Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.

Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991 on Anthem Records. The band began working on Roll the Bones after a brief creative hiatus following the tour promoting their previous release, Presto.
Roll the Bones was a return to commercial success for the band, reaching No. 3 in the United States, No. 10 in the UK, and No. 11 in Canada. The album won a Juno Award for Best Album Design at the 1992 awards. In August 2001, the album was certified platinum by the Recording Industry Association of America for selling one million copies in the US. It was remastered in 2004 and again in 2013 as part of The Studio Albums 1989–2007 box set. In 2015 it was reissued after being remastered by Sean Magee at Abbey Road Studios following a direct approach by Rush to remaster their entire back catalogue.

Presto is generally held by fans to have marked the beginning of a transition period, moving away from a sound dominated by synthesizers and toward more traditional rock instrumentation and pop songwriting.

Permanent Waves is the seventh studio album by Canadian rock band Rush, released on January 14, 1980, through Anthem Records. After touring to support their previous album, Hemispheres (1978), the band began working on new material for a follow-up album in July 1979. This material showed a shift in the group's sound towards more concise arrangements and radio friendly songs (such as "The Spirit of Radio" and "Freewill"), though their progressive rock blueprint is still evident on "Jacob's Ladder" and the more than nine-minute closer "Natural Science". Bassist/vocalist Geddy Lee also employed a more restrained vocal delivery compared to previous albums. Permanent Waves was recorded in 1979 at Le Studio in Morin-Heights, Quebec with production handled by the group and Terry Brown.

Moving Pictures is the eighth studio album by Canadian progressive rock band Rush, released on February 12, 1981 through Anthem Records. After touring to support their previous album, Permanent Waves (1980), the band started to write and record new material in August 1980 with co-producer Terry Brown. They continued to write songs with a more radio-friendly format, featuring tighter song structures and songs of shorter length compared with their earlier albums.

Counterparts is the fifteenth studio album by Canadian rock band Rush, released October 19, 1993 on Anthem Records. After the band finished touring its previous album Roll the Bones (1991) in mid-1992, the members took a break before starting work on a follow-up.
Counterparts reached No. 2 in the United States, one of the band's two highest-charting albums in the country, and No. 6 in Canada. The first single, "Stick It Out", was No. 1 on the Billboard Album Rock Tracks chart for four weeks. In 1994, the instrumental "Leave That Thing Alone" was nominated for a Grammy Award for Best Rock Instrumental Performance. Counterparts was remastered in 2004 and reissued in 2013 as part of The Studio Albums 1989–2007 box set. In 2015 it was reissued after being remastered by Sean Magee at Abbey Road Studios following a direct approach by Rush to remaster their entire back catalogue.

2112 (pronounced "twenty-one twelve") is the fourth studio album by Canadian rock band Rush, released on 1 April 1976 (or March 1976, according to some sources) by Anthem Records. Rush finished touring for its unsuccessful previous album Caress of Steel, in early 1976. The band was in financial hardship due to the album's disappointing sales, unfavourable critical reception, and a decline in attendance at its shows. The band's international label, Mercury Records, considered dropping Rush but granted the band one more album following negotiations with manager Ray Danniels. Though the label demanded more commercial material, the band decided to continue developing its progressive rock sound. 2112 was recorded in February 1976 in Toronto with regular producer Terry Brown. Its centerpiece is a 20-minute title track, a futuristic science-fiction song that takes up the entire first side of the album. There are five individual tracks on side two.

"Wish I Could Fly" is a song by Swedish pop music duo Roxette, released on 1 February 1999 as the lead single from their sixth studio album, Have a Nice Day (1999). An orchestral pop ballad containing elements of electronica, the song was written as an experiment by Per Gessle, who was attempting to establish if a prominently-placed drum loop would fit alongside a large orchestra. The track became a sizable hit for the duo, peaking inside the top twenty of Billboard's European Hot 100 Singles, and was the most-played song on European radio of 1999. It would also become their final top 40 hit on the UK Singles Chart.

Travelling: Songs from Studios, Stages, Hotelrooms & Other Strange Places is the ninth studio album by Swedish pop duo Roxette, released on 23 March 2012 by Roxette Recordings and Capitol. It is a direct sequel to their 1992 album Tourism. Unlike that album, which was recorded in numerous locations all over the world during the "Join the Joyride! Tour", Travelling was primarily recorded in Swedish studios in-between legs of "The Neverending World Tour". The album also contains three live recordings and four studio re-recordings of older songs, two of which were previously unreleased.

Tourism: Songs from Studios, Stages, Hotelrooms & Other Strange Places is the fourth studio album by Swedish pop duo Roxette, released on 28 August 1992 by EMI. Despite often being mistaken for a live album, the record was described by Roxette in its liner notes as a "tour album"; the band recorded the majority of its material in numerous recording studios in-between live dates of their worldwide Join the Joyride! Tour. The album contains three live concert recordings, while another track was recorded live in an empty nightclub in São Paulo. A further two tracks were recorded in Buenos Aires' Alvear Palace Hotel.

The Pop Hits is the third greatest hits compilation album by Swedish pop duo Roxette, released on 24 March 2003 by Roxette Recordings and Capitol Records. It was the second in a two-part series of "best of" albums released by the duo in quick succession, and was preceded by The Ballad Hits in November 2002. The album was not as commercially successful as its predecessor, although it did peak within the top twenty of various Scandinavian record charts. It was also certified gold in Brazil.

The Ballad Hits is the second greatest hits compilation album by Swedish pop duo Roxette, released on 4 November 2002 by Roxette Recordings and Capitol Records. It was the first of a two-part series of "best of" albums released by the duo in quick succession, and was followed by The Pop Hits in March 2003. Two new songs were recorded specially for The Ballad Hits: lead single "A Thing About You" and "Breathe". The album was a commercial success upon release, and has been certified gold or platinum in a number of territories.

A Collection of Roxette Hits: Their 20 Greatest Songs! is the fourth greatest hits compilation album by Swedish pop duo Roxette, released on 18 October 2006 by Roxette Recordings and Capitol to celebrate 20 years since the release of their debut album, Pearls of Passion. It was issued in conjunction with a six-disc box set, The Rox Box/Roxette 86–06. The duo recorded "One Wish" and "Reveal" in June 2006, their first songs recorded as a duo since vocalist Marie Fredriksson's brain tumour diagnosis four years earlier.

В 1964 году Фольи присоединяется к группе Slenders. Двумя годами позже, в 1966 году, он становится вокалистом группы Pooh, игравшей лёгкий рок. В 1973 году Риккардо покидает группу и начинает сольную карьеру, при этом его отношения с членами группой Pooh остаются прекрасными; впоследствии они не раз выступали на сцене вместе. Одна из самых удачных их совместных песен — Giorni cantati («Дни, когда мы пели вместе»).

Пятый полноформатный альбом немецкой хэви-метал-группы Rage. Он был выпущен в 1990 году. Альбом был ремастерирован компанией Noise / Sanctuary в 2002 году с немного измененной обложкой и пятью бонус-треками, по большей части взятыми из EP Extended Power.