territories, by Canary Dwarf Records. The album is the first and only by the band to feature drummer Emily Dolan Davies, who replaced Ed Graham in 2014 before leaving less than a year later. The album was promoted via PledgeMusic, with the band offering signed copies of the album on both CD and vinyl, as well as signed guitars, handwritten lyric sheets and setlists from the band's archive.
Performer: To Destroy A City
Album: Sunless
Label: n5MD. Made in US.
Catalog #: MD233
Style: Electronic, Ambient, Post-Rock
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 09
Size RAR: 352 mb
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Sunless is an album of contrasting moods, though the trio transitions between these moods more gently than their peers. Is Sunless 'better' than the trio's debut? Both are equally strong, which is no small feat. But one thing is for sure: it is a move onward and upward into an expansiveness that they have only hinted at previously. A must-have for fans of God is an Astronaut, Hammock, and Lights Out Asia. Sunless will be available on CD/FLAC/MP3 as well as limited edition 2xLP with a limited amount in red/orange/black splatter.
Performer: To Destroy A City
Album: Rebuild
Label: n5MD. Made in US.
Catalog #: CATMD204
Style: Electronic, Ambient, Post-Rock
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 07
Size RAR: 233 mb
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Rebuild is the remix companion of To Destroy A City's debut self titled album. With band curated reinterpretations by Solar Fields, Dalot, Lights Out Asia, Boy Is Fiction, Winterlight, Connectedness Locus, and M.Szaejko. Limited to 260 copies worldwide.
Performer: To Destroy A City
Album: To Destroy A City
Label: n5MD. Made in US.
Catalog #: CATMD192
Style: Electronic, Ambient, Post-Rock
Year: 2011
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 08
Size RAR: 247 mb
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Chicago-based To Destroy A City was formed after Andrew Welch (drums/synths/programming), Jeff Anderson (guitar/keyboards), and Michael Marshall (guitar) met through various iterations of previous musical projects. When the three finally sat down together in the summer of 2010, they moved quickly, writing and recording their debut within a year's time. The self-titled album was released by n5MD in September 2011.
Performer: The Rolling Stones
Album: Sticky Fingers - Deluxe Edition
Label: Polydor. Made in UK.
Catalog #: 376 483-6
Style: Rock, Blues Rock, Classic Rock
Year: 2015
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10+10
Size ZIP: ~ 665 mb
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Includes remastered album plus bonus CD featuring previously unreleased alternate takes and live performances.
Performer: The Who
Album: It's Hard
Label: Track Record, Polydor, MCA, Universal Music. Made in JP.
Catalog #: UICY-94783
Style: Rock, Hard Rock
Year: 2011
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 16
Size ZIP: ~ 457 mb
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It's Hard is the tenth studio album by the English rock band The Who. Released in September 1982, it was their last album until 2006's Endless Wire, and therefore the last to feature bassist John Entwistle, who died in 2002. It was also the final Who album with drummer Kenney Jones, as well as the last to be released on Warner Bros. Records in the US. It was released on Polydor Records in the UK, peaking at #11, and on Warner Bros. in the US where it peaked at #8 on the Billboard Pop Albums chart.