As with several previous albums, the cover was designed by Hipgnosis, and has been explained by its creator Storm Thorgerson – who was unhappy with the final result – to be an ear underwater. The album was well received by critics upon its release, and was commercially successful in the United Kingdom, but lacklustre publicity on the part of the band's American label Capitol Records led to poor sales in the US upon initial release.

Although it was commercially successful on release, the band – particularly Roger Waters and David Gilmour – have expressed negative opinions of the album. A remastered CD was released in 1994 in the UK and the US, and again in 2011. Ron Geesin, who had influenced and collaborated with Waters, co-composed the title track.

The Final Cut is the last Pink Floyd album to feature founding member Roger Waters, who went on to leave the band in 1985. It is the only Pink Floyd album without founding member and keyboardist Richard Wright, who had left the band under pressure from Waters after the Wall sessions. The recording was plagued by conflict; guitarist David Gilmour felt many of the tracks were not worthy of inclusion, but Waters accused him of failing to contribute material himself. The contributions from drummer Nick Mason were limited mostly to sound effects.

The Dark Side of the Moon explores themes such as conflict, greed, time, death, and mental illness. Snippets from interviews with the band's road crew and others are featured alongside philosophical quotations. The sleeve, which depicts a prismatic spectrum, was designed by Storm Thorgerson in response to the keyboardist Richard Wright's request for a "simple and bold" design which would represent the band's lighting and the album's themes. The album was promoted with two singles: "Money" and "Us and Them".

A Momentary Lapse of Reason received mixed reviews. Critics praised the production and instrumentation, but criticised Gilmour's songwriting, and it was derided by Waters. It reached number three in the UK and US, and outsold Pink Floyd's previous album, The Final Cut (1983). It was supported by a successful world tour between 1987 and 1989, including a free performance on a barge on the Grand Canal in Venice, Italy.

The record builds on ideas explored in Pink Floyd's earlier recordings and performances, while omitting the extended instrumentals that characterised the band's earlier work. The group employed multitrack recording, tape loops, and analogue synthesisers, including experimentation with the EMS VCS 3 and a Synthi A. The engineer Alan Parsons was responsible for many aspects of the recording, and for the recruitment of the session singer Clare Torry, who appears on "The Great Gig in the Sky".

The Best of Pink Floyd: A Foot in the Door is a greatest hits album by English rock band Pink Floyd, that was released as part of the Why Pink Floyd...? 2011–12 remastering campaign. It was later released on vinyl on 26 September 2018.

Paul Louis Hardcastle - is a British composer, musician, producer, songwriter, radio presenter and multi-instrumentalist. He is best known for his song "19", which went to number 1 in the UK Singles Chart in 1985.

Hardcastle VI / Featuring the late Marvin Gaye.
With millions of records sold worldwide over the last few decades, Master class producer/composer Paul Hardcastle has touched generations with his sexy,
syncopated gold, spinning musical yarns that continue to move his rabid and burgeoning fan base at its core.
The Trippin 'N Rhythm release of his latest offering Hardcastle VI, builds upon the rhythmic/dance foundation that established Hardcastle as the pre-eminent force in composing pulsating soulful sides that transcended race and genre.The early ground swell has already begun at radio with the multi-format leak of the lead single a brilliant mash-up of two period classics, Hardcastle's , 'Rainforest' and Marvin Gaye s What's Going On, an intoxicating blend of Hardcastle s club beats providing perfect backdrop to Gaye s thought provoking musical question, bringing both new life. Early
indications signal another multi-format smash mixed and masterminded by his musical genius. With supporting sides like 'DC Boogie', Night Time Hustle and 'Into The Blue', Hardcastle's signature rhythms reign throughout. With a nod to the past and his sights set firmly on the future 'VI' is certain to fan the flames already burning in his base and could once again obliterate the lines between genres taking his music again to heights he established early in the 80s with sales in excess of 4 million albums.

Can’t Take Me Home - дебютный студийный альбом американской поп-певицы P!nk, выпущенный в США 4 апреля 2000 года компанией LaFace Records.

Try This - третий студийный альбом поп-певицы Pink, выпущенный 11 ноября 2003. На нём есть такие синглы, как «Trouble», «God Is a DJ» и «Last to Know». Также это первый альбом этой американской певицы, получивший пометку Ненормативная лексика. Try This стал самым низкопродаваемым альбомом P!nk c продажами более 1,000,000 экземпляров в США и 6 миллионами копий в мировом масштабе.

Missundaztood - второй студийный альбом поп-певицы Pink, выпущенный в 2001 году. Он включает хиты: «Get the Party Started», «Don't Let Me Get Me», «Just Like a Pill» и «Family Portrait». На тот момент он стал самым успешным альбомом Pink, распроданный более 15 миллионами экземплярами по всему миру.

Funhouse - пятый студийный альбом американской поп-певицы Pink, выпущенный LaFace Records во всем мире в октябре 2008 года. К своему релизу альбом достиг первой позиции в чартах 6 стран, включая Австралию, Новую Зеландию, Нидерланды и Великобританию, наряду с тем, что дебютировал вторым номером в Германии, Ирландии и США.

I’m Not Dead - четвёртый студийный альбом поп-певицы P!nk, выпущенный 3 апреля 2006 года в мире и 4 апреля 2006 года в Северной Америке. Pink работала с продюсерами и авторами песен Билли Манном, Джошем Абрахамом, Максом Мартином, Dr. Luke, Бутчем Уолкером и Майком Элизондо. Содержание текстов песен - от личных до политических. Диск изначально был назван Long Way to Happy по одноимённой песне из альбома, но Pink изменила его на I’m Not Dead, считая, что это более точная формулировка для альбома, выпущенного после некоторого перерыва.