Авангардная работа далекого 1995 года, которая на много лет опередила свое время, пометила основополагающие жанровые ориентиры и проложила дорогу для последующего развития такому стилю музыки, как atmospheric black. Не побоюсь заявить, что это вообще первая работа в таком стиле, учитывая, что культовый "Bergtаtt" Ulver, вышедший также в 1995 году, имеет более фольклорную направленность.

Следуя чрезвычайно модной традиции, Front Line Assembly выпустили ремиксы на свой последний альбом FLAvour Of The Weak. Однако они не ограничились только собственными работами, а добавили второй диск с ремиксами тех же песен другими музыкантами. Из двух дисков безусловно более интересен первый. На нем дуэт сделал с песнями FLAvour of the Weak именно то, что они должны были сделать изначально. Песни звучат более похоже на FLA, чем последний альбом в стиле electronica. От последнего стиля, конечно же, полного отказа не произошло, но в мелодии вплетены старые знакомые ингредиенты, и в таком виде их качество гораздо выше. Что касается второго диска, то из семи ремиксов по-настоящему интересен второй. Оригинал замедлен и ему придана восточная ориентация, после чего он стал несколько похож на то, что было опубликовано на Semantic Spaces и Karma.

В 1992 году Фенвик решил выпустить инструментальный альбом "Instrumentals", записанный в составе: Фенвик, Аккерман, Марсден, Эйри, Пауэлл и гитарист Марио Парга (Mario Parga).

"Plasticity" означает нечто вроде возврата к наилучшей форме для Front Line Assembly, как минимум, в отношении синглов. И "Circuitry", и "Surface Patterns" были несколько общими, в них отсутствовало нечто, что делало "Millennium" или "Mindphaser" такими приятными для слуха. Они конечно же содержали обычные ингредиенты FLA - тяжелый, шумный куплет с сильно искаженным вокалом, которому был противопоставлен мелодичный, часто гимноподобный припев - но они были просто удивительно общими, как будто Bill Leeb и Rhys Fulber писали их на "автопилоте". Тот факт, что "Plasticity" не входит ни в какой из известных альбомов говорит о том, как я думаю, насколько песня восхитила и музыкантов, и лэйбл. Она имеет все обычные штучки FLA. Здесь много хорошо подобранных и расположенных сэмплов, вступление несет в себе едва сдерживаемую энергию и сам трек по настоящему энергичен, с дробленым, быстрым битом, а также тут есть этот хорошо зарекомендовавший себя прием противопоставления шумного куплета/мелодичного припева.

В течение восьмидесятых Франк Дюваль продолжал записываться для «Teldec», а также записал несколько звуковых дорожек для различных кинолент. Франк Дюваль не единожды пребывал в немецких чартах с композициями «Ways» (1983), «Lovers Will Survive» (1986) и «When You Were Mine» (1987).

Frank Duval, auch Franco Duval, eigentlich: Frank Uwe Patz (* 22. November 1940 in Berlin) ist ein deutscher Komponist, Bandleader, Sänger und Arrangeur.
Frank Duval ist der Spross einer alten Hugenotten- und Künstler-Familie. Sein Vater war Kunstmaler und eine Tante Hofmalerin am königlich-preußischen Hof. Sein Großvater, Chefredakteur der Berliner Zeitung und Fabrikant, entwickelte mit seinem Schwager zudem Reformprodukte wie Biomalz und Biocitin.

Fuse One was a group of jazz musicians who collaborated for two albums released on CTI Records and one album released on GNP Crescendo Records.
The albums Fuse One and Silk were produced by Creed Taylor. The first album was arranged by Jeremy Wall of Spyro Gyra, the second by Leon "Ndugu" Chancler of Weather Report and the third by David Matthews.
Membership was not concrete, but included Tony Williams, Joe Farrell, John McLaughlin, Stanley Turrentine, Wynton Marsalis, Larry Coryell, Lenny White, Paulinho Da Costa, Ronnie Foster, Stanley Clarke, George Benson, Todd Cochran, Leon "Ndugu" Chancler, Tom Browne, Dave Valentin, Jorge Dalto, and Eric Gale.
The liner notes to their first album described the group thus: "Fuse One is conceived as a forum in which major contemporary musicians perform according to their own musical disciplines and without the constraints that accompany leader responsibilities. Each player brings in new compositions and ideas."

