Zeitgeist ("Spirit of the Age") is the debut album by German electronic DJ Schiller. It features the singles "Das Glockenspiel", "Liebesschmerz" and "Ruhe", all of which reached the top 30 of the German singles charts. The album itself reached the top 30 of the German longplay charts as well.

Sehnsucht (UK: Desire) is the fifth studio album by the electronic project Schiller undertaken by German musician, composer and producer Christopher Von Deylen. The album was released on 22 February 2008. The album features collaboration with several established artists like Xavier Naidoo, Jaël, Kim Sanders, and Klaus Schulze among others.
The album was launched in four versions: a limited three-disc Super Deluxe Edition, a two-disc Deluxe Edition, a Standard Edition and a Double Vinyl Edition. The Super Deluxe edition contains 31 compositions from Christopher Von Deylen, mostly new. The DVD includes music videos, concert footage and a documentary. The two-disc Deluxe Edition contains selected songs from the Super Deluxe Edition and the DVD.

Zeitgeist ("Spirit of the Age") is the debut album by German electronic DJ Schiller. It features the singles "Das Glockenspiel", "Liebesschmerz" and "Ruhe", all of which reached the top 30 of the German singles charts. The album itself reached the top 30 of the German longplay charts as well.

20/20 is the twentieth studio album by Canadian rock band Saga. The album marked the return of original singer Michael Sadler. The album charted at No. 13 in Germany, the highest since their 1985 release Behaviour.

"Illuminate" - альбом немецкого электронного проекта Schiller, выпущенный в 2023 году. Этот альбом продолжает традицию создания захватывающих музыкальных ландшафтов, которые объединяют элементы электронной музыки, эмбиента и попа. В "Illuminate" Кристофер фон Дейлен, стоящий за проектом Schiller, исследует темы света, пространства и внутреннего покоя, создавая атмосферные и эмоционально насыщенные композиции.
"Illuminate" был положительно принят критиками за свою продуманную продукцию и способность погружать слушателя в медитативное состояние. Этот альбом подтверждает статус Schiller как одного из ведущих проектов в жанре электронной музыки, способного сочетать техническое мастерство с эмоциональной выразительностью.

Köld is the third studio album by Icelandic post-metal band Sólstafir. It was released on January 21, 2009 through Spinefarm Records. The cover art was done by Guðmundur Óli Pálmason. It was recorded in Gothenburg and all the songs are in English, except the title song "Köld".

The title track reached No. 31 on the UK singles chart in February 1975. The album's second single, "I Bit off More Than I Could Chew", also reached the charts, peaking at 54 in the UK charts. "Michael" also had limited promotion, being released as a single in some territories, including Australia where the song reached the top 100. The album reached the charts in several territories, reaching the top 50 in Germany, Norway and New Zealand, as well as making an appearance in the US charts, peaking at 146.

Your Mamma Won't Like Me is the third studio album by Suzi Quatro. Released in May 1975 by record label Rak in most countries, in the US the album was released through Arista Records, the label that had recently succeeded Bell Records which distributed Quatro's first two previous releases in that country. The LP marked a change in the hard rock sound from the singer's previous albums Suzi Quatro and Quatro, instead displaying a more funk-oriented rock sound.

Suzi Quatro is the debut solo studio album by the American singer-songwriter and bass guitarist of the same name. The LP was originally released in October 1973, by the record label Rak in most territories. The album was released under Bell Records in the United States and Canada, EMI Records in Japan, and Columbia Records in some European countries. It was titled Can the Can in Australia.

This article is about the 1974 Suzi Quatro album. For other uses, see Quatro.
Quatro is Suzi Quatro's second album, released in October 1974 by Rak Records as SRAK 509, with the exceptions of the United States and Canada (where the album was released by Bell Records), Japan (EMI Records) and several territories in Europe (Columbia Records).

This is now the third release from Serious Black that I have reviewed within the pages of manofmuchmetal.com and it is safe to say that the results have been rather varied. 2017’s ‘Magic’ scored highly, as it delivered a very positive and enjoyable slab of melodic heavy metal. ‘Suite 226’, their 2020 offering didn’t hit the same level in my opinion and was ultimately rather disappointing. Always one to maintain an air of optimism, I refused to just turn my back on the band. Instead, I have checked out their sixth full-length release, ‘Vengeance Is Mine’, and have decided to bring you my thoughts on it subsequently.

В новом альбоме группа отошла от предыдущих историй, связанных с магией и другими потусторонними вещами. ‘Suite 226’ – история душевнобольного, разрывающегося между ужасающей реальностью и своими иллюзиями. В его мире грёз он – живущий в замке король, окружённый прекрасными женщинами. На его столах чудесное вино и роскошная еда, а под его командованием – непобедимая армия. В реальности он заперт в психбольнице, в камере-одиночке номер 226, и врачи проводят бесчеловечные эксперименты над его мозгом. И чем дальше это продолжается, тем больше протагонист скатывается в свой личный ад, с обширной паранойей и приступами паники.

I do enjoy short albums I can have easily in one sitting (you could literally watch a movie in the length of time it takes to spin the new Nightwish, for fuck’s sake), and so this is a nice record to consume on a quick walk. It helps that all the songs are of a high quality, and as this is probably the most Serious Black have leaned on the up-tempo power metal aspects of their sound, I’ve been spinning it a fair bit. Urban Breed sounds much better here than he did on ‘Suite 226’, more like his old Tad Morose self but a bit softer, as fitting for the material, which is generally very melodic, keyboardy power metal that functions as a run through conventions set out by Edguy, Helloween, and Stratovarius, with a tip of the hat towards old Queensryche. After a pointless symphonic intro (didn’t these go out of fashion fifteen years ago?) we launch into ‘As Long As I’m Alive’, a killer double kicker with a great verse and invigorating chorus, straight into one of Serious Black’s best tunes, the mighty ‘Castor Skies’. This one has plenty of harpsichord runs and snappy riffing before hitting the absolutely stellar chorus, probably my favorite moment on the whole disc. ‘Heartbroken Soul’ ends the trio of slick opening cuts, another highlight with a downhearted lyric and some nice melodic play.

The year 2015 started more than promising for fans of high class melodic metal: SERIOUS BLACK, a so-called 'allstar band' appeared on the scene and dropped their highly acclaimed debut album 'As Daylight Breaks'. Much to the surprise of many, SERIOUS BLACK indeed proved to be a real band and they kept their promise of rocking the stages wherever possible. So during only a year they not only successfully released a fantastic debut album, but also went on extensive European tours with HammerFall and later Gamma Ray. In addition, SERIOUS BLACK was chosen to be special guest on Kamelot's German Summer shows and also played numerous festivals in Europe. Being that active in the past 18 months, it's surprising to see the band announcing a brand new studio album already. You'll be even more surprise when 'Mirrorworld' sees its release: SERIOUS BLACK have managed to excel their excellent debut! Prepare for something special: the 'Mirrorworld' opens on September 9th…