«Here Come The Aliens», выпущенный Рикки Уайльдом, содержит 12 новых песен, и он был записан в RAK Studios в Лондоне - те же студии звукозаписи, в которых родилось большое количество альбомов, которые изменили популярность и рок-музыку, и где Ким начал свою карьеру в 1981 году, записывая супер-хиты, как «Дети в Америке», «Клетчатая любовь» и «Камбоджа». Альбом сочетает в себе поп-рок Kim с ее любовью к рок-музыке, представляя отличные гитарные риффы и барабанные ритмы.

И хоть “Ain't Crying For The Moon” недвусмысленно отсылает нас к самым ранним работам Kingdom Come, тем не менее, все звучит очень современно, и в то же время по-вольфовски неповторимо. Возьмите для примера первый же трек “Two Legged Sheep” – более традиционного номера для позднего периода творчества Ленни трудно придумать. А уже следующая композиция “Not Here To Be Your Friend” удивляет своей тяжестью и драйвом – так энергично Kingdom Come не звучали лет, наверное, десять.

At A Dal 2016 he stepped away from the bittersweet pop he brought to Eurovision 2014. And now Hungarian-American pop star Andras Kállay Saunders and the Kállay Saunders Band have proved their change is here to stay, as they published the music video for their gritty new single “Grind”.

Sometimes when these older and previously more established named progressive rock bands try to reform or generally carry on trading upon the success of their previous greatness it can often prove to be a distinctly huge disappointment. But, believe me this seventeenth studio album by Kayak, due to be released in Europe on January 12th 2018, is quite magical, full of beautiful melodic passages, wonderful keyboard / guitar interchanges and lovely symphonic instrumental arrangements. In fact the entire affair is a total delight from start to finish completely refreshing with the more melodic “Kayak” trademark sound coming to the fore rather than their sometimes more jazz tinged complex musical side. Maybe the influence for this oh! so melodic album, so rich in piano and swirling keyboard patterns, was due entirely to the original and founder ‘Kayak’ member Ton Scherpenzeel who wrote and composed pretty well all of the material but much praise must be lavished upon axe man ‘Marcel Signor’ for providing oodles of utterly majestic and exquisite guitar.

This album is the 4th in Smooth Jazz series produced by contemporary saxophonist and producer Konstantin Klashtorni. Relaxed, enjoyable groovy and romantic tracks is a main feature of his music.

This album is the 3rd in Smooth Jazz series produced by contemporary saxophonist and producer Konstantin Klashtorni. Relaxed, enjoyable groovy and romantic tracks is a main feature of his music.

2 июня 2017 года вышла компиляция американской рок-группы KISS, известная сценическими макияжами её участников, а также концертными шоу, сопровождающимися различными пиротехническими эффектами. Имеют более сорока пяти золотых и платиновых альбомов и более 100 миллионов проданных записей.

Дебютный студийный альбом норвежского ди-джея и продюсера Kygo вышел 13 мая 2016 года. Это совместная работа с Maty Noyes, Conrad, Parson James, Tom Odell, Foxes, Matt Corby, RHODES, Will Heard, Julia Michaels и др.

I discovered Keiko Matsui by accident while surfing for other music. I listened to a few tunes and was immediately hooked. One by one I listened to her snips of music and had to have the album. Then I moved on to another album from Keiko. Then another, then another. She will be with me for my future roads trips and Friday night dinner parties. Trust me, she'll relax you and make you feel like the evening is meant for two.

If there's such a thing as poetic music, Matsui continues her discovery of it on this effort. For all its beauty ad more aggressive touches, this collection doesn't quite measure up to her previous collection No Borders, but there are moments of fusion in her work here which cook like never before, thanks to Eric Marienthal, Gerald Albright and guitarist Ron Komie. While husband/producer Kazu Matsui adds his mysterious shakuhachi wind to "Grey Cliffs," Matsui spends her time creating soundscapes which range from mainly acoustic to punchy electric pieces like "Hope." Clay Jenkins' flugelhorn is a plus. The two vocals here don't give Greg Walker enough excitement to play with; instead they seem too ambitious. Don't let the flowers on the cover fool you because this disc is anything but fluffy and pastoral in nature.

Taking a stroll through Keiko Matsui's musical hypnotherapy session Dream Walk is like entering a funhouse where all previous definitions of contemporary jazz are strikingly distorted, and invention walks on the wild side of East meets West. Crisp melodies have always been at the heart of the keyboardist's best work, only here they come at you as part of the mood, rather than the central theme. Only a handful of the keyboardist's tunes follow conventional linear melodic patterns throughout, and even these are so beautifully enhanced by sweeping orchestral and percussive invention that atmosphere and throbbing, raw twists ultimately win out over predictability. Equal credit for the newly aggressive approach goes to husband/producer Kazu Matsui, whose sonic wizardry surrounds Keiko's silky jazz and new age passageways with curious echoing flavors, enticing soundscapes where almost anything goes, and loose-fitting urban cool. Other out-there touches include Molly Pasutti's sweeping wordless vocals, bass samples by Marcus Miller and John Patitucci chosen over live bass, and Kazu's own shakuhachi. More typical excitement is provided by Paul Taylor's always warm soprano and alto musings.