Au début des années 1970, en écrivant et en composant pour des artistes comme Margot Werner (de), Maria Schell, Klaus Löwitsch, Peter Alexander, Bata Illic ou Alexandra, Duval développe sa propre signature musicale et a de plus en plus de succès. À partir de 1977, il compose des bandes originales de films comme Bitte lasst die Blumen leben, et les génériques de séries policières comme Inspecteur Derrick, Le Renard. Pour ces deux séries, il écrit plus de 200 titres. Il obtient un succès international avec Give Me Your Love, le générique de la série Unsere schönsten Jahre (de). La bande originale devient If I could fly, son premier album à avoir du succès.

Frank Duval (born 22 November 1940, Berlin, as Frank Uwe Patz) is a German composer, conductor, record producer, songwriter and singer.
Born into a family of artists, Duval studied as an actor and dancer, and also sang with his sister, Maria. By the 1960s, Duval was composing music, both orchestral and pop, and his first soundtrack, for an episode of the German serial Tatort, was broadcast in 1977. The song "Todesengel" from his 1979 debut album, Die schönsten Melodien aus Derrick und Der Alte, became a moderate hit, and was a number one in Switzerland in 1979.
During the 1980s, Duval released several soundtracks, as well as solo albums, with lyrics occasionally co-written with his wife Kalina Maloyer. He had several singles enter the German charts, including "Angel of Mine" (Number One in 1981), "Ways" (1983), "Lovers Will Survive" (1986), and "When You Were Mine" (1987).

Barcelona is the second solo album recorded by Freddie Mercury, frontman of popular British rock band Queen, and operatic soprano Montserrat Caballé. Released in 1988. It is the second and final solo album recorded by Mercury.
After Barcelona was selected to host the 1992 Summer Olympics, Mercury was approached to write a song as a theme for the forthcoming games. The idea was to create a duet with Caballé, as she is from the city. He had been a long-standing admirer of her and she in turn grew to respect his talents very highly. They decided to work on an album together, with Mercury and Mike Moran taking the creative lead as songwriters. Mercury and Moran made and sent her tapes of the music with Mercury singing in falsetto as a guide vocal for Montserrat's parts. As they rarely had an opening in their schedule to meet, her parts were recorded at another location.

Frida ensam (English: Frida Alone) is the second studio album by Swedish singer Anni-Frid Lyngstad. It was produced by her fiancé, Benny Andersson, both members of the pop group ABBA, and was first released by Polar Music in 1975. It has since been re-released several times, most significantly in remastered form in 2005 with bonus tracks. The lead song was Frida's solo version of "Fernando" (written and produced by Andersson and Björn Ulvaeus). All lyrics are in Swedish. The album was a huge success in Sweden, and Lyngstad was awarded with a platinum disc.

Franz Ferdinand is the debut studio album by Scottish indie rock band Franz Ferdinand, first released on 9 February 2004 through the Domino Recording Company. It was recorded during 2003 at Gula Studios in Malmö, Sweden, with Tore Johansson, who produced the majority of the album, with two tracks produced by the band themselves. It entered the United Kingdom album charts at number three in February 2004 and contains the UK top ten singles "Take Me Out" and "The Dark of the Matinée" as well as UK top 20 hit "Michael".

Francis Albert Sinatra (/sɪˈnɑːtrə/; December 12, 1915 – May 14, 1998) was an American singer, actor, and producer who was one of the most popular and influential musical artists of the 20th century. He is one of the best-selling music artists of all time, having sold more than 150 million records worldwide.

Records is a compilation album by American rock band Foreigner, released on November 29, 1982 to span the band's first four albums through 1981. Along with their sophomore effort, Double Vision, this album is the group's best-selling record. It has been certified 7x platinum by the RIAA. Some notable hits, such as "Blue Morning, Blue Day" and "Break It Up" are omitted.

The Colour and the Shape is the second studio album by the American rock band Foo Fighters. Produced by Gil Norton, it was released through Capitol Records and the group's own Roswell Records on May 20, 1997. The record is the debut of the Foo Fighters as a group, as the band's previous record, Foo Fighters (1995), was primarily recorded by frontman Dave Grohl and friend Barrett Jones as a demo. After the project ballooned and became an international success, the group convened for pre-production in the fall of 1996 and brought in producer Norton to establish a pop sensibility for the tracks. The band strived to create a full-fledged rock record, although the music press predicted another grunge offshoot.