We Can't Dance is the fourteenth studio album by English rock band Genesis, released on 28 October 1991 by Atlantic Records in the United States and 11 November 1991 on Virgin Records in the United Kingdom. It is their last album recorded with drummer and lead singer Phil Collins before his departure in 1996 to pursue solo projects full time. Production began after a four-year period of inactivity from the group, following the commercial success of Invisible Touch (1986) and its tour.

...And Then There Were Three... is the ninth studio album by the English rock band Genesis. It was released in March 1978 by Charisma Records and is their first recorded as a trio of singer and drummer Phil Collins, keyboardist Tony Banks, and bassist and guitarist Mike Rutherford following the departure of guitarist Steve Hackett. The album marked a change in the band's sound, mixing elements of their progressive rock roots with more pop-oriented and commercially accessible music, and Collins contributing to more of the group's song writing.

Following the break-up of Take That, Barlow went straight into the recording studio and began recording a solo album. On 5 July 1996, the album's lead single, "Forever Love", was released, peaking at #1 on the UK Singles Chart. A second single, "Love Won't Wait", was released in April 1997, also peaking at number one.

One of Giovanni's best performances and compositions, very well done and moving. A must have for any Giovanni fan!

DiAngelo started and developed the musical career of Giovanni Marradi. He also produced over 40 of the very successful Giovanni piano series and the Quietude series along with the successful television programs, "Classic Nights With Giovanni", for the NBC affiliates and PBS in the USA. He and the series were nominated for and received several awards by the National Academy of Television Arts & Sciences. Angelo is in the process of developing the beautiful new Hymns series, Latin Moods, and World Mix series: music that has never been done before. Giovanni Marradi is a composer and arranger, born in 1952 of Italian and Lebanese heritage. Giovanni's music and performance is like no other in the world.

Veteran producer Tony Watts was behind this budget collection of George Formby's work, mostly from the 1930s -- which represented Formby's prime -- and the quality shows, in the good-quality transfers as well as a decent essay/overview of Formby's career. The selection is a good one, touching all of the expected bases ("The Window Cleaner," etc.), all astonishingly catchy novelty and music hall tunes, mostly with a double-entendre element.

Following their 1991 We Can't Dance tour, Genesis released two live albums - Genesis Live: The Way We Walk Volume One: The Shorts and Genesis Live: The Way We Walk Volume Two: The Longs. While The Longs was aimed more at the long-term progressive fans, The Shorts was geared more toward the newer 'singles' fans.
I fit into the Longs category. Despite having great live versions of songs such as "No Son of Mine", "Mama", and "Hold on my Heart", this just doesn't do anything for me. I can pretty much do without the Invisible Touch tracks, and there's little of necessity to tracks such as "I Can't Dance" and "That's All". But i'll cut my losses now while i'm ahead. It is, after all, The Shorts, and if i didn't want to hear the shorts, i'd put in The Longs instead, no? Which i will do 10 times out of 10... all the reason i needed to part with this.
Fairly smart move, though... one live CD for the Invisible Touch Club, another for the progheads, and neither has to be bogged down by the 'other' Genesis.

Recording and performing together since the late '70s, Gene Bertoncini and Michael Moore once more undertake the daunting task of making a guitar-bass duet session attractive to listeners without being boring or maudlin. Like their earlier efforts, Two in Time successfully fills the bill. The interesting play list, with a balanced mix of slow and up-tempo tunes, contributes much to making this a satisfying session. The medley of "The Bad and the Beautiful" and "Laura," with most of the players' attention given to the latter, is intriguing in the way that it segues back and forth between Moore's dark, brooding bowing on "Laura" and Bertoncini's upbeat guitar. Moore also bows on "You've Changed" which is a highlight of his introspective but very lyrical approach to the music.

Out in the Fields: The Very Best of Gary Moore is a compilation album by Gary Moore. Released in 1998, the album encompasses a part of Moore's immense career from 1982 to 1992, focusing predominantly on the hard rock albums Moore released during that period. As well as the regular 1-disc version, a 2-CD limited edition was also released; the second disc contains several live and studio B-sides, a non-album single and a single remix.

The Glitter Band are a glam rock band from England, who initially worked as Gary Glitter's backing band under that name from 1973, when they then began releasing records of their own. They were unofficially known as the Glittermen on the first four hit singles by Gary Glitter from 1972 to 1973.
The Glitter Band had seven UK Top 20 hit singles in the mid-1970s, and three hit albums. Pete Phipps and John Springate are still currently touring with The Glitter Band. John Rossall and Harvey Ellison tour under their own names.

"Rise" is a single by Gabrielle. It was her second number one single in the UK Singles Chart. The song was the title-track and second single from her third studio album.
Written by Gabrielle, Ollie Dagois and Ferdy Unger-Hamilton and produced by Jonny Dollar, the song reached number one on the UK Singles Chart for two weeks in January 2000.

Find Your Way is the debut album by English R&B singer Gabrielle. It was released in 1993 and features her UK number one single, "Dreams", along with three further UK Top 40 singles; "Going Nowhere", I Wish" and "Because of You". The album reached number 9 in the UK Albums Chart.

Oftentimes, U.K. chart success does not necessarily mean stateside success, as is evident with artists such as Kylie Minogue, Cliff Richard, Simply Red, Robbie Williams, and, in this case, the warm-voiced, anti-diva British soul/pop singer/songwriter Gabrielle, the recipient of 1997's Brit Award for Best British Female Vocalist. Gabrielle scored with an amazing run of hits in Europe, but only one true hit in the U.S. with "Dreams." All of her charted singles are assembled on Dreams Can Come True: Greatest Hits, Vol. 1, a fantastic collection of truly timeless, fad-free music -- upbeat, positive songs which could have been hits 30 years before this album's release and will sound just as good 30 years later.

Good Singin', Good Playin' (Хорошее пение, хорошая игра) - 11-й студийный альбом американской хард-рок группы "Grand Funk Railroad". Записан весной-летом 1976 года на собственной студии группы The Swamp в городе Паршельвилль (Мичиган), вокал был дописан в Лос-Анджелесе на студии The Record Plant, там же альбом и микшировался. Вышел в США на лейбле MCA Records 2 августа 1976 года. Продюсером и звукооператором выступил единолично Фрэнк Заппа, приблизивший звучание группы к более коммерческому звучанию. Он же отыграл в некоторых местах на гитаре вместе с Марком Фарнером.Последний великий альбом великой группы. Дальше - уже не GFR, а практически один лишь Марк Фарнер. На Заппу наезжать нечего - без него этого альбома бы не было.