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Bob Dylan - John Wesley Harding (2015) [MFSL]

Music genres / Folk, Ethnic maestro 0 170  12.08.25 
Performer: Bob Dylan
Album: John Wesley Harding
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2125
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2015
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 12
Size ZIP: ~ 413 mb
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John Wesley Harding is the eighth studio album by the American singer-songwriter Bob Dylan, released on December 27, 1967, by Columbia Records. Produced by Bob Johnston, the album marked Dylan's return to semi-acoustic instrumentation and folk-influenced songwriting after three albums of lyrically abstract, blues-indebted rock music. John Wesley Harding was recorded around the same time as the home recording sessions with the Band known as The Basement Tapes.

Bob Dylan - Highway 61 Revisited (2014) [MFSL]

Music genres / Folk, Ethnic maestro 0 154  12.08.25 
Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2124
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 9
Size ZIP: ~ 567 mb
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Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.

Bob Dylan - Blood On The Tracks (2012) [MFSL]

Music genres / Folk, Ethnic maestro 0 92  12.08.25 
Performer: Bob Dylan
Album: Blood On The Tracks
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2098
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 10
Size ZIP: ~ 491 mb
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Blood on the Tracks is the fifteenth studio album by American singer-songwriter Bob Dylan, released on January 20, 1975, by Columbia Records. The album marked Dylan's return to Columbia after two albums with Asylum Records. Dylan began recording the album at an A & R studio in New York City in September 1974. In December, shortly before Columbia was due to release the album, Dylan abruptly re-recorded much of the material in Sound 80 studio in Minneapolis. The final album contains five tracks recorded in New York and five from Minneapolis. The songs have been linked to tensions in Dylan's personal life, including his estrangement from his then-wife Sara. One of their children, Jakob Dylan, described the songs as "my parents talking". Dylan denied that the songs were autobiographical.

Bob Dylan - Blonde On Blonde (2013) [MFSL]

Music genres / Folk, Ethnic maestro 0 3 382  12.08.25 
Performer: Bob Dylan
Album: Blonde On Blonde
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2097
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 14
Size ZIP: ~ 747 mb
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Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.
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Bob Dylan - The Times They Are A-Changin' (2015) [MFSL]

Music genres / Folk, Ethnic maestro 0 149  12.08.25 
Performer: Bob Dylan
Album: The Times They Are A-Changin'
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2123
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2015
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 10
Size ZIP: ~ 451 mb
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The Times They Are a-Changin' is the third studio album by the American singer-songwriter Bob Dylan. It was released on February 10, 1964, through Columbia Records. Whereas his previous albums, Bob Dylan (1962) and The Freewheelin' Bob Dylan (1963), combined original material and cover songs, this was the first to feature only original compositions. The album consists mostly of stark, sparsely arranged ballads concerning issues such as racism, poverty, and social change. The title track is one of Dylan's most famous; many feel that it captures the spirit of social and political upheaval that characterized the 1960s.

Bob Dylan - Bringing It All Back Home (2012) [MFSL]

Music genres / Folk, Ethnic maestro 0 4 187  12.08.25 
Performer: Bob Dylan
Album: Bringing It All Back Home
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2096
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 11
Size ZIP: ~ 465 mb
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Bringing It All Back Home is the fifth studio album by the American singer-songwriter Bob Dylan, released in April 1965 by Columbia Records. In a major transition from his earlier sound, it was Dylan's first album to incorporate electric instrumentation, which caused controversy and divided many in the contemporary folk scene.
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Bob Dylan - The Freewheelin' Bob Dylan (2012) [MFSL]

Music genres / Folk, Ethnic maestro 0 4 591  12.08.25 
Performer: Bob Dylan
Album: The Freewheelin' Bob Dylan
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2081
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 13
Size ZIP: ~ 515 mb
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The Freewheelin' Bob Dylan is the second studio album by the American singer-songwriter Bob Dylan. It was released on May 27, 1963, through Columbia Records. The record marks the beginning of Dylan's writing contemporary lyrics to traditional melodies. His debut album Bob Dylan contains only two original songs, whereas eleven of the thirteen songs on Freewheelin' are Dylan's compositions. It opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul and Mary soon after the release of the album. The album featured several other songs which came to be regarded as among Dylan's best compositions and classics of the 1960s folk scene: "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right".
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Bob Dylan - Desire (2013) [MFSL]

