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Music Lossless. Music in lossless formats. » Catalog » b » Page 66
Performer: Blaze Bayley
Album: The Man Who Would Not Die
Label: Blaze Bayley Recordings. Made in UK.
Catalog #: BBR001
Style: Modern Heavy Metal
Year: 2008
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size RAR: ~ 570 mb
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Recovery: 3%
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Главной составляющей Blaze всегда был голос самого Бэйли, а музыка упрощалась от альбома к альбому. На этот раз, рекрутировав новых участников, Блэйз вернулся к интенсивному звучанию традиционного хэви. Внедряя порой вовсе не обязательную тяжесть, автор дает понять, что более экстремальные стили, вроде мелодичного дэт-треш метала, ему так же знакомы. Итоговый результат, как всегда, абсолютно чужд мистики, глубины или элитарности. В своей простоте он едва не переходит опасную грань с излишним пафосом и, тем не менее, невероятно обаятелен.
Performer: Belphegor
Album: Necrodaemon Terrorsathan
Label: Last Episode. Made in Germany.
Catalog #: LEP 068
Style: Black Death Metal
Year: 2000
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 9
Size RAR: ~ 276 mb
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Recovery: 3%
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Belphegor со временем практически не менялась, и тоже не вижу в этом ничего плохого. Я бы не отказался прослушать еще много материала, написанного в таком ключе: красивая, мелодичная музыка, при этом не теряющая жесткости и скорости. Однако, данный альбом для меня несколько выделяется из остального творчества австрийцев. Технически выполнен столь же хорошо, как и остальные альбомы, но, по-моему, несколько превосходит их по эмоциональному накалу. Для меня этот альбом является безусловным шедевром.
Performer: Biohazard
Album: New World Disorder
Label: Mercury. Made in Japan.
Catalog #: PHCW-1021
Style: Heavy Hard Core
Year: 1999
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 17
Size RAR: ~ 702 mb
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Recovery: 3%
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Вот такой хардкор мне по душе: железные риффы, панковский аттитьюд и политизированные текста. Респект! Даже несмотря на то что некоторые общественно-аналитические пассажи кажутся довольно наивными. Главное - оставаться в сердце straight- и real-хардкорщиком и не чихать на рабочий класс, из которого вышел, даже если прямо за дверью вовсю шурует конец света. Люди, разбирающиеся получше меня в хардкоре, можeт, и скажут, что Biohazard тут уже не на высоте, но мне он таким вот тоже нравится. Эти конкретные поцики умели когда-то создавать драйв простыми средствами. Особенно хочу отметить зажигательные "Switchback", "Salvation", депрессивную "End Of My Rope", забойные манифесты "Breakdown", "Inner Fear On", "Comouflage" и металлическую "Dogs Of War"
Performer: Benediction
Album: The Grand Leveller - The Grotesque - Ashen Epitaph
Label: Irond. Made in Russia.
Catalog #: 03-527
Style: Death Metal
Year: 1991+1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 16
Size RAR: ~ 519 mb
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Recovery: 3%
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Для меня всегда было загадкой, почему эта британская команда входит в элиту, является культовой и довольно успешной в своем жанре, хотя в той же Великобритании по качественному уровню она сильно уступает лидирующим командам (Carcass, Napalm Death) и, быть может, только приближается к уровню Bolt Thrower…Benediction никогда не были лидерами, никогда не были во главе английских групп, никогда не придумывали каких-либо новых путей в музыкальном развитии. Однако их помнят, ценят, любят и армия поклонников во всем мире год из года растет.
Performer: Boney M
Album: The Collection
Label: BMG. Маde in JP.
Catalog #: BVCM-38076~8
Style: Disco, Europop
Year: 2008
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 14+14+8
Size ZIP: ~ 1.33 gb
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It is a very nice collection providing a good review of Boney M music. It does miss a few really important hits that you can find in a 2-disk collection, yet, with only 3 CDs doesn't have all songs from their gold time. So, it is a rather extension of your collection than the only Boney M set you would like to have.

Performer: Bob Dylan
Album: Oh Mercy
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2203
Style: Rock, Blues Rock, Folk Rock
Year: 2019
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI)
Amount of tracks: 10
Size ZIP: ~ 392 mb
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Oh Mercy is the twenty-sixth studio album by American singer-songwriter Bob Dylan, released on September 12, 1989, by Columbia Records. Produced by Daniel Lanois, it was hailed by critics as a triumph for Dylan, after a string of poorly reviewed albums. Oh Mercy gave Dylan his best chart showing in years, reaching No. 30 on the Billboard charts in the United States and No. 6 in Norway and the UK.

