With the release of Slam Dunk, Gerald Albright continues his reign supreme as the genre's most compelling and consistent artist. Fans will hear his searing and soulful sax lines on this twelve-track recording. And, they'll be in for a surprise, as Albright shows off his chops as a bassist, along with his ebullient tenor, baritone and soprano saxophone arrangements on his own compositions, and his super covers of classics by Phil Collins and James Brown, with special guest vocalist Peabo Bryson.

My Favourite Headache (also published as My Favorite Headache) is the first solo album by Geddy Lee of the Canadian rock band Rush, released in 2000. Both the title track and "Grace to Grace" received play on mainstream rock radio, and the album itself peaked at No. 52 on the Billboard 200.

Breezin' is an album by jazz/soul guitarist George Benson. It is his debut on Warner Bros. Records.

"Moonlight Serenade" - is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller's signature tune. In 1991, Miller's recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.

Репертуар Гульда был довольно широк, простираясь до композиторов-авангардистов начала XX века. Характерно, что в последнем своём концерте он наряду с Бахом и Бетховеном играл Кшенека. Высокую оценку получила сделанная Гульдом полная запись фортепианных произведений Шёнберга; он записал ряд редких фортепианных произведений Сибелиуса, Рихарда Штрауса, Хиндемита. В то же время к некоторым величайшим классикам фортепианной музыки Гульд высказывал резко скептическое отношение - в частности, он неоднократно заявлял о своей нелюбви к музыке Моцарта и Шопена (хотя в его репертуаре оба присутствовали). Главным композитором Гульда был, безусловно, Иоганн Себастьян Бах, а наиболее важным баховским произведением - «Гольдберг-вариации», которые он исполнял всю жизнь (две знаменитые записи «Гольдберг-вариаций» в исполнении Гульда датируются 1955 и 1981 годами). Из композиторов добаховской эры Гульд превыше всего ценил Орландо Гиббонса, называя его своим любимым автором. Среди редких произведений в репертуаре Гульда - Хроматические вариации Жоржа Бизе, которые Гульд относил к высшим достижениям пианистического искусства XIX века.

The Dark Horse Years 1976–1992 is a boxed set of albums by George Harrison released in 2004. Comprising all of the output on his Dark Horse Records label, the set encompasses his studio albums from 1976's Thirty Three & 1/3 to 1987's Cloud Nine with bonus tracks, while 1992's Live in Japan features a special SACD remix in addition to its original mix. Furthermore, Harrison's intended artwork for Somewhere in England has been reinstated, while the lettering on the front of the album George Harrison has been modified.

Universal Music Group and the Harrison family are proud to announce that George Harrison’s first six solo albums, released between 1968 and 1975 on The Beatles’ Apple Records label, have been digitally remastered from the original analogue masters for CD and digital release on 22 September by UMG. Wonderwall Music, Electronic Sound, All Things Must Pass, Living In The Material World, Dark Horse, and Extra Texture (Read All About It) are available now for preorder, both individually in digipaks and together within the deluxe, eight-disc boxed edition, The Apple Years 1968-75.

Thirty Three & 1/3 - is the seventh studio album by English musician George Harrison, released in November 1976. It was Harrison's first album release on his Dark Horse record label, the worldwide distribution for which changed from A&M Records to Warner Bros. as a result of his late delivery of the album's master tapes. Among other misfortunes affecting its creation, Harrison was waylaid with hepatitis midway through recording, and the copyright infringement suit regarding his 1970–71 hit song "My Sweet Lord" was decided in favour of the plaintiff, Bright Tunes Music. The album contains the hit singles "This Song" – Harrison's satire on that court case and the notion of plagiarism in pop music – and "Crackerbox Palace". Despite the problems associated with the album, many music critics recognised Thirty Three & 1/3 as a return to form for Harrison after his poorly received work during 1974–75, and considered it his strongest collection of songs since 1970's acclaimed All Things Must Pass.

Somewhere in England is the ninth studio album by George Harrison, released in 1981. The album was recorded as Harrison was becoming increasingly frustrated with the music industry. The album's making was a long one, during which conflicts with Warner Bros. Records arose. Somewhere in England was the first Harrison album to be released after the death of his former Beatles bandmate John Lennon.

Living in the Material World is the fourth studio album by English musician George Harrison, released in 1973 on Apple Records. As the follow-up to 1970's critically acclaimed All Things Must Pass and his pioneering charity project, the Concert for Bangladesh, it was among the most highly anticipated releases of that year. The album was certified gold by the Recording Industry Association of America two days after release, on its way to becoming Harrison's second number 1 album in the United States, and produced the international hit "Give Me Love (Give Me Peace on Earth)". It also topped albums charts in Canada and Australia, and reached number 2 in Britain.

Gone Troppo is the tenth studio album by George Harrison, recorded and released in 1982. It would prove to be Harrison's last studio album for five years, during which he largely took an extended leave of absence from his recording career, with only the occasional soundtrack recording surfacing.
The album itself made little impression except for the track "Dream Away" which was played over the closing titles of the film Time Bandits and hence is better known than the album from which it came.

George Harrison is the eighth studio album by English musician George Harrison, released in February 1979. It was written and recorded through much of 1978, a period of domestic contentment for Harrison, during which he married Olivia Trinidad Arias and became a father for the first time, to son Dhani. Harrison wrote several of the songs in Hawaii, while the track "Faster" reflected his year away from music-making, when he and Arias attended many of the races in the 1977 Formula 1 World Championship. The album also includes the hit single "Blow Away" and "Not Guilty", a song that Harrison originally recorded in 1968 for the Beatles' White Album.

Dark Horse is the fifth studio album by English musician George Harrison, released on Apple Records in December 1974 as the follow-up to Living in the Material World. Although keenly anticipated on release, Dark Horse is synonymous with the controversial North American tour that Harrison staged with co-headliner Ravi Shankar in November and December that year. This was the first US tour by a member of the Beatles since 1966, and the public's nostalgia for the band, together with Harrison contracting laryngitis during rehearsals and choosing to feature Shankar so heavily in the program, resulted in scathing concert reviews from some influential music critics.

Cloud Nine is the eleventh studio solo album by English musician George Harrison, the former guitarist for the Beatles. The album was recorded and released in 1987 after Harrison had taken a five-year hiatus from his career as a solo artist. The hit single "Got My Mind Set on You" from this album re-established Harrison as a critically acclaimed and commercially significant recording artist. Cloud Nine was the last studio solo album released during Harrison's lifetime.

All Things Must Pass is a triple album by English musician George Harrison, released in November 1970. His third studio album, it includes the hit singles "My Sweet Lord" and "What Is Life", as well as songs such as "Isn't It a Pity" and the title track that were turned down by Harrison's former band, the Beatles. The album reflects the influence of his musical activities outside the Beatles during 1968–70, with Bob Dylan, the Band, Delaney & Bonnie, Billy Preston and others, and Harrison's growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney. All Things Must Pass introduced Harrison's signature sound, the slide guitar, and the spiritual themes that would be present throughout his subsequent solo work. The original vinyl release consisted of two LPs of songs and a third disc of informal jams, titled Apple Jam. Commentators interpret Barry Feinstein's album cover photo, showing Harrison surrounded by four garden gnomes, as a statement on his independence from the Beatles.