Baby I'm-a Want You is the fourth album by Bread, released in 1972. Its singles included the title cut (which reached No. 3 on the Billboard Top 100), "Everything I Own" (No. 5), "Mother Freedom" (No. 37), and "Diary" (No. 15). This was the first Bread album to feature keyboards player Larry Knechtel.

The album was initially planned to be more "energetic" than his previous work, but ended up presenting a wide range of styles such as R&B, pop, reggae, rock, disco, funk and soul music. Lyrically, Unorthodox Jukebox revolves around the theme of relationships, incorporating more explicit lyrics and subjects than his previous material. Critical response to Unorthodox Jukebox was generally favorable; many reviewers compared Mars's work to that of his previous album, while others deemed its lyrics shallow.

Leave the Light On — альбом Бет Гарт. Існує кілька версій цього альбому, починаючи з самого першого випуску в Новій Зеландії навесні 2003 року (на лейблі Warner Music NZ), стандартна міжнародна версія вийшла пізніше, восени 2003 року (на Koch Records), потім кілька спеціалізованих перевидань на різних європейських ринках протягом наступних кількох років. Німецький реліз (на Universal Music GmbH) містить повністю нові записи трьох раніше випущених пісень, а також три нові пісні, які потім будуть перезаписані для її наступного студійного альбому, 37 Days.

Beth Hart (born January 24, 1972) is an American singer, songwriter and musician from Los Angeles, California. She rose to fame with the release of her 1999 single "LA Song (Out of This Town)" from her second album Screamin' for My Supper. The single was a number one hit in New Zealand, as well as reaching the top 5 of the US Adult Contemporary and Top 10 on the Billboard Adult Top 40 charts.

Seesaw is a cover album recorded by American singer Beth Hart and blues rock guitarist Joe Bonamassa, their second. It follows their 2011 successful initial cover album together titled Don't Explain.

Don't Explain é um álbum cover do guitarrista de blues-rock estadunidense Joe Bonamassa com a cantora Beth Hart.
Este álbum é o primeiro da parceria entre os músicos. Também é o décimo álbum de estúdio de Joe Bonamassa, e o sexto da Beth Hart.

Beth Hart & Joe Bonamassa fans need wait only a little while longer for their third studio album Black Coffee. For those who have followed the grammy nominated duo for Don’t Explain and Seesaw, Black Coffee’s highly anticipated January 26th release date will seem much farther away than a number of days.

Like the Prodigal Son, Bill Blue has returned from the wilderness. It’s been 30 years since he stepped into the studio, but he’s returned with a vengeance.
Blue – that’s his real name – was a young man when he met ‘50s superstar Arthur “Big Boy” Crudup. That encounter changed Blue’s life forever. Instead of struggling as a guitarist in his native North Carolina, he was soon touring the world with the man who some folks considered the father of rock ‘n’ roll and who wrote a string of classics, including “Mean Ol’ Frisco,” “My Mama Don’t Allow Me” and the Elvis Presley hit, “That’s All Right.”

Big Joe Shelton was honored in 2007 by being included on the “Columbus / Cat Fish Alley” Mississippi Blues Trail Marker. He was deeply influenced by Joe Williams, who was a friend as well as an instructor. Ben Ferrell (on guitar) fires out of the gate with a repetitive, uptempo guitar hook to kick off the opener, while Big Joe’s harp provides constant reminders of his talent. His CDs have been listed in the top ten on numerous national and international blues radio charts; "Ridin" A Chicken" is a definite part of that success.

The musical roots of Big Joe Shelton, a Blues Music Award Nominee, run deep in the rich, dark, soil of the Black Prairies of Northeast Mississippi; the same region that spawned the likes of blues icons Howlin’ Wolf, Big Joe Williams and Bukka White. "“Willie King was really an influential guy..." - Big Joe Shelton. Joe garnered a nomination in 2012 at The Blues Music Awards in Memphis, Tennessee for “Song of the Year” with high expectations on the 2013 release "I’d Never Let Her Down". This is a confidant recording with lyrics that are stuff that the average working guy can relate to when times can be a little tough. Good for sure!

18 til I Die is the seventh studio album by the Canadian rock artist Bryan Adams. Released on June 4, 1996 through A&M Records, the album became a commercial success peaking at #1 in United Kingdom and number two in his homeland Canada. It was recorded on different locations which included Jamaica and France. The album was panned by critics, saying he was trying to be youthful while sounding more like "having a mid-life crisis".

Doo-Wops & Hooligans is the debut studio album by American singer-songwriter Bruno Mars. It was released on October 4, 2010, by Atlantic and Elektra Records and was made available to listen before its official release on September 24, 2010. After the release of the EP It's Better If You Don't Understand, Mars's writing and production team, the Smeezingtons, began working on the album with Needlz, Supa Dups and Jeff Bhasker as producers. The album title was chosen to reflect simplicity and appeal to males and females.

Fabricator is BWO's third studio album (fourth in total) and was released on September 19, 2007. It contains mostly new songs, but also included a remake of Alcazar's Save my Pride, which also served as the first single of this album. Also included is Chariots of Fire, which was previously released on the group's second studio album Halcyon Days.

The irrepressible, much loved Welshman gets back on the crossover trail for this album, taking in a wide range of mostly Western music as his inspiration, from traditional music to a recent piece in his honour from the composer Karl Jenkins. Most of the chosen repertoire has religious connotations, but again here Terfel takes an open approach, including a couple of works with Mormon roots.

At Worst... The Best of Boy George and Culture Club is a greatest hits album featuring the biggest hits from 1982 to 1993 of Boy George's career as a solo singer as well as with the bands Culture Club and Jesus Loves You. It was released on 2 November 1993.