In 1987, Orbison was admitted to the "Hall of Fame Rock and Roll" and "Hall of Fame Nashville composers." In 1989 he was accepted into the "Hall of Fame of the International Association of Composers." Orbison takes 37th place in the list of "50 Greatest Artists of All Time magazine Rolling Stone» 13 and the list of "20 of the 100 greatest singers of all time", composed in 2008.

After two albums that were solidly written and performed but considerably underproduced, Royal Hunt exchanged Danish singer Henrik Brockmann for then-mostly-unknown American D.C. Cooper; this was the first album of any note that Cooper appeared on. The addition of an in-his-prime Cooper and massive production upgrades propel the band to soaring new heights.
Opener "Last Goodbye" immediately cements this fact. Cooper unleashes a soaring vocal performance that's arguably the highlight of his career, on top of the typical soaring neoclassical keyboard-driven backdrops of Andre Andersen. Ballad "Far Away" is another timeless classic; its vocal-and-keyboard coda is the most famous moment of Cooper's and Royal Hunt's career. "Makin' a Mess" marries a big 6/8 groove to some appealing neoclassical melodies. Closer "Time" features a massive ethereal C#5 from Cooper in the intro, igniting the track from acoustic ballad to urgent neoclassical rocker. The swinging "Step By Step" adds a rare element of welcome looseness to the band's sound, and "Stay Down" and "Give It Up" are competent second-half midtempo numbers.

Eyewitness is the seventh studio album released by the band Royal Hunt.

Немногие рок-группы, работающие в жанре хард-н-хэви и взошедшие на мировую рок-сцену в самое трудное для подобной музыки время, в начале-середине 90-х гг. способны похвастать тем, что авторские наработки собственного стиля превратили их имена в синоним исполняемой ими музыки, а самих инструменталистов группы - в пример для подражания. Oдно из высших мест в этом списке занимает датская интернациональная группа Royal Hunt.

Have a Nice Day is the sixth studio album by Swedish pop duo Roxette, released worldwide from 22 February 1999 by Roxette Recordings and EMI. Recorded over an 18-month period in studios in Sweden and Spain, the album was produced by Marie Fredriksson, Per Gessle, Clarence Öfwerman and Michael Ilbert, and was their first studio album since Crash! Boom! Bang! in 1994. The album was not released in the US, as the duo were no longer signed to a label there. A deluxe edition was released in Spanish-speaking territories and, in Arabian regions, the naked babies on the cover were digitally removed, due to religious concerns.

Ronan is the self-titled, debut solo album from Irish singer-songwriter and Boyzone frontman, Ronan Keating. It was released by Polydor Records on 31 July 2000, and has become a commercial success.
The album produced four UK and Irish top-ten singles: "When You Say Nothing at All", originally recorded for the soundtrack of the 1999 film Notting Hill, "Life Is a Rollercoaster", "The Way You Make Me Feel", and "Lovin' Each Day", the latter of which was featured on the re-release edition of the album, and later on Keating's second album, Destination.

Destination is the second studio album from Irish singer-songwriter Ronan Keating. It was released by Polydor Records on 20 May 2002. The album debuted at number one on the UK Albums Chart and was certified two-times platinum by the British Phonographic Industry. In Ireland, the album debuted at number three. Additionally, the album charted within the top ten of nine other European countries. In 2002, Destination was certified platinum by the International Federation of the Phonographic Industry for shipments of one million copies inside Europe. The album includes the singles "If Tomorrow Never Comes", "I Love It When We Do", "We've Got Tonight", and "The Long Goodbye", all of which peaked inside the top ten of the UK Singles Chart.

Bring You Home is the fourth studio album by Irish singer-songwriter Ronan Keating. It was released by Polydor Records on 5 June 2006. It was his last studio album before he returned to newly reformed Boyzone. The album debuted at number three on UK Albums Chart.

"The Last Farewell" is a song from 1971 by the British folk singer Roger Whittaker. Whittaker hosted a radio programme in The United Kingdom in 1971, backed by a full orchestra with arrangements by Zack Lawrence. Whittaker is quoted as saying that "one of the ideas I had was to invite listeners to send their poems or lyrics to me and I would make songs out of them. We got a million replies, and I did one each week for 26 weeks."

The Best of Rod Stewart is a compilation album by British singer-songwriter Rod Stewart, released on the Warner Bros. record label in 1989. The album features many of Stewart's biggest solo hit singles, from 1971's "Maggie May" to "Downtown Train", which was released as a single in 1989.

Blondes Have More Fun is Rod Stewart's ninth album, released in November 1978. As was the popular musical trend at the time, it is Stewart's foray into disco music, which although commercially successful, was critically divisive. The lead single "Da Ya Think I'm Sexy" became one of Stewart's biggest hits, peaking at No.1 in both the UK and US. The album has sold more than 14 million copies worldwide.

Atlantic Crossing is Rod Stewart's sixth album, released in 1975. It peaked at number one in the UK (his fifth solo album to do so), and number nine on the Billboard Top Pop Albums chart.
The title indicated Stewart's new commercial and artistic direction, referring to both his crossing over to Warner Brothers and on his departure to escape the 83 per cent top rate of income tax introduced by British Labour Prime Minister Harold Wilson for the jet-set lifestyle in Los Angeles (where he had applied for American citizenship at this time). The album was divided into a slow side and a fast side, apparently at the suggestion of Stewart's then-girlfriend, Swedish actress Britt Ekland. Stewart would repeat the format for his next two albums.

A Spanner in the Works is a studio album released by Rod Stewart on 26 May 1995. It is Stewart's seventeenth studio album and ended a four-year gap since his previous studio album.