Music genres / Folk, Ethnic maestro 0 4 070  12.08.25 
Performer: Bob Dylan
Album: Desire
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2119
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 9
Size ZIP: ~ 648 mb
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Desire is the seventeenth studio album by American singer-songwriter Bob Dylan, released on January 5, 1976, through Columbia Records. It is one of Dylan's most collaborative efforts, featuring the same caravan of musicians as the acclaimed Rolling Thunder Revue tours the previous year (later documented on The Bootleg Series Vol. 5). Many of the songs also featured backing vocals by Emmylou Harris and Ronee Blakley. Most of the album was co-written by Jacques Levy, and is composed of lengthy story-songs, two of which quickly generated controversy: the 11-minute-long "Joey", which is seen as glorifying the violent gangster "Crazy Joey" Gallo, and "Hurricane", the opening track that tells a passionate account of the murder case against boxer Rubin "Hurricane" Carter, who the song asserts was framed. Carter was released in 1985, after a judge overturned his conviction on appeal.
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Bob Dylan - Bob Dylan (2014) [MFSL]

Music genres / Folk, Ethnic maestro 0 155  12.08.25 
Performer: Bob Dylan
Album: Bob Dylan
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2122
Style: Rock, Folk Rock, Pop Rock, Blues Rock, Ballad
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 13
Size ZIP: ~ 434 mb
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Bob Dylan is the debut studio album by the American singer-songwriter Bob Dylan, released on March 19, 1962, by Columbia Records. The album was produced by Columbia talent scout John H. Hammond, who had earlier signed Dylan to the label, a controversial decision at the time. The album primarily features folk standards but also includes two original compositions, "Talkin' New York" and "Song to Woody". The latter was an ode to Woody Guthrie, a significant influence in Dylan's early career.

Bob Dylan - Another Side Of Bob Dylan (2012) [MFSL]

Music genres / Folk, Ethnic maestro 0 3 763  12.08.25 
Performer: Bob Dylan
Album: Another Side Of Bob Dylan
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2095
Style: Rock, Folk Rock, Pop Rock, Blues Rock, Ballad
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 11
Size ZIP: ~ 480 mb
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Another Side of Bob Dylan is the fourth studio album by the American singer and songwriter Bob Dylan, released on August 8, 1964, by Columbia Records.
The album deviates from the more socially conscious style which Dylan had developed with his previous LP, The Times They Are A-Changin' (1964). The change prompted criticism from some influential figures in the folk community – Sing Out! editor Irwin Silber complained that Dylan had "somehow lost touch with people" and was caught up in "the paraphernalia of fame".
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Blind Passengers - Neosapiens (2001)

Releases FM / Metal, Heavy, Power Scullplug 0 2 910  11.08.25 
Performer: Blind Passengers
Album: Neosapiens
Label: Irond. Made in Russia.
Catalog #: 01-113
Style: Industrial Metal
Year: 2001
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 17
Size RAR: ~ 526 mb
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Recovery: 3%
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Новый альбом немецких индустриальщиков. Посредственный хиленький альбомчик. Нет композиций плохих нет хитовых. Все - просто неплохие вещи, среди которых ни одна не выделяется, и фаворитные песни следовательно у всех могут быть разные. Мне вот полюбилась Black Sunday, и, как ни странно, не оригинал, а ремикс Shake the lie. Пожалуй, единственное, чем-то выделяющее этот альбом - это неплохие ремиксы, которые есть только на диске от Irond records
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Bachman-Turner Overdrive - Bachman-Turner Overdrive II (1973) [Reissue 2016]

Music genres / Classic Rock, Hard Rock Scullplug 0 2 753  11.08.25 
Performer: Bachman-Turner Overdrive
Album: Bachman-Turner Overdrive II
Label: Caroline Records. Made in EU.
Catalog #: CAROLR036CD
Style: Classic Rock, Hard Rock
Year: 1973
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 8
Size RAR: ~ 304 mb
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Recovery: 3%
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В 60-х годах Рэнди Бахман работал в известной канадской группе "Guess who", для которой написал кучу хитов. Потом он бросил это дело и в 1970 году записал сольник "Axe". Продолжать одному работу не хотелось, и он решил создать новую команду. Скооперировавшись со своим бывшим коллегой из "Guess who" Чэдом Алленом (вокал, клавишные, гитара) и посадив за ударные своего младшего братишку Робина он назвал проект "Brave Belt". Ко времени выхода второго альбома в группе появился еще один участник, автор песен и вокалист С.Ф. Тернер. Именно с его приходом саунд коллектива достиг нужной тяжести. Недовольный новым направлением Чэд Аллен покинул группу, а за бас-гитару взялся еще один братец Бахман – Тим.
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Bloodthorn - Under The Reign Of Terror (2001)

Releases FM / Metal, Heavy, Power Scullplug 0 2 561  11.08.25 
Performer: Bloodthorn
Album: Under The Reign Of Terror
Label: Irond. Made in Russia.
Catalog #: 01-177
Style: Death Black Metal
Year: 2001
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 08
Size RAR: ~ 339 mb
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Recovery: 3%
Password: without a password


Это вам не хухры-мухры какие-нибудь, это настоящий тронхеймский true-black metal. Мизантропия Darkthrone, катарсис Mayhem и мистицизм раннего Immortal слились воедино, чтобы явить собой альбом Bloodthorn аж в 2001 году от рождества не-буду-лишний-раз-упоминать-его-имя. Воистину, творение создавалось под гнетом террора, и большинство иначе как под гнетом его слушать не станет.
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Beseech - Sunless Days (2005)

Releases FM / Metal, Heavy, Power Scullplug 0 3 518  11.08.25 
Performer: Beseech
Album: Sunless Days
Label: Irond. Made in Russia.
Catalog #: 05-1062
Style: Gothic Metal
Year: 2005
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size RAR: ~ 393 mb
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Recovery: 3%
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Шведские готик-металлисты выпустили приятный альбом. Акцент по-прежнему делается на эмоциональный вокальный дуэт Литты Хоглин и Эрика Моларина. Все выверено точно, и Литта солирует в спокойной “Lost”, показывая, на что способен ее голос в одиночку. Ассоциации с другими подобными коллективами напрашиваются сами собой при первом же прослушивании «Sunless Days». Альбом отличается сочным гитарным звучанием, недаром в записи принял участие гитарист Манне Энгстрем (Sundown, Cemetery). Явно готик-роковые песни «Last Obsession» и кавер «Devil’s Playing» вышли на славу.
Beseech
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Blaze Bayley - Promise And Terror (2009)

Music genres / Metal, Heavy, Power Scullplug 0 1 858  11.08.25 
Performer: Blaze Bayley
Album: Promise And Terror
Label: Blaze Bayley Recordings. Made in UK.
Catalog #: BBRCD003
Style: Heavy Metal
Year: 2009
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 11
Size RAR: ~ 465 mb
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Recovery: 3%
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Блейза Бэйли, не нуждающегося особо в представлении всем знатокам "Мэйденов" в частности и хэви-металла в целом, за последнее время жизнь поизмотала. Но харизматичный дядька собрал все силы в кулак и своим новым альбомом так шарахнул по столу, что он, конечно, в щепки не разлетелся, но крякнул дюже натужно. Такое впечатление, что сами небеса решили поддержать Блейза, даровав ему такой заряд энергии, что из каждой ноты одиннадцати представленных здесь песен она просто прет тоннами. Я даже выделять не хочу ни одного трека. Каждый настолько отточен и отшлифован до блеска, что глазам больно смотреть. Ни одной проходной композиции мною замечено не было, вокал Бэйли все так же готично мрачен, плюс отдельное спасибо за обложку.
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