Performer: Bob Dylan
Album: Pat Garrett And Billy The Kid
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2202
Style: Rock, Blues Rock, Folk Rock
Year: 2019
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI)
Amount of tracks: 10
Size ZIP: ~ 394 mb
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Pat Garrett & Billy the Kid is the twelfth studio album and first soundtrack album by American singer-songwriter Bob Dylan, released on July 13, 1973, by Columbia Records for the Sam Peckinpah film Pat Garrett and Billy the Kid. Dylan himself appeared in the film as the character "Alias". The soundtrack consists mainly of instrumental music and was inspired by the movie itself. The album includes "Knockin' on Heaven's Door", which became a trans-Atlantic Top 20 hit.

Performer: Bob Dylan
Album: Love And Theft
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2164
Style: Rock, Blues Rock, Folk Rock
Year: 2017
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI)
Amount of tracks: 12
Size ZIP: ~ 660 mb
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"Love and Theft" is the thirty-first studio album by American singer-songwriter Bob Dylan, released on September 11, 2001, by Columbia Records. It featured backing by his touring band of the time, with keyboardist Augie Meyers added for the sessions. It peaked at No. 5 on the Billboard 200, and has been certified Gold by the RIAA. The album's highest chart positions worldwide were in Norway and Sweden, where it peaked at No. 1, giving Dylan his first No. 1 album in Norway since Infidels, and his first No. 1 album ever in Sweden.

Performer: Barbara Lahr
Album: Rainbow Line
Label: Universal, Phazz-a-delic. Made in EU.
Catalog #: 017 749-2
Style: Future Jazz, Downtempo
Year: 2002
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 9
Size ZIP: ~ 327 mb
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Barbara Lahr is a German singer, composer, bassist, guitarist, and producer best known for her collaboration with German Nu Jazz group De-Phazz.
Performer: Belinda Carlisle
Album: The Complete Studio Albums
Label: Demon Music Group, Edsel Records. Made in EU.
Catalog #: EDSB 4014
Style: Pop, Rock, Pop Rock, Ballad, Soft Rock, Chanson
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: many
Size ZIP: ~ 2.54 gb
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Belinda Jo Carlisle - is an American singer and songwriter. She gained fame as the lead vocalist of the Go-Go's, one of the most successful all-female rock bands of all time, and went on to have a prolific career as a solo artist.
Raised in Southern California, Carlisle was the lead vocalist of the Go-Go's, which she co-founded in 1978. With their chart-topping debut studio album Beauty and the Beat in 1981, the group helped popularize new wave music in the United States. The Go-Go's have sold over seven million records worldwide.
Performer: Belinda Carlisle
Album: The Collection
Label: Virgin. Made in JP.
Catalog #: TOCP-53354
Style: Pop, Rock, Pop Rock, Ballad, Soft Rock, Chanson
Year: 2002
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 15
Size ZIP: ~ 584 mb
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Belinda Jo Carlisle is an American singer and songwriter. She gained fame as the lead vocalist of the Go-Go's, one of the most successful all-female rock bands of all time, and went on to have a prolific career as a solo artist.
Raised in Southern California, Carlisle was the lead vocalist of the Go-Go's, which she co-founded in 1978. With their chart-topping debut studio album Beauty and the Beat in 1981, the group helped popularize new wave music in the United States. The Go-Go's have sold over seven million records worldwide.
Performer: Belinda Carlisle
Album: Runaway Horses
Label: Virgin. Made in JP.
Catalog #: VJD-32253
Style: Pop, Rock, Pop Rock, Ballad, Soft Rock, Chanson
Year: 1989
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size ZIP: ~ 489 mb
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Runaway Horses is the third solo studio album by American singer Belinda Carlisle, released on October 3, 1989, by MCA Records. The album features songs written by Rick Nowels, Ellen Shipley, Charlotte Caffey and a song co-written by Carlisle herself. The album contains an array of guest artists, including George Harrison and Bryan Adams.
The album peaked at number 37 on the US Billboard 200, a considerable fall in sales from Carlisle's 1987 album, Heaven on Earth, but reached number four in the United Kingdom, where it was certified Platinum.
Performer: Belinda Carlisle
Album: Real
Label: Virgin Records America, Inc. Made in JP.
Catalog #: VJCP28185
Style: Pop, Rock, Pop Rock, Ballad, Soft Rock, Chanson
Year: 1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size ZIP: ~ 428 mb
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Real is the fifth studio album by American singer Belinda Carlisle, released on September 29, 1993, by Virgin Records. The album has a genre of mainly pop songs written by Charlotte Caffey, Thomas Caffey, Ralph Schuckett and half co-written by Carlisle. It was the second Belinda Carlisle album where Rick Nowels had no writing or producing credits and was also Carlisle's first album where she contributed to the producing. The album cover was designed by Tom Dolan and is a departure for Carlisle, who presented a glamorous look on all her previous covers, choosing a "jeans and tee shirt" look instead this time without make-up. The album features a cover version of the Graces' song "Lay Down Your Arms". Former Germs guitarist Pat Smear, as well as Redd Kross members Jeff and Steve McDonald, and The Bangles' Vicki Peterson appear on